All stories by Michael Billington on BroadwayStars

Monday, May 25, 2015

Michael Billington on reviewers who join in the play by Michael Billington

'Keep off the stage when you're on duty'"Imprisoned in every fat man,"

SOURCE: The Guardian at 05:58PM

The Wizard of Oz - review by Michael Billington

The Victorian theatre of spectacle is alive and well, and residing at the London Palladium. But although this adaptation of the Frank Baum book and the 1939 movie, with additional songs by A…

SOURCE: The Guardian at 05:58PM

Olivier awards: Roger Allam reigns, Sheridan Smith shines ... but is it the end of an era? by Michael Billington

Allam stole the best actor crown and Smith was queen of musicals, but new plays were thin on the ground. And funding cuts were the ghost at the feast

SOURCE: The Guardian at 05:58PM

Peter Pan review – skilful tale of the lost boys of war by Michael Billington

Open Air theatre, Regent’s Park, LondonTimothy Sheader and Liam Steel’s clever new production, set in a military hospital, soars with ingenuity but doesn’t reach the magic height of JM…

SOURCE: The Guardian at 07:29AM

Great performances: Penelope Wilton in The Deep Blue Sea by Michael Billington

With its mix of sensuality and intelligence, her portrayal of Hester Collyer at London’s Almeida in 1993 towers above all othersWhy is Penelope Wilton not more acclaimed? She did, admitted…

SOURCE: The Guardian at 03:00AM
Sunday, May 24, 2015

The Hudsucker Proxy review – unlocks the theatricality of a Coen bros classic by Michael Billington

Nuffield, Southampton Far from simply retreading familiar ground, this brilliantly designed adaptation highlights the Coens’ debt to 1920s American theatre Continue reading...

SOURCE: The Guardian at 08:47AM
Friday, May 22, 2015

The Merchant of Venice review – poorly conceived and drably spoken by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonNothing much adds up in Polly Findlay’s production, which fails to anchor Shakespeare’s play in a specific location Continue reading...

SOURCE: The Guardian at 06:35AM
Wednesday, May 20, 2015

McQueen review – fashion designer drama is an act of worship by Michael Billington

St James theatre, LondonAn excellent lead performance by Stephen Wight cannot save this woozy, over-reverential reimagining of a creative iconoclast Related: Alexander McQueen's Savage Beaut…

SOURCE: The Guardian at 06:58PM
Tuesday, May 19, 2015

DruidShakespeare review – back-to-back history plays make exhilarating epic by Michael Billington

Druid theatre, GalwayGarry Hynes’s long-haul, gender-blind production of Richard II, Henry IV parts one and two and Henry V offers a staggering study of the instability of power Continue r…

SOURCE: The Guardian at 07:35AM
Monday, May 18, 2015

The Flannelettes review – Motown hits and mining pits in Yorkshire tragedy by Michael Billington

King’s Head, LondonThe romantic optimism of 60s pop suffuses Richard Cameron’s painfully honest record of fractured lives in a ravaged village Continue reading...

SOURCE: The Guardian at 07:48AM

Great performances: Michael Redgrave as Uncle Vanya by Michael Billington

Sporting floppy hair and a cravat, Redgrave captured the key fact about many Chekhov characters: that it is possible to be comic outside and tragic insideLaurence Olivier wasn’t exactly fa…

SOURCE: The Guardian at 03:00AM
Friday, May 15, 2015

Dennis Potter: there is a nostalgic, rightwing impulse in England by Michael Billington

In a BBC World Service broadcast in 1979, Dennis Potter – who would have turned 80 this weekend – talked to Michael Billington about the relationship between good and evil in his play Br…

SOURCE: The Guardian at 06:26AM
Thursday, May 14, 2015

High Society review – misbehaving musical is a snobs' party by Michael Billington

The Old Vic, LondonMaria Friedman directs with style, and Kate Fleetwood is among the lively cast, but Cole Porter’s musical mish-mash has a patronising attitudeI can’t imagine this Cole…

SOURCE: The Guardian at 05:30PM

Kevin Spacey at the Old Vic: glamour and an iron grip by Michael Billington

After 10 years, Spacey is stepping down from the London theatre he called home. There have been some resounding flops but he delivered the goods – and was a delight to watch on stageWhen i…

SOURCE: The Guardian at 07:00AM
Wednesday, May 13, 2015

Communicating Doors review – Alan Ayckbourn’s time travellers foil murder by Michael Billington

Menier Chocolate Factory, LondonIt’s Back to the Future, with sex and violence. Wronged women get the upper hand on destiny in a hotel suite that hides a tycoon’s lethal secret“Let’s…

SOURCE: The Guardian at 05:29PM
Tuesday, May 12, 2015

Beyond Bollywood review – Munich to Mumbai epic is lost in a fog of dry ice by Michael Billington

London PalladiumOffering endless exhortations to follow your heart, swirling movement and a chorus of blokes in skimpy shorts, this lavish spectacle is in search of a story Continue reading.…

SOURCE: The Guardian at 09:10AM
Monday, May 11, 2015

Great performances: Eileen Atkins in All That Fall by Michael Billington

Atkins’s turn as Mrs Rooney in the 2012 revival of Samuel Beckett’s play showed off all her skills, subtlely and emotional directnessI was recently sent a DVD of the BBC’s 1960s Shakes…

SOURCE: The Guardian at 03:00AM
Thursday, May 7, 2015

Matchbox Theatre review – sketchy Michael Frayn show proves revue still resonates by Michael Billington

Hampstead theatre, LondonTheatre’s quaint rituals are satirised in this set of 23 short scenes that prove the playwright is an acute observer of absurdities Continue reading...

SOURCE: The Guardian at 07:12AM
Wednesday, May 6, 2015

The Vote review – James Graham's all-star election-night farce by Michael Billington

Donmar Warehouse, LondonJudi Dench, a wonderfully twitchy Mark Gatiss, Catherine Tate and other famous faces make appearances at the polling station in Graham’s entertaining ballet-box dra…

SOURCE: The Guardian at 05:01PM
Tuesday, May 5, 2015

The Audience review – Kristin Scott Thomas is an icy, imperious Queen by Michael Billington

Apollo theatre, LondonPeter Morgan’s play about the monarch and her prime ministers is essentially a series of sketches – and has less to say than King Charles IIIWith Helen Mirren enthr…

SOURCE: The Guardian at 05:36PM

As Good a Time As Any review – Peter Gill’s chorus of London lives by Michael Billington

Print Room at the Coronet, LondonThis play for voices offers a compassionate portrait of mothers, wives and daughters in the capital city Continue reading...

SOURCE: The Guardian at 07:38AM
Monday, May 4, 2015

The Apple Family Plays review – exemplary American ensemble tells a nation’s story by Michael Billington

Brighton Dome Corn ExchangeRichard Nelson’s extraordinary quartet of plays precisely charts the shifting moods within one family – and the national psyche Continue reading...

SOURCE: The Guardian at 08:08AM

Great performances: Michael Gambon in A View from the Bridge by Michael Billington

In Alan Ayckbourn’s 1987 National Theatre revival, Gambon demonstrated his massive physical presence, and Brando-like gift for suggesting the sensitivity withinMichael Gambon has talked op…

SOURCE: The Guardian at 03:59AM
Friday, May 1, 2015

At Shakespeare's Globe, Emma Rice must both respect and deconstruct the classics by Michael Billington

Dominic Dromgoole’s successor is known for her inventive and irreverent Kneehigh shows – her key challenge is maintaining the audience balance of active engagement and silent appreciatio…

SOURCE: The Guardian at 09:00AM

The Merchant of Venice review – Jonathan Pryce is a Shylock of weight and complexity by Michael Billington

Shakespeare’s Globe, LondonIn Pryce’s deeply considered performance, which dominates Jonathan Mumby’s moving production, the moneylender is both tyrant and victim. Jonathan Pryce, maki…

SOURCE: The Guardian at 06:50AM
Thursday, April 30, 2015

Way Upstream review – reckless Ayckbourn river cruise by Michael Billington

Chichester Festival theatreAlan Ayckbourn’s 1981 cabin-cruiser play remains a problematic moral allegory, but this is a well-acted, technically brilliant revivalThere is an obvious reason …

SOURCE: The Guardian at 07:42AM

Everyman review – Chiwetel Ejiofor's rich sinner feels modern wrath of God by Michael Billington

Olivier theatre, LondonDirector Rufus Norris gets off to a striking start at the National with Carol Ann Duffy’s stunning update of the medieval morality playIt may, at first, seem strange…

SOURCE: The Guardian at 05:41AM
Tuesday, April 28, 2015

Bugsy Malone review – splurge-gun turf wars and cutesy molls by Michael Billington

Lyric Hammersmith, LondonThe young cast strut, smoulder and hoof their hearts out, but this adaptation of Alan Parker’s 1975 film has nothing new to say about the gangster-movie traditionT…

SOURCE: The Guardian at 05:30PM
Monday, April 27, 2015

American Buffalo review – Damian Lewis is right on the money in Mamet classic by Michael Billington

Wyndham’s, LondonDaniel Evans’s production is meticulous is its psychological and physical detail, and there are fine performances from Lewis, John Goodman and Tom SturridgeA sign in the…

SOURCE: The Guardian at 05:30PM

Great performances: Vanessa Redgrave in As You Like It by Michael Billington

At Stratford in 1961 the star set a gold standard for the role of Rosalind. Her whole interpretation was about the poleaxing effect of passionVanessa Redgrave is one of the most thrillingly …

SOURCE: The Guardian at 03:00AM
Sunday, April 26, 2015

I Wish to Die Singing review – a searing account of the Armenian genocide by Michael Billington

Finborough, LondonNeil McPherson’s documentary drama is a powerful reminder of the 1915 massacre of Armenian civilians and the tragedies that ensued Continue reading...

SOURCE: The Guardian at 10:25AM

All that Chat