Monday, February 19, 2018
I tried to engage, I really did, but Nik Wakefield’s solo show Air Time is one of those performance art pieces that
SOURCE: The Stage Registration at 12:57PMAn interactive theatre experience for adults, designed and performed by kids. What could go wrong? Surprisingly little, in fact, in Coney’s part
SOURCE: The Stage Registration at 08:48AMThe Rain God Pronk! is a collective of creatives set up last spring with the aim of combining science and storytelling to
SOURCE: The Stage Registration at 02:00AMFriday, February 16, 2018
Mark Wilson’s two-hander, You, originally premiered at the Brighton Fringe in 2015, and it’s lost little of its power since then. It’s
SOURCE: The Stage Registration at 10:46AMIt feels so, so wrong to pass comment on I Have a Mouth and I Will Scream, because if there’s one thing
SOURCE: The Stage Registration at 08:31AMThursday, February 15, 2018
The new show by Willis and Vere – the duo behind 2015’s hit fringe farce The Starship Osiris – is called A
SOURCE: The Stage Registration at 11:03AMLauren Silver’s Surprise! is one of those frank, friendly solo shows that explores issues of mental health or social stigma with the
SOURCE: The Stage Registration at 09:34AMWhat makes one world real and one world imaginary? That’s the Matrix-like dilemma at the centre of Exeter-based company the Peaceful Defeat’s
SOURCE: The Stage Registration at 04:15AMWednesday, February 14, 2018
British South Asian company Akademi is marking the centenary of the First World War with an adaptation of a short story commemorating the
SOURCE: The Stage Registration at 07:30AMMonday, February 12, 2018
As Vault Festival strides into its fourth week, there’s a real sense that the festival has found its feet. Week four sees
SOURCE: The Stage Registration at 02:00AMSaturday, February 10, 2018
Fever Dream Theatre’s Wrecked boasts one of the bolder concepts of this year’s festival. It’s a 45-minute thriller performed in a crashed
SOURCE: The Stage Registration at 12:06PMNo-one talks to strangers anymore. At train stations, on the tube, at coffee shops, it’s smartphones out and earbuds in. Except in
SOURCE: The Stage Registration at 06:18AMFriday, February 9, 2018
Exit Productions’ show is one of the mainstays of this year’s festival. It’s here from first week to last, occupying Unit 9
SOURCE: The Stage Registration at 10:26AMTherese Ramstedt’s solo show Mission Abort uses Flight of the Conchords in its soundtrack, so its automatically great. But even if it
SOURCE: The Stage Registration at 09:45AMThursday, February 8, 2018
When Eugene O’Neill finished a draft of Long Day’s Journey Into Night in 1941, he insisted the play never be performed and
SOURCE: The Stage Registration at 12:25PMErica Murray’s The Cat’s Mother scours like only caustic Irish comedy can. Written as part of the Soho Theatre’s Young Writers Lab
SOURCE: The Stage Registration at 10:10AMThere can be few shows at this year’s festival better suited to their underground environs than Anonymous is a Woman’s Think of
SOURCE: The Stage Registration at 09:36AMHail Hytner! Nick's immersive Shakespeare overcomes its own innate lameness triumphantly.
The post Review: Julius Caesar at the Bridge Theatre appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 06:58AMSunday, February 4, 2018
Double Infemnity is one of those show, that, while bursting with good ideas, lacks the finesse to pull them off. A joint
SOURCE: The Stage Registration at 05:26AMSaturday, February 3, 2018
You enter the space, your bag is taken from you, and you’re guided, individually, to your place on an uncomfortable wooden bench.
SOURCE: The Stage Registration at 10:28AMWelcome to the weird world of HP Lovecraft. Dominic Allen and Simon Maeder’s comic new show takes you on a whistlestop tour
SOURCE: The Stage Registration at 09:52AMFriday, February 2, 2018
About halfway through Lamplighters, Neil Connolly’s interactive homage to the spy thrillers of John Le Carre, something goes seriously wrong. An audience
SOURCE: The Stage Registration at 12:43PMAs London’s Vault Festival moves into its third week, Fergus Morgan picks out five shows to watch out for, from a solo piece based
SOURCE: The Stage Registration at 11:02AMHow to describe a show like Vanishing Mankind? Theatre directors Simon Evans and David Aula turn performers again for this semi-sequel to
SOURCE: The Stage Registration at 05:04AMThursday, February 1, 2018
Nicholas Hytner kicked off his reign at the National with a timely revival of Henry V, one that emphatically echoed contemporary political
SOURCE: The Stage Registration at 12:29PMMonday, January 29, 2018
This is a neat piece of writing. A murder mystery, set in North-West London’s chemsex scene, that simultaneously supplies a nagging study
SOURCE: The Stage Registration at 12:31PMWith the public gaze fixed squarely on the depraved attendees of the Presidents Club dinner, Joana Nastari’s one-woman play about stripping, Fuck
SOURCE: The Stage Registration at 12:25PMThere’s the kernel of a good idea here. Using Dwayne “The Rock” Johnson as a semi-ironic symbol of hope against the belligerent
SOURCE: The Stage Registration at 09:17AMSilk Road, for the uninitiated, was a darknet narcotics marketplace on which you could order everything from crack cocaine to painkillers and
SOURCE: The Stage Registration at 07:22AMAfter an opening salvo of musicals about The Rock and Bitcoin-funded darknet dramas, London’s Vault Festival swings into its second week with a
SOURCE: The Stage Registration at 03:00AMThursday, January 25, 2018
Wilde’s in the West End. Dominic Dromgoole’s new company Classic Spring follows last autumn’s lightly appreciated, generally four-starred A Woman Of No
SOURCE: The Stage Registration at 09:08AM 
