All stories by Sarah Kaufman on BroadwayStars

Sunday, January 20, 2013

At Kennedy Center, a jubilant ‘Alice’ that doesn’t worry about ravens or writing desks by Sarah Kaufman

As the curtain opens on “Alice’s Adventures in Wonderland,” performed by the National Ballet of Canada at the Kennedy Center, we’re in familiar territory. That is, it’s familiar if…

SOURCE: Washington Post at 07:32PM
Thursday, December 27, 2012

From ‘Anna Karenina,’ lessons for the ballet world by Sarah Kaufman

For a movie, the Joe Wright-Tom Stoppard “Anna Karenina” is a pretty terrific play. In fact, this exquisite film makes a powerful case for live physical theater. Not only that, but there…

SOURCE: Washington Post at 02:04PM
Friday, December 7, 2012

The best of 2012: Dance by Sarah Kaufman

Cliffhangers both fiscal and presidential may have dominated Washington’s public sphere, but subtler, timeless concerns governed its stages. The year’s most memorable dance offerings pre…

SOURCE: Washington Post at 03:13PM
Thursday, December 6, 2012

Ballet West recreates that rare ‘Nutcracker’: One to truly enjoy by Sarah Kaufman

O come, all ye faithless: Behold a “Nutcracker” to banish ghosts of sugar-plum hangovers past. Ballet West’s production, which opened Wednesday at the Kennedy Center, fairly bursts wit…

SOURCE: Washington Post at 02:38PM
Saturday, December 1, 2012

Lack of orchestra takes some of the magic out of Washington Ballet’s ‘The Nutcracker’ by Sarah Kaufman

By the looks — or rather, sound — of things, Clara’s family has fallen on hard times. Maybe her old man lost money on the railways. At any rate, these once-prosperous Washingtonians de…

SOURCE: Washington Post at 02:43PM
Friday, November 30, 2012

Lar Lubovitch Dance keeps smooth, fluid even in a work about disaster by Sarah Kaufman

Partway through Lar Lubovitch’s jagged and unsettling piece called “Crisis Variations,” one of the dancers flips his partner upside down and spins her on her head. This was one of the …

SOURCE: Washington Post at 08:30PM

Ballerina Natalia Makarova: ‘Being spontaneous, it’s what saved me’ by Sarah Kaufman

A cluster of birch trees grows outside Natalia Makarova’s house. She planted them years ago in the clearing that slopes away from her dance studio. “My corps de ballet,” Makarova says …

SOURCE: Washington Post at 12:04PM
Sunday, November 18, 2012

Review: A dance troupe in loco-motion by Sarah Kaufman

Brian Brooks Moving Company takes its name seriously. It could also be known as Nonstop or Really Busy, but Moving gets the idea across. By the end of Saturday’s program, when Brooks and a…

SOURCE: Washington Post at 05:43PM
Friday, November 16, 2012

Passion is missing in San Francisco Ballet’s ‘Romeo and Juliet’ by Sarah Kaufman

Life starts early in the Verona of “Romeo and Juliet,” which the San Francisco Ballet launched Thursday at the Kennedy Center Opera House. As dawn rises over the Italian city’s busy pu…

SOURCE: Washington Post at 08:15PM
Wednesday, November 14, 2012

Dance review: San Francisco Ballet at the Kennedy Center by Sarah Kaufman

Once upon a time, a ballet commandment reigned upon the waterfront: Thou shalt open thy Kennedy Center engagement with a mixed-repertory program during the slow-selling workweek. Then, and …

SOURCE: Washington Post at 08:45PM
Friday, November 9, 2012

Dancer Mirenka Cechova explores transgender life in ‘S/He is Nancy Joe’ by Sarah Kaufman

It’s a paradox that artists in any medium struggle with: The best art comes from personal excavation that unearths what we least want others to see. In other words, what we hide from the …

SOURCE: Washington Post at 08:19PM
Thursday, November 8, 2012

Suzanne Farrell Ballet isn’t dancing up to its namesake by Sarah Kaufman

Neither Suzanne Farrell’s glittering name nor the coaching prowess behind it are enough to give her dancers the luster they desperately lack. The Suzanne Farrell Ballet, performing at the …

SOURCE: Washington Post at 08:06PM
Tuesday, November 6, 2012

Rudolf Nureyev’s art and style are gorgeously revived in Calif. museum exhibit by Sarah Kaufman

SAN FRANCISCO — Imagine the police surprise when, during a routine 1967 raid on a party in the Haight-Ashbury district, they hauled in not only weed and hippies but also two of the world�…

SOURCE: Washington Post at 04:17PM
Sunday, October 28, 2012

Washington Ballet’s ‘Dracula’ swoops, slithers with blood-curdling style by Sarah Kaufman

With the growing threat of an invisible swirling menace in the air, poised to suck away our power and leave us huddled in the dark, the mood this weekend was perfect for “Dracula.” Hurri…

SOURCE: Washington Post at 09:00PM
Friday, October 19, 2012

VelocityDC Dance Festival offers a smorgasbord of troupes and styles by Sarah Kaufman

Who could resist the extraordinary range of performers at the VelocityDC Dance Festival on Thursday night? There were ballet dancers, modern dancers, hip-hop, flamenco, Indian . . . And…

SOURCE: Washington Post at 08:27PM

‘Dancers Among Us’ captures moments of unexpected grace by Sarah Kaufman

Jordan Matter is selling dreams in his book. And he’s channeled Jerome Robbins to do it. It’s not just the high-kicking legs in heels that bring Broadway to mind in the photo book “Dan…

SOURCE: Washington Post at 12:18PM
Wednesday, October 17, 2012

In Obama-Romney rematch, who won the battle of body language? by Sarah Kaufman

During the second presidential debate Tuesday night, the round red-carpeted floor at Hofstra University in Hempstead, N.Y., resembled a boxing ring more than a stage. And frequently, substan…

SOURCE: Washington Post at 09:21PM

Mariinsky’s ‘Cinderella’: A hard-edged fairy tale by Sarah Kaufman

With one look at the stage before Alexei Ratmansky’s “Cinderella” began Tuesday night, you knew you weren’t in for a fairy-tale treatment. The drop curtain shows a crowded, crudely p…

SOURCE: Washington Post at 07:29PM
Sunday, October 14, 2012

A dancer who made life’s transience last by Sarah Kaufman

The recession-choked early 1990s were no picnic for the arts. But there was a bright spot in Washington: the work of Eric Hampton. The dances he created for his company, Eric Hampton Dance, …

SOURCE: Washington Post at 08:06PM
Friday, October 5, 2012

‘Voices of Strength’ allows African women to express themselves in movement by Sarah Kaufman

“I wanted to slip into the skin of a diva,” said Nadia Beugre, a dancer-choreographer from the Cote d’Ivoire, in a question-and-answer session after her performance Thursday at the Ken…

SOURCE: Washington Post at 08:19PM
Thursday, October 4, 2012

In memory of choreographer Eric Hampton, a dance tribute and a new foundation by Sarah Kaufman

The numbness that would take his life started in his pinky toe. Facing his 50th birthday, the Washington ballet teacher and smart, discerning choreographer Eric Hampton was making a piece ca…

SOURCE: Washington Post at 02:40PM
Friday, September 28, 2012

‘Black Watch’s’ experiment in war poetry is a play in athleticism by Sarah Kaufman

John Tiffany is agitated. His hands are waving around. He’s sputtering about something and you can’t yet make out what it is, but one thing is clear: This man who’s just come off a fli…

SOURCE: Washington Post at 12:25PM
Sunday, September 23, 2012

Nan Jombang brings Indonesian dance to U.S. by Sarah Kaufman

A high-pitched wail marks the beginning of “Rantau Berbisik,” translated as “Whisperings of Exile.” It’s the sound of pain, but it’s also a clear, ringing one-note aria. This was…

SOURCE: Washington Post at 07:18PM

Burgess at 20: Dance fully evolved by Sarah Kaufman

Twenty years after his dance company’s debut at George Washington University’s Dorothy Betts Marvin Theatre, Dana Tai Soon Burgess on Friday was exactly where he started — working hims…

SOURCE: Washington Post at 05:48PM
Thursday, September 20, 2012

Dancing to the heart of the matter by Sarah Kaufman

Going by the directive written in purple marker and taped to a wall, one rule governs this basement room in Northwest: NO BAD WORDS IN DANCE STUDIO. Yet it’s laughable to think that sweari…

SOURCE: Washington Post at 06:55PM
Sunday, September 9, 2012

Paul Taylor Dance Company delivers a new beginning by Sarah Kaufman

A performance by the Paul Taylor Dance Company is a terrific way to start the fall. I can’t think of a better one, in fact. The Taylor company has everything you want in a beginning: youth…

SOURCE: Washington Post at 06:22PM
Thursday, September 6, 2012

Indian dancer Manjari Chaturvedi seeks to have audience feel ‘Sufi kathak’ moves by Sarah Kaufman

When Indian classical dancer Manjari Chaturvedi makes her American debut on Sept. 22, she will not be wearing the bright, ornately embroidered costume that is typical of kathak dancers. “I…

SOURCE: Washington Post at 05:06PM
Thursday, August 30, 2012

John Cage, with Merce Cunningham, revolutionized music, too by Sarah Kaufman

John Cage could play on cowbells, rice bowls, car parts and temple gongs, smashing a wine bottle where an ordinary percussionist might strike his cymbals. But the one thing this musician who…

SOURCE: Washington Post at 12:05PM
Friday, August 24, 2012

Dance is Kickstarter’s most successful category by Sarah Kaufman

Last October, when Emily Oleson first unveiled “Vaudevival,” using tap, hip-hop and other dance forms to address race and culture-stealing, she was a University of Maryland graduate stud…

SOURCE: Washington Post at 11:56AM
Wednesday, August 1, 2012

Dance review: Bill T. Jones at Wolf Trap by Sarah Kaufman

In his long career, Bill T. Jones has gone from experimental downtown artist to two-time Tony winner. Bridging such different worlds makes for an uncomfortable perch, from which he must cont…

SOURCE: Washington Post at 07:54PM

The Dance of Life: The Concert by Sarah Kaufman

On the catwalk suspended a hundred feet above the arena floor at Verizon Center, where you look down on the giant scoreboard that hangs over the void, the air smells like cigarettes and the …

SOURCE: Washington Post at 06:21PM