No panto for Wilton’s this year, though only the most ardent of Roy Hudd fans would begrudge them this sparkling replacement, an
SOURCE: The Stage Registration at 04:01AMBest Of’s get a bit of a bad rap. There’s something just a little Motorway Service Station at 2am about a Greatest
SOURCE: The Stage Registration at 03:39AMHard-drinking monologues are a fringe perennial, as are stories of young women struggling with the prospect or realities of motherhood. So it’s
SOURCE: The Stage Registration at 01:09PMJamie Wood is lost, or maybe he’s just lost something. Or maybe we’re all lost, all cut adrift after the concussive political
SOURCE: The Stage Registration at 04:05AMDark story-telling is a crowded field, particularly at the Edinburgh Fringe, so it takes genuine originality to stand out. That’s something Christopher
SOURCE: The Stage Registration at 05:39AMOyster Boy was the debut show for talented all-female Haste Theatre, all the way back in 2013, and this revival is a
SOURCE: The Stage Registration at 12:36PMChalk this one up to a terrifyingly bad idea come ever so good. John Robertson, the shock-haired Skeletor of improvised abuse, has
SOURCE: The Stage Registration at 07:09AMThe live component of Transmission is apparently only the tip of the iceberg of a ‘city-scale, augmented reality performance’ including up to
SOURCE: The Stage Registration at 06:08AMThere are few constants in the work of Ontroerend Goed. Enter the auditorium for one of their shows and you could be
SOURCE: The Stage Registration at 06:29AMThis can’t be the same Irvine Welsh. Master of the Scottish gothic, king of dialect, author of Trainspotting and Filth? It can’t
SOURCE: The Stage Registration at 06:40AMThe heart of grief is absence, the not-there-ness of someone close, the reduction of their living being into objects that have fallen
SOURCE: The Stage Registration at 04:34AMCaught somewhere between a tribunal play and an interactive theatre game, Foreign Radical is ambitious in both scope and scale. But, it’s
SOURCE: The Stage Registration at 11:20AM"It’s hack-work, pure and simple": Stewart Pringle on Julian Fellowes' insipid musical version of Kenneth Grahame's classic. The post Review: The Wind in the Willows at the London Palladi…
SOURCE: exeuntmagazine.com at 04:38AMSweep away the desperate and derelict controversy that’s frothed around its broadcast, and this TV adaptation of Mike Bartlett’s 2014 future-history play
SOURCE: The Stage Registration at 04:05AMRevered in Dame circles as the ‘King Lear of panto’, Mother Goose is a deliriously odd confection that’s a million miles away
SOURCE: The Stage Registration at 05:24AMAs the mutant, rampaging nightmare that is 2016 lumbers into the high-tension wires of another year, leave it to Hackney’s panto to
SOURCE: The Stage Registration at 06:47AMSo, you’re off to the Edinburgh Fringe. You’ve got your venue sorted, and that’s great. You’re either looking forward to four weeks
SOURCE: The Stage Registration at 05:00AM