All stories by Simon Holton on BroadwayStars

Monday, December 1, 2014

Review: VesperTime, Chelsea Theatre by Simon Holton

With VesperTime Stacy (or is it Tracy?) Makishi continues in her inimical style. She continues to be outrageous, to blend film, music, story and truth in what is often a mind-bending mass of…

SOURCE: A Younger Theatre at 12:39PM
Sunday, October 19, 2014

Review: Disabled Theatre, Dance Umbrella, Shaw Theatre by Simon Holton

I’m thinking about disabled theatre. I’m thinking about disabled theatre criticism. I’m thinking about it in context of a show I saw recently, to which my first responses were directly…

SOURCE: A Younger Theatre at 02:17PM
Wednesday, October 15, 2014

Review: Fierce Festival Weekend 2 by Simon Holton

Live art. Collision. Hyperlocal. Supernow. Whilst a part of me always wants to rebel against the possible inaccessibility and self-conscious coolness of Fierce Festival’s tagline, I cannot…

SOURCE: A Younger Theatre at 04:47PM
Friday, October 10, 2014

Review: Peer Gynt, Barbican Theatre by Simon Holton

The opening image of Théâtre National de Nice’s production of Peer Gynt belies the uniqueness and downright bizarre nature of what is to follow. Downstage centre, in the middle of an exp…

SOURCE: A Younger Theatre at 07:07AM
Friday, May 16, 2014

Review: A Triptych in the Cities, Hoxton Gallery by Simon Holton

In a beautiful railway-arch space in Hoxton Gallery, Rattleback, a new theatre company, has taken over. Rattleback is made up of international artists who are transforming the space, holdin…

SOURCE: A Younger Theatre at 06:10PM
Thursday, May 15, 2014

Review: Hunger, E5 Bakehouse by Simon Holton

It’s extremely difficult not to like a show that culminates in a two-course meal that includes freshly baked bread, hearty soup and homemade rhubarb schnapps. Add to that the wonderful loc…

SOURCE: A Younger Theatre at 02:48PM
Tuesday, May 13, 2014

Review: The Shroud, Rich Mix by Simon Holton

The Shroud begins with a heavily symbolic sequence: a rectangle of light becomes sacred space – a coffin, a bed. Siddharta Bose approaches his co-performer and co-deviser Avaes Mohamma…

SOURCE: A Younger Theatre at 02:11PM
Sunday, March 16, 2014

Review: The Eradication of Schizophrenia in Western Lapland, Shoreditch Town Hall by Simon Holton

If the title is a mouthful, the show itself is a mindful. Commissioned by SICK! Festival Brighton, The Eradication of Schizophrenia in Western Lapland somewhat playfully engages with the rat…

SOURCE: A Younger Theatre at 07:55AM
Sunday, March 2, 2014

Review: Rice, Sadler’s Well by Simon Holton

“Rice” may seem an unusual title, and indeed topic, for a work of dance theatre. Yet even without the most perfunctory of research, it becomes clear that rice serves as an enorm…

SOURCE: A Younger Theatre at 05:55PM
Friday, February 21, 2014

Review: Fucking Outside The Box, The Vaults by Simon Holton

Rape is always a tricky subject to tackle, to put it mildly – particularly with comedy. The treatment of the subject must be done with the utmost sensitivity and clarity to ensure that t…

SOURCE: A Younger Theatre at 03:35PM
Thursday, February 13, 2014

LIFT 2014: A Festival Where the City Meets the Stage by Simon Holton

The closely guarded secret is out: the hotly anticipated biennial programme for LIFT 2014 has been announced, and it’s no disappointment. The launch evening took place in an appropriate lo…

SOURCE: A Younger Theatre at 04:00PM
Saturday, February 1, 2014

Review: Peter Grimes, London Coliseum by Simon Holton

Despite the familiarly ostentatious surroundings, ENO’s Peter Grimes is aesthetically different to any opera I have ever seen. On almost every level it has elements of coarseness and compl…

SOURCE: A Younger Theatre at 12:43PM
Sunday, January 26, 2014

Review: The Weir, Wyndham’s Theatre by Simon Holton

The Weir already feels like a modern classic, as it is welcomed into its much anticipated West End transfer to Wyndham’s Theatre.  With an all-star cast and its successful run at the Donm…

SOURCE: A Younger Theatre at 03:05PM

Review: One Festival: Programme A, The Space by Simon Holton

Solo performances can be like Marmite; but whether you love it or hate it a night of four solo performances is going to be full of variety. The opening night of One Festival 2014, The Space…

SOURCE: A Younger Theatre at 02:36PM
Thursday, January 16, 2014

Review: Woman in the Dunes, Theatre503 by Simon Holton

Kagami Theatre certainly knows how to create an atmosphere. The space of Theatre503’s intimate above-pub auditorium is used well by the design team of this production, a new adaptation Abe…

SOURCE: A Younger Theatre at 08:54AM
Friday, January 10, 2014

Review: Don Quijote, Camden People’s Theatre by Simon Holton

There can be few works of literature more daunting or more resistant to interpretation than Cervantes’ two-volume Old Castilian epic, The Ingenious Gentleman Don Quixote of La Mancha. The …

SOURCE: A Younger Theatre at 04:00AM
Saturday, December 14, 2013

Review: Richard II, Barbican Theatre by Simon Holton

Elizabeth I once famously said of Shakespeare’s play, “I am Richard II, know ye not that?” I doubt that even Shakespeare would have dared deliver as unflattering a portrait of …

SOURCE: A Younger Theatre at 09:42AM
Sunday, October 27, 2013

Review: Mental, artsadmin by Simon Holton

Mental, by “art and activism collective of one” the vacuum cleaner, is no ordinary piece of theatre. Taking place in the bedroom of the artist’s flat in east London, it is an i…

SOURCE: A Younger Theatre at 06:11AM
Thursday, October 10, 2013

Review: Ghosts by Simon Holton

From the moment the house lights go down on the Almeida theatre’s new production of Ibsen’s Ghosts, one knows one is in the hands of masters of their craft. Adapted and directed by theat…

SOURCE: A Younger Theatre at 05:32AM
Tuesday, October 1, 2013

Review: The World of Extreme Happiness by Simon Holton

The versatility of the National Theatre’s new temporary venue, The Shed, is astounding, as is the quality and variety of its productions. Previously home to such diverse shows as the frant…

SOURCE: A Younger Theatre at 03:54PM
Saturday, September 14, 2013

Review: Bourgeois & Maurice’s Sugartits by Simon Holton

“Cabaret has exploded”, proclaims Georgeois Bourgeois, of Bourgeois & Maurice fame, during their new show Sugartits, now playing downstairs at Soho theatre. Certainly, during…

SOURCE: A Younger Theatre at 04:12PM
Tuesday, September 10, 2013

Review: The Secret Agent by Simon Holton

Literary adaptations for the stage can be tough. The audience comes with dual expectations: for the production to remain faithful to and do justice to the original text, but also for the tex…

SOURCE: A Younger Theatre at 01:23PM
Monday, September 9, 2013

Review: Fleabag by Simon Holton

A woman walks onto a stage, sits down on a chair and starts telling a story. Fleabag, written and performed by Phoebe Waller-Bridge, has at its heart a wonderful simplicity. With a powerful …

SOURCE: A Younger Theatre at 07:09AM
Tuesday, July 23, 2013

Review: The Vacuum Cleaner by Simon Holton

Anti-theatre. Meta-theatre. Absurdism. Surrealism. Dada. Call it what you like, attempting to subvert and destroy the conventions, structure and narrative of traditional theatre is nothing n…

SOURCE: A Younger Theatre at 05:28AM
Saturday, July 13, 2013

Review: Los Vivancos by Simon Holton

In this surprisingly seasonal heatwave we are currently enjoying, what better time for a visit from Spanish dance troupe Los Vivancos to the London Coliseum, complete with Sangria Happy Hour…

SOURCE: A Younger Theatre at 04:13PM

Review: what happens to hope at the end of the evening by Simon Holton

The best theatre leaves you with a feeling of excitement, thoughtfulness and, in some rare cases, a feeling of loss. Tim Crouch and Andy Smith’s new collaboration as part of the Almeida Fe…

SOURCE: A Younger Theatre at 03:55PM
Wednesday, July 3, 2013

Review: Face to Face Festival of Theatre by Simon Holton

As someone accustomed to performing as part of a tight-knit ensemble, there is something distinctly terrifying about performing alone. No-one there to cover for you if you make a mistake, no…

SOURCE: A Younger Theatre at 09:06AM
Saturday, June 29, 2013

Review: To Freedom’s Cause by Simon Holton

Having been born and raised a stone’s throw from Epsom racecourse, I first learned of the tragic events of 4 June 1913 at a very young age. Since my initial childish reaction to the news,…

SOURCE: A Younger Theatre at 03:19PM
Thursday, June 20, 2013

Review: Early Days by Simon Holton

The Finborough Theatre is well known for its rediscoveries and revivals. First performed is 1980, Early Days by David Storey is no exception. This new Five Wits production, proudly proclaimi…

SOURCE: A Younger Theatre at 05:11AM
Friday, June 7, 2013

Review: The Young Visiters by Simon Holton

Enemy of spellcheckers and pedants alike, the misspelling in the title of The Young Visiters, in a new adaptation by Mary Franklin, is due to the fact that it comes from a novel written by 9…

SOURCE: A Younger Theatre at 05:14AM
Sunday, June 2, 2013

Review: Medea by Simon Holton

Wilton’s Music Hall describes itself as ‘The City’s Hidden Stage’.  Though a mere 15 minute walk from my house, I’m ashamed to say that Teatro Patalogico’s production of Medea w…

SOURCE: A Younger Theatre at 03:21PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards