All stories by Victor Gluck, Editor-In-Chief on BroadwayStars

Wednesday, December 20, 2017

Bulldozer: The Ballad of Robert Moses by Victor Gluck, Editor-In-Chief

Moses' famously crowded and contentious career is glossed over except for his final battle with Jacobs over the Lower Manhattan Expressway. "Bulldozer" doesn't even give a good summary of hi…

SOURCE: www.theaterscene.net at 05:42PM[SHARE]
Friday, December 15, 2017

Describe the Night by Victor Gluck, Editor-In-Chief

The themes of Rajiv Joseph's latest political play are not only valid but relevant in today's climate. However, "Describe the Night" is too convoluted for its own good and attempts to make c…

SOURCE: www.theaterscene.net at 04:20PM[SHARE]

Downtown Race Riot by Victor Gluck, Editor-In-Chief

Anton Chekhov once advised that if you show an audience a gun you are required to have it go off. Set on September 8, 1976, Seth Zvi Rosenfeld's new play, "Downtown Race Riot," being given i…

SOURCE: www.theaterscene.net at 03:18PM[SHARE]
Wednesday, December 13, 2017

Shadowlands by Victor Gluck, Editor-In-Chief

William Nicholson's "Shadowlands" is one of those subtle plays that grows on you as it evolves and weaves its own spell. Based on a true story of one the most improbable love stories of the …

SOURCE: www.theaterscene.net at 01:43PM[SHARE]
Tuesday, December 12, 2017

The Parisian Woman by Victor Gluck, Editor-In-Chief

Inspired by Henri Becque's notorious 1885 "La Parisienne," credited as the first Naturalistic French play, Willimon has taken its plot, characters and themes of sex, adultery, betrayal and p…

SOURCE: www.theaterscene.net at 01:38PM[SHARE]
Monday, December 4, 2017

Indians by Victor Gluck, Editor-In-Chief

In the central character of Buffalo Bill Cody, Michael Hardart plays only the one role. The play seems to be his coming to terms with the mythologizing of his achievements. Although twice he…

SOURCE: www.theaterscene.net at 10:01AM[SHARE]
Thursday, November 30, 2017

20th Century Blues by Victor Gluck, Editor-In-Chief

There is nothing much very wrong with Susan Miller's '20th Century Blues" that a few more revelations or dustups wouldn't solve. Beth Dixon, Franchelle Stewart Dorn, Polly Draper, Kathryn Gr…

SOURCE: www.theaterscene.net at 03:29PM[SHARE]
Monday, November 27, 2017

Pride and Prejudice by Victor Gluck, Editor-In-Chief

While this is not a Bedlam production as was Hamill's hugely successful stage version of Austen's second published novel, "Sense and Sensibility," director Amanda Dehnert has staged the play…

SOURCE: www.theaterscene.net at 03:56PM[SHARE]
Saturday, November 25, 2017

Peter Pan (Bedlam) by Victor Gluck, Editor-In-Chief

Such changes as Captain Hook being a woman or Tinker Bell speaking French are neither explained nor meaningful, while some of the doubling simply makes the play hard to follow as the charact…

SOURCE: www.theaterscene.net at 11:56AM[SHARE]
Monday, November 20, 2017

Office Hour by Victor Gluck, Editor-In-Chief

Not only is Julia Cho's "Office Hour" rivetingly acted by Sue Jean Kim and Ki Hong Lee, it is one of the few plays in recent memory to tackle a major social problem and offer an explanation …

SOURCE: www.theaterscene.net at 09:27PM[SHARE]
Friday, November 17, 2017

Illyria by Victor Gluck, Editor-In-Chief

The conversations revolve around the topics of the New York Shakespeare Festival's poor finances in 1958, Vaughan's defection to the Phoenix Theatre which was paying a living wage while the …

SOURCE: www.theaterscene.net at 08:48AM[SHARE]
Wednesday, November 15, 2017

M. Butterfly by Victor Gluck, Editor-In-Chief

Inspired by the true case of an affair between French diplomat Bernard Boursicot and Chinese opera singer Shi Pei Pu from 1960 " 1986 which led to a trial for espionage, Hwang's problem in 2…

SOURCE: www.theaterscene.net at 03:12PM[SHARE]
Monday, November 13, 2017

Prague, 1912 (The Savoy Café Yiddish Theatre) by Victor Gluck, Editor-In-Chief

There is a fascinating story to be told in Franz Kafka's involvement with the Yiddish theater in Prague during 1912 but Lu Hauser's play isn't it. "Prague, 1912 (The Savoy Café Yiddish Thea…

SOURCE: www.theaterscene.net at 03:33PM[SHARE]
Friday, November 10, 2017

Romantic Trapezoid by Victor Gluck, Editor-In-Chief

The problem is that under Albert Bonilla's stolid and matter-of-fact direction, Elizabeth Ingham and Zack Calhoon's characters never come alive. Just trading quips is not a sophisticated sty…

SOURCE: www.theaterscene.net at 09:53PM[SHARE]

Of Thee I Sing (MasterVoices) by Victor Gluck, Editor-In-Chief

Leave it to George S. Kaufman and collaborator Morrie Ryskind (the Marx Brothers' "The Cocoanuts," "Animal Crackers," "A Night at the Opera" as well as the Gershwins' "Strike Up the Band"), …

SOURCE: www.theaterscene.net at 03:05PM[SHARE]
Wednesday, November 1, 2017

Knives in Hens by Victor Gluck, Editor-In-Chief

While the script describes the setting as simply a "rural place," British and European productions apparently have set the play in medieval times. It is definitely pre-industrial as the farm…

SOURCE: www.theaterscene.net at 11:51PM[SHARE]
Monday, October 30, 2017

Occupied Territories by Victor Gluck, Editor-In-Chief

Well-meaning and sincere," Occupied Territories" is both generic and stereotyped, offering a story television and the movies have been offering for years: the traumatic effect of a father's …

SOURCE: www.theaterscene.net at 03:50PM[SHARE]
Thursday, October 26, 2017

Dolores Claiborne by Victor Gluck, Editor-In-Chief

King's "Dolores Claiborne" would seem a strange choice for dramatization as the book is a monologue told entirely by its protagonist at a police interrogation over a murder on Little Tall Is…

SOURCE: www.theaterscene.net at 11:20AM[SHARE]
Tuesday, October 24, 2017

Bells Are Ringing by Victor Gluck, Editor-In-Chief

Boycott gets to sing a bounty of scintillating songs including "It's A Perfect Relationship," "Is It A Crime?," "I'm Goin' Back" and her duets with Heuser in "Better Than a Dream" (written f…

SOURCE: www.theaterscene.net at 01:00PM[SHARE]
Monday, October 23, 2017

Lonely Planet by Victor Gluck, Editor-In-Chief

In Jonathan Silverstein's production, Arnie Burton and Matt McGrath as two friends who handle their fears of an unnamed epidemic in opposite ways do not seem to connect as real friends would…

SOURCE: www.theaterscene.net at 10:52PM[SHARE]
Saturday, October 21, 2017

Measure for Measure (Elevator Repair Service) by Victor Gluck, Editor-In-Chief

Director John Collins, founder of ERS, has set the play in an office or conference room with three long tables (in Jim Findlay's design which eventually grows tiresome)  and a great many …

SOURCE: www.theaterscene.net at 09:45AM[SHARE]
Thursday, October 19, 2017

The Home Place by Victor Gluck, Editor-In-Chief

It is possible to enjoy Brian Friel's "The Home Place" without knowing the background to this historical play set in rural Ireland in 1878 as a Chekhovian representation of a world about to …

SOURCE: www.theaterscene.net at 11:34PM[SHARE]
Wednesday, October 18, 2017

Mud by Victor Gluck, Editor-In-Chief

While the acting is compelling, the threesome does not reveal many layers to their characters; they establish a persona and stick to it, without divulging any further information. As Mae, Ni…

SOURCE: www.theaterscene.net at 11:21PM[SHARE]
Friday, October 13, 2017

Desperate Measures by Victor Gluck, Editor-In-Chief

While not all musicals from Shakespeare have worked and updates are particularly risky, "Desperate Measures" avoids all of the pitfalls and is a refreshing and satisfying work in its own rig…

SOURCE: www.theaterscene.net at 11:14PM[SHARE]

Androboros: Villain of the State by Victor Gluck, Editor-In-Chief

Director Ralph Lewis, apparently not trusting the material " or finding the play too dated " has staged a carnival-esque version (adapted by S.M. Dale in June 2016) which includes 16 songs a…

SOURCE: www.theaterscene.net at 03:37PM[SHARE]
Tuesday, October 10, 2017

The Apple Tree by Victor Gluck, Editor-In-Chief

Part of the problem is the lack of innovation in Ray Roderick's staging in this show which calls out for invention and clever handling of sets and props. Devin Vogel's colorless stage design…

SOURCE: www.theaterscene.net at 09:40PM[SHARE]

The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord by Victor Gluck, Editor-In-Chief

Although director Kimberly Senior who also piloted the Chicago production has staged the play with elegance, she never really turns up the heat so that there are not many sparks in Carter's …

SOURCE: www.theaterscene.net at 11:29AM[SHARE]
Thursday, October 5, 2017

The Show-Off by Victor Gluck, Editor-In-Chief

The central character is actually Mrs. Fisher who worries about her children and plots to open Amy's eyes to her husband's faults. Unfortunately, Annette O'Toole has been directed to play he…

SOURCE: www.theaterscene.net at 11:42PM[SHARE]
Wednesday, October 4, 2017

Puffs, or: Seven Increasingly Eventful Years at a Certain School of Magic and Magic by Victor Gluck, Editor-In-Chief

The new story concerns Wayne Hopkins, an American boy whose parents die tragically and his Uncle Dave informs him that he is a wizard and must attend a special school in England. Wayne is so…

SOURCE: www.theaterscene.net at 04:53PM[SHARE]
Monday, October 2, 2017

As You Like It (CSC) by Victor Gluck, Editor-In-Chief

Known as the Shakespeare play with the most song lyrics, the production also includes a deliciously bouncy new score by Stephen Schwartz in different musical styles from the 1920's " 1950's,…

SOURCE: www.theaterscene.net at 08:40PM[SHARE]
Thursday, September 28, 2017

Charm by Victor Gluck, Editor-In-Chief

Chicago playwright Philip Dawkins makes a memorable New York debut with an involving and engrossing play which at the performance under review you could have heard a pin drop, so rapt was th…

SOURCE: www.theaterscene.net at 04:33PM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off