All stories by Victor Gluck, Editor-In-Chief on BroadwayStars

Tuesday, April 26, 2016

Revolt. She Said. Revolt Again. by Victor Gluck, Editor-In-Chief

While many of the scenes are right on target, others seem too metaphoric and anarchic to make much impression, while others take on too many targets to make their point. The best ones deal w…

SOURCE: www.theaterscene.net at 03:52PM
Thursday, April 21, 2016

When I Was a Girl I Used to Scream and Shout by Victor Gluck, Editor-In-Chief

You might wonder why Morag, Fiona’s mother, in Sharman Macdonald’s groundbreaking Scottish play, "When I Was a Girl I Used to Scream and Shout," is so repressive about sex. What the prog…

SOURCE: www.theaterscene.net at 11:45PM
Wednesday, April 20, 2016

King and Country: Shakespeare’s Great Cycle of Plays by Victor Gluck, Editor-In-Chief

The Royal Shakespeare Company’s "King and Country: Shakespeare’s Great Cycle of Kings" is a magnificent achievement and a fitting tribute in this 400th anniversary of the bard’s death.…

SOURCE: www.theaterscene.net at 11:02PM

The Crucible by Victor Gluck, Editor-In-Chief

Van Hove sets his version in a modern classroom. When the curtain goes up we first see the girls who will later accuse various people in Salem, Massachusetts, of having bewitched them, seate…

SOURCE: www.theaterscene.net at 10:10PM
Monday, April 18, 2016

The Father by Victor Gluck, Editor-In-Chief

Florian Zeller is the most famous French playwright you probably never heard of. He won France’s highest theatrical honor, the Moliere Award, in 2011 for his play, "The Mother," and the Mo…

SOURCE: www.theaterscene.net at 04:35PM
Thursday, April 14, 2016

Blackbird by Victor Gluck, Editor-In-Chief

The problem with the staging begins from the outset. Daniels' Ray, tense and rigid, pushes demanding, triumphant Una into a corporate break room. He is upset to see her, and she is all confi…

SOURCE: www.theaterscene.net at 04:22PM
Tuesday, April 12, 2016

Head of Passes by Victor Gluck, Editor-In-Chief

Tarell Alvin McCraney’s "Head of Passes" is an advance over his earlier work seen in New York ("The Brother/Sister Plays," "Wig Out," "Choir Boy") in its attempt to take on bigger themes a…

SOURCE: www.theaterscene.net at 11:45PM
Friday, April 8, 2016

The Effect by Victor Gluck, Editor-In-Chief

"The Effect" investigates the emotional, physical and ethical effects of drug testing, certainly a hot button issue in our time when we have come to expect a pill to solve all of our problem…

SOURCE: www.theaterscene.net at 11:29PM

Wonderful Town by Victor Gluck, Editor-In-Chief

"Wonderful Town" is one of those musical comedies which seem to get better as they age due in this case to the classic quality of the Bernstein/ Comden & Green score and the witty book …

SOURCE: www.theaterscene.net at 03:55PM
Sunday, April 3, 2016

Dry Powder by Victor Gluck, Editor-In-Chief

Thomas Kail (one of the geniuses behind Hamilton) has staged the world premiere of Sarah Burgess’ riveting "Dry Powder" in as cool a fashion as Rachel Hauck’s cobalt blue set with its cu…

SOURCE: www.theaterscene.net at 11:55PM
Friday, April 1, 2016

Stupid Fu**ing Bird by Victor Gluck, Editor-In-Chief

Posner has turned Chekhov’s four-act play into two-part meta-theater: not only do the actors acknowledge the audience and solicit our participation, but they each have a monologue addresse…

SOURCE: www.theaterscene.net at 09:35PM
Thursday, March 31, 2016

Hold On to Me Darling by Victor Gluck, Editor-In-Chief

In the hands of someone other than Timothy Olyphant, Strings McCabe might be a self-pitying monster too extreme to take seriously. However, this brilliantly accomplished actor has just the r…

SOURCE: www.theaterscene.net at 04:47PM

Straight by Victor Gluck, Editor-In-Chief

The authors of "Straight" would have you believe that in 2016 26-year-old straight- acting investment banker Ben, living in Boston where same sex marriages have been legal for the last eight…

SOURCE: www.theaterscene.net at 04:04PM
Sunday, March 27, 2016

The Royale by Victor Gluck, Editor-In-Chief

The staging is unusual in that no punches are thrown. When the actors are supposed to be delivering their blows, they stamp their feet which is actually more sinister and startling. The cast…

SOURCE: www.theaterscene.net at 03:33PM
Saturday, March 26, 2016

Wolf in the River by Victor Gluck, Editor-In-Chief

Directed by the author, "Wolf in the River" is an environmental production as the audience is invited to sit in folding chairs around a mound of earth with forlorn flowers, garbage and debri…

SOURCE: www.theaterscene.net at 11:34PM
Friday, March 25, 2016

Do Re Mi by Victor Gluck, Editor-In-Chief

One problem with reviving musicals from the pre-Sondheim era is that they were often created around the talent of a big, unique star like Ethel Merman, Bob Hope, Mary Martin, Al Jolson, Fann…

SOURCE: www.theaterscene.net at 03:00PM
Sunday, March 20, 2016

Southern Comfort by Victor Gluck, Editor-In-Chief

"Southern Comfort" is an ambitious and admirable attempt to depict a community that till now has been left off of our stages. Though the material at times seems tamer that the content would …

SOURCE: www.theaterscene.net at 09:55AM
Saturday, March 19, 2016

Hungry: Play I of The Gabriels by Victor Gluck, Editor-In-Chief

"Hungry" is both an occasional play (written for this moment in time) and a chamber play. Not much happens but a great deal is implied. It will not please all theatergoers. However, it will …

SOURCE: www.theaterscene.net at 09:16AM
Friday, March 18, 2016

Red Speedo by Victor Gluck, Editor-In-Chief

The play is made up of a series of six confrontations in which the dialogue is delivered like bullets flying back and forth. While the story is engrossing, the individual conversations all g…

SOURCE: www.theaterscene.net at 08:39AM
Tuesday, March 15, 2016

Women Without Men by Victor Gluck, Editor-In-Chief

Thompson’s direction is taut, nuanced and compelling and she found the ensemble to not only make their characters entirely distinct but to make us feel these women have lived together for …

SOURCE: www.theaterscene.net at 08:03AM
Monday, March 14, 2016

Walk Hard by Victor Gluck, Editor-In-Chief

Imani’s production of 'Walk Hard" for Metropolitan Playhouse is an exciting piece of theater from an eye-opening rediscovery. Historically, it comes nine years after Clifford Odets’ 'Gol…

SOURCE: www.theaterscene.net at 01:25PM
Thursday, March 10, 2016

Babes in Arms by Victor Gluck, Editor-In-Chief

The musical known for its “Let’s put on a show!” plot has a great deal more going for it than one might expect. First off, it has one of the greatest scores ever written for a Broadway…

SOURCE: www.theaterscene.net at 04:42PM
Wednesday, March 9, 2016

The Body of an American by Victor Gluck, Editor-In-Chief

The inspiration for the play began when poet and playwright Dan heard the Fresh Air interview. Paul was already famous as the photographer who took the now iconic 1993 picture of U.S. Staff …

SOURCE: www.theaterscene.net at 11:16PM
Tuesday, March 8, 2016

A Room of My Own by Victor Gluck, Editor-In-Chief

The most colorful character in more ways that one is Uncle Jackie (Cantone) who lives upstairs. A closeted gay man in a society that doesn’t accept him, he has become an angry, self-loathi…

SOURCE: www.theaterscene.net at 11:50PM
Monday, March 7, 2016

Pericles (Theatre for a New Audience) by Victor Gluck, Editor-In-Chief

Nunn’s adaptation rearranges some of the scenes and adds material from a prose version of the work by George Wilkins, believed to be Shakespeare’s collaborator. Using music, song, dancin…

SOURCE: www.theaterscene.net at 11:02PM
Friday, March 4, 2016

Nice Fish by Victor Gluck, Editor-In-Chief

Todd Rosenthal’s remarkably atmospheric and evocative setting is waiting for the audience when they come into the theater: a huge expanse of a corrugated ice flow in Northern Minnesota in …

SOURCE: www.theaterscene.net at 03:13PM
Wednesday, March 2, 2016

Smokefall by Victor Gluck, Editor-In-Chief

The play seems to be saying that life is full of suffering but love will conquer all, not a very new or profound message. One flashback (Violet and Daniel’s first date) is replayed at leas…

SOURCE: www.theaterscene.net at 01:49PM
Tuesday, March 1, 2016

Tennessee Williams 1982 by Victor Gluck, Editor-In-Chief

Under the umbrella title "Tennessee Williams 1982" (the year of both play’s composition the year as well as that of playwright’s death), The Playhouse Creatures Theatre Company is presen…

SOURCE: www.theaterscene.net at 04:53PM
Wednesday, February 24, 2016

Smart People by Victor Gluck, Editor-In-Chief

The satire begins early: it turns out that although the department likes having Brian doing his research proving that whites are genetically racist, they are not happy with his conclusions. …

SOURCE: www.theaterscene.net at 03:32PM
Tuesday, February 16, 2016

Prodigal Son by Victor Gluck, Editor-In-Chief

Television and film actor Timothée Chalamet (Showtime’s "Homeland" and Christopher Nolan’s "Interstellar") makes an impressive New York stage debut as the play’s young protagonist. Th…

SOURCE: www.theaterscene.net at 11:44PM
Monday, February 15, 2016

The Woodsman by Victor Gluck, Editor-In-Chief

The forest setting by Ortiz seems to envelop the audience as does the sound design which is created by the actors in tandem with violinist Naomi Florin who plays Edward W. Hardy’s melancho…

SOURCE: www.theaterscene.net at 10:57PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic