All stories by Michael Billington on BroadwayStars

Wednesday, June 24, 2015

Educating Rita review – Lenny Henry leaves stage but returns with conviction by Michael Billington

Minerva, ChichesterDespite stumbling over a line, Henry ended the evening looking totally assured in a Willy Russell revival that proves Lashana Lynch’s star potentialThis was one of the s…

SOURCE: The Guardian at 05:08AM
Tuesday, June 23, 2015

Luna Gale review – to whom does a baby really belong? by Michael Billington

Hampstead, LondonThere is a complex, moral debate at the heart of Rebecca Gilman’s play which tackles child protection head onRebecca Gilman does not shy away from big issues. Having writt…

SOURCE: The Guardian at 08:34AM
Thursday, June 18, 2015

The Motherfucker with the Hat review – sex, addiction and honour among dudes by Michael Billington

Lyttelton, LondonRicardo Chavira, of Desperate Housewives fame, stars in Stephen Adly Guirgis’s exuberant and astonishing New York dramaDon’t be deterred by the title. This 2011 play by …

SOURCE: The Guardian at 07:31AM
Wednesday, June 17, 2015

hang review – Marianne Jean-Baptiste dispenses justice with compelling anger by Michael Billington

Royal Court, Londondebbie tucker green’s play sits at the sharp end of the capital punishment question, but the drama would be heightened by a greater sense of moral doubt Related: Mariann…

SOURCE: The Guardian at 06:55AM
Tuesday, June 16, 2015

We Want You to Watch review – fantasies of a porn-free world by Michael Billington

NT Temporary theatre, LondonRashDash’s show about the effects of pornography has strong points of view, but doesn’t offer much room for debateWriter Alice Birch and theatre-makers Abbi G…

SOURCE: The Guardian at 08:10AM
Sunday, June 14, 2015

All That Fall review – a chance to savour uncanny Beckett in the dark by Michael Billington

Pit, Barbican, LondonPan Pan’s recorded production of Samuel Beckett’s 1957 play about a woman’s trip to meet her husband off a train is a remarkable aural tapestry“It is a text writ…

SOURCE: The Guardian at 12:24PM
Friday, June 12, 2015

Othello review – history is made with RSC's fresh take on the tragedy by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonThe stereotype of the ‘noble Moor’ is dismantled in Iqbal Khan’s shrewd, modern-dress production starring Hugh Quarshie and Lucian Msamati…

SOURCE: The Guardian at 07:14AM
Thursday, June 11, 2015

The Red Lion review – Patrick Marber captures football's moral contradictions by Michael Billington

Dorfman theatre, LondonMarber’s dressing-room drama is a remarkable three-hander about a sport that he clearly knows intimately Football as a metaphor for life is not uncommon. It has insp…

SOURCE: The Guardian at 07:56AM
Tuesday, June 9, 2015

London Road – review by Michael Billington

Olivier, LondonI missed this acclaimed piece of verbatim music-theatre when it opened at the Cottesloe last year. I was well aware that it was based on interviews with residents of a single …

SOURCE: The Guardian at 01:08PM

Violence and Son review – honest account of brutality kept in the family by Michael Billington

Royal Court theatre, LondonA domestic minefield is beautifully set up, and acted, in Gary Owen’s forceful play about abuse passed down through the generationsGary Owen has written a seriou…

SOURCE: The Guardian at 09:40AM

Great performances: Peggy Ashcroft in The Wars of the Roses by Michael Billington

As much at home in Beckett as in Shakespeare, Ashcroft had imagination, industry and intelligence. She rose to the challenge of playing Queen Margaret in this mesmerising 1963 trilogyWhat do…

SOURCE: The Guardian at 06:14AM
Sunday, June 7, 2015

Oresteia review – Icke brings us Aeschylus for the modern age by Michael Billington

Almeida, London Robert Icke’s bold and witty new version of Oresteia whets the appetite for the Almeida’s season that reimagines the Greek canonPraise is due to Robert Icke for his boldn…

SOURCE: The Guardian at 07:50AM
Thursday, June 4, 2015

Buckets review – 27 scenes of life, lust and longing by Michael Billington

Orange Tree theatre, LondonThe playground setting is a distraction, but Adam Barnard’s series of vignettes offers some innovative observationsAdam Barnard’s first full-length play is cle…

SOURCE: The Guardian at 08:51AM
Wednesday, June 3, 2015

Not I, Footfalls, Rockaby review – Lisa Dwan's breathtaking Beckett trio by Michael Billington

Barbican, LondonThree of the great Irish playwright’s later works are superbly performed in these precise productionsBeckett’s later works seem to me as much art installations as drama: …

SOURCE: The Guardian at 08:24AM
Tuesday, June 2, 2015

Andromache review – torrid love rectangle gets fine revival by Michael Billington

Royal Academy of Dramatic Art, LondonA reminder of the power of Racine’s 1667 exploration of obsessive love in ancient Greece, Edward Kemp’s excellent new translation has an impressive y…

SOURCE: The Guardian at 10:31AM
Monday, June 1, 2015

Kiss Me Kate – review by Michael Billington

Chichester Festival Theatre Continue reading...

SOURCE: The Guardian at 08:57AM

Just Jim Dale review – Carry On star had me weeping with laughter by Michael Billington

Vaudeville, LondonThe unfairly talented actor recalls a career that has taken him from Olivier’s National to British film comedies and Broadway in this exuberant solo showCan it be true? T…

SOURCE: The Guardian at 08:57AM

Great performances: John Wood in Stoppard's Travesties by Michael Billington

It wasn’t just his remarkable intellect that enabled Wood to portray both the youthful and aged Henry Carr; it was also his ability to capture Carr’s essenceIntelligence in acting takes …

SOURCE: The Guardian at 07:42AM
Sunday, May 31, 2015

The Elephant Man review – makes you long to see Bradley Cooper in classic roles by Michael Billington

Theatre Royal Haymarket, LondonCooper puts across the romantic sensibility of John Merrick in a well-presented production featuring Patricia Clarkson and Alessandro NivolaBradley Cooper is v…

SOURCE: The Guardian at 08:20PM
Friday, May 29, 2015

Kafka on the Shore review – Murakami’s novel becomes a sensuous spectacle by Michael Billington

Barbican, LondonGiant plastic cubes glide around the stage, bringing to life a dream world of Hegel-quoting sex-workers and a cat-seeking holy foolThe great Japanese director Yukio Ninagawa,…

SOURCE: The Guardian at 07:25AM
Thursday, May 28, 2015

The Temple review – an immaculate reimagining of the Occupy London protests by Michael Billington

Donmar Warehouse, LondonSimon Russell Beale plays the dean of St Paul’s with exquisite finesse, in a play that asks big questions about the role of the church in the modern world Continue …

SOURCE: The Guardian at 09:46AM
Wednesday, May 27, 2015

The Beaux’ Stratagem review – true love and liberation lead a merry dance in Lichfield by Michael Billington

Olivier theatre, London George Farquhar’s comedy plays its Restoration feminist cards with a generous heart in an exhilarating Simon Godwin production Continue reading...

SOURCE: The Guardian at 08:24AM
Tuesday, May 26, 2015

The One Day of the Year review – a perfect microcosm of Australian social tensions by Michael Billington

Alan Seymour’s probing 1960 drama about the generational and class conflicts that rear up within one family on Anzac Day gets an excellent and timely revival Continue reading...

SOURCE: The Guardian at 08:54AM
Monday, May 25, 2015

The new Stratford theatre: a jam factory full of treasures by Michael Billington

The old, three-tiered auditorium reflected the class structures of its age; the new one will, one trusts, be a more democratic space

SOURCE: The Guardian at 05:58PM

The new Stratford theatre: a jam factory full of treasures by Michael Billington

The old, three-tiered auditorium reflected the class structures of its age; the new one will, one trusts, be a more democratic space

SOURCE: The Guardian at 05:58PM

Why I'm sorry to see Michael Grandage exit the Donmar Warehouse by Michael Billington

Globetrotting directors can produce good work on the move, but it's chiefly those running buildings who enact a vision for theatre

SOURCE: The Guardian at 05:58PM

Dorfman or Cottesloe? Does it matter what a theatre is called? by Michael Billington

The National Theatre is to rename its smallest space after philanthropist Lloyd Dorfman. Wouldn't it be more fitting to celebrate an artist instead?

SOURCE: The Guardian at 05:58PM

The great expressionist experiment: theatre seizes the essence of life by Michael Billington

A number of productions are dragging British theatre away from the grip of realism - with sensational results

SOURCE: The Guardian at 05:58PM

This West End theatre boom is not all good news | Michael Billington by Michael Billington

High ticket prices are fuelling this rise in box-office takings, and London theatre can't just rely on spin-offs and musicals

SOURCE: The Guardian at 05:58PM

Frankenstein - review by Michael Billington

Forget Boris Karloff with a bolt through his neck. Forget even Peter Boyle as the new, improved monster singing Puttin' On The Ritz in the Mel Brooks pastiche. What you get in Danny Boyle's …

SOURCE: The Guardian at 05:58PM

Michael Billington on reviewers who join in the play by Michael Billington

'Keep off the stage when you're on duty'"Imprisoned in every fat man,"

SOURCE: The Guardian at 05:58PM

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