Monday, March 11, 2002 at midnight (Broadway Time)
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Archive Import - Comment

Suddenly - or so it suddenly seems - consumer guidelines for Broadway advertising are slipping through the cracks between goodwill and bad intentions. In other words, just as Broadway revs up for the hearty spring portion of New York's historically wounded season, producers from eight of 14 incoming Broadway projects have chosen not to disclose when shows are in previews and when shows finally open.She has a point...

SOURCE: BroadwayStars at 12:00AM

Bronfman 'Dance' on B'way

Lincoln Center taping has raised tuner's profile. Edgar Bronfman Jr. will return to Broadway after nearly a 25-year absence. The former vice chairman of Vivendi Universal has joined the pro…

SOURCE: Variety at 12:00AM

HONING CRAFT FOR A SONG

By CHIP DEFFAA
THE future of Broadway might be on West 57th Street.That's where aspiring composers, lyricists and librettists gather weekly to practice their craft at the BMI/Lehman Engel Musical Theater Workshops.

SOURCE: The New York Post Subscription at 12:00AM

THEATER REVIEW | 'THE GOAT, OR WHO IS SYLVIA?'

A Secret Paramour Who Nibbles Tin Cans
By BEN BRANTLEY
Edward Albee's new play is about a profoundly unsettling subject, which for the record is not bestiality but the irrational, confounding and convention-thwarting nature of love.

SOURCE: The New York Times Subscription at 12:00AM

IT ISN'T KID STUFF

By CLIVE BARNES
YES, there really is a goat in Edward Albee's new play, "The Goat, Or Who Is Sylvia?" which opened at the John Golden Theatre last night, but you wouldn't want to pet it.

SOURCE: The New York Post Subscription at 12:00AM

BOOTY & THE BEAST

By BARBARA HOFFMAN
WHILE a man-goat love affair seems tough to believe, it's happened before.Academics have traced human-animal intimacy as far back as 520 B.C., where a Greek vase of the time was etched with a scene giving new meaning to the phrase "stag party."

SOURCE: The New York Post Subscription at 12:00AM

Albee's Latest A Tragedy?

If you're going to have an affair with an animal, as someone does in Edward Albee's "The Goat," why, you might ask, choose one with horns and an ornery disposition rather than one that is sweet, cuddly and more pliable?

SOURCE: New York Daily News at 12:00AM