All stories by Sarah Kaufman on BroadwayStars

Wednesday, August 1, 2012

The Dance of Life: The Concert by Sarah Kaufman

On the catwalk suspended a hundred feet above the arena floor at Verizon Center, where you look down on the giant scoreboard that hangs over the void, the air smells like cigarettes and the …

SOURCE: Washington Post at 06:21PM
Monday, July 30, 2012

Brooklyn Mack of Washington Ballet wins gold at International Ballet Competition by Sarah Kaufman

While American athletes are vying for gold medals in London, a local dancer has won a gold of his own at what has been called the Olympics of ballet. The Washington Ballet’s Brooklyn Mack …

SOURCE: Washington Post at 03:06PM
Thursday, July 19, 2012

American Century Theater to perform ‘Marathon ’33’ by Sarah Kaufman

As dim as the outlook for the long-stressed U.S. economy looks, and as tough as the recession has been so far, at least we can console ourselves with this: No one has reached into the fiery …

SOURCE: Washington Post at 03:13PM
Friday, July 6, 2012

Paris Opera Ballet’s ‘Giselle’ soars at Kennedy Center by Sarah Kaufman

With its pinpoint details and intoxicating immersion in the romantic era, the Paris Opera Ballet’s “Giselle,” which opened Thursday night, seems to come to us from another world. But a…

SOURCE: Washington Post at 08:43PM

Michael Jackson’s iconic moves are his legacy in Cirque’s ‘Immortal World Tour’ by Sarah Kaufman

We always knew Michael Jackson’s life was a circus — eccentricity swirled around him like the paparazzi. But he wasn’t the only pop star defined by oddness. The sex scandals, pet chim…

SOURCE: Washington Post at 02:43PM
Thursday, June 28, 2012

‘Giselle’ ends Paris Opera Ballet’s 19-year absence from the Kennedy Center by Sarah Kaufman

Flowers in full bloom, thunderstorms, killer heat: For Washingtonians, the gentle and not-so-gentle facets of nature loom particularly large in summer. How fitting that the ballet “Giselle…

SOURCE: Washington Post at 08:01PM
Friday, June 22, 2012

‘Pina and Beyond’: Goethe-Institut film series explores German modern dance by Sarah Kaufman

“It’s no fun, creating a piece,” says Pina Bausch, her sunken eyes and careworn face, veiled in cigarette smoke, testifying to the stress she’s describing. “For years I’ve been t…

SOURCE: Washington Post at 01:41PM
Sunday, June 3, 2012

Tommy Tune’s joyful and timeless retrospective, ‘Steps in Time’ by Sarah Kaufman

“A dancer dies two deaths,” announced song-and-dance man Tommy Tune. One occurs, of course, when he stops living, but there’s another before that — when he stops dancing. Tune spoke …

SOURCE: Washington Post at 10:48PM
Friday, June 1, 2012

Paris Opera Ballet’s ‘Giselle’ is a promising summer dance offering by Sarah Kaufman

Washington’s summer dance calendar may be on the light side, but this is no time to resign yourself to the couch. (Reruns, really? I know you’re more adventurous than that.) Keep those s…

SOURCE: Washington Post at 01:33PM
Wednesday, May 30, 2012

Created in 1870, ‘Coppelia’ is the freshest ballet around by Sarah Kaufman

It might seem curious that a bouncy little pixie in a bright apron and a peasant blouse is ballet’s Wonder Woman, but this is the revelation of “Coppelia,” the comic ballet that sees a…

SOURCE: Washington Post at 07:30PM
Friday, May 11, 2012

Washington Ballet’s uneven ‘Noche Latina’ by Sarah Kaufman

What’s not to love about a noche latina? You know there will passion, guitars, feisty women in black stretch lace, flowers in their hair. . . . Have I left out any stereotypes? Oh, ye…

SOURCE: Washington Post at 11:25PM

‘First Position’: Dancers at a breaking point by Sarah Kaufman

A beautiful dancer, all long legs and sparkle, enters a ballet competition and lands a job. She came in a student, leaves a professional. In the gamble that is serious dance lust, she hit th…

SOURCE: Washington Post at 07:43PM
Thursday, May 10, 2012

At CityZen, chefs cook up sweet moves by Sarah Kaufman

First in an occasional series. Great kitchens match drill-field precision with gestural art. The best cooks possess a soldier’s obedience and a dancer’s grace, transcending the dangers…

SOURCE: Washington Post at 01:45AM
Sunday, May 6, 2012

Choreographer Kyle Abraham’s ‘Radio Show’ weaves together pictures of loss by Sarah Kaufman

A local radio station goes off the air. A parent is diagnosed with Alzheimer’s. These unrelated events might seem curious subjects for a dance — especially for the same dance. Consider i…

SOURCE: Washington Post at 10:33PM
Sunday, April 29, 2012

Dance Review: Sokolow’s ‘Lyric Suite’ gets sterling restaging by Sarah Kaufman

Few dance artists have practiced the creativity of subtraction as successfully as Anna Sokolow. The power in her works from the mid-20th century stems from a mix of space, absence, anticipat…

SOURCE: Washington Post at 10:43PM
Friday, April 27, 2012

Noism at Kennedy Center Terrace Theater by Sarah Kaufman

In a blast of white light after a blinding blackout, the Japanese dance group called Noism took a hard turn into surrealism. The dancers who had displayed great skill but little personality …

SOURCE: Washington Post at 10:19PM
Saturday, April 14, 2012

Septime Webre’s trippy ‘Alice (in Wonderland)’ is dazzling by Sarah Kaufman

In “Alice (in Wonderland),” Septime Webre’s trippy, dazzling new production for the Washington Ballet, the title character is not only a kid with a fantastic imagination — she’s al…

SOURCE: Washington Post at 01:36AM
Friday, April 13, 2012

Twyla Tharp’s ‘Come Fly Away’: Frank and Ava’s turbulent duet by Sarah Kaufman

In the opera that was Frank Sinatra’s life, actress and world-class beauty Ava Gardner was his Carmen. Over a few tumultuous years, the high-strung, hard-drinking pair fell in love, fought…

SOURCE: Washington Post at 08:14PM
Friday, April 6, 2012

Washington Ballet plunges down rabbit hole by Sarah Kaufman

It’s one thing to teach a group of preening pink flamingos to dance. Or even the piglets, hedgehogs and an unruly hand of playing cards. It’s quite another to tell the Jabberwocky what…

SOURCE: Washington Post at 06:24PM
Sunday, April 1, 2012

Ballet Preljocaj’s ‘Snow White’ shines by Sarah Kaufman

On the one hand, how sad it is that the jealousy and bloodthirstiness of “Snow White” still feel relevant today. On the other, how seductive those emotions are onstage. Particularly in …

SOURCE: Washington Post at 11:59PM
Friday, March 30, 2012

Teresa Reichlen reaches new stage of ballet by Sarah Kaufman

That body. Those legs. She was just 10, but Teresa Reichlen made an impression on her new ballet teacher before she’d even danced a step. “I’m walking around assessing my new young stu…

SOURCE: Washington Post at 07:11PM
Sunday, March 25, 2012

‘Necessary Weather’ dance seems unnecessarily serious by Sarah Kaufman

At one point in “Necessary Weather,” dancers Dana Reitz and Sara Rudner break from their more mysterious permutations to launch into a brief novelty act. They hum “Tea for Two” and p…

SOURCE: Washington Post at 10:42PM
Friday, March 23, 2012

Designer Jean Paul Gaultier’s twist on ballet is a unique ‘Snow White’ by Sarah Kaufman

Fashion provocateur Jean Paul Gaultier is no stranger to dressing dancers — after all, he laced Madonna into her cone bra in the most athletic phase of her career. Burlesque queen Dita Von…

SOURCE: Washington Post at 04:42PM
Monday, March 5, 2012

Keigwin + Company at the Kennedy Center by Sarah Kaufman

Keigwin + Company has cornered the market on laugh-out-loud dance. Consider it LOLdance, worthy of one of those baby-talk captions reserved for cute cats: U can’t hav enuf of deez cuddlie …

SOURCE: Washington Post at 12:30AM
Friday, March 2, 2012

Dance review: ‘Le Sacre du Printemps’ by Bowen McCauley Dance by Sarah Kaufman

You don’t stick it out as the director of a local dance company for 16 years without a high degree of moxie. Yet even by the going standards, Lucy Bowen McCauley has more moxie than most. …

SOURCE: Washington Post at 11:36PM
Tuesday, February 28, 2012

Critic’s review of Company E’s debut, “Next: Israel” by Sarah Kaufman

If the recession is hitting the financially precarious dance world especially hard, it is also sparking new thinking. Take Company E, a start-up troupe that gave its first local performance …

SOURCE: Washington Post at 01:20AM

Twyla Tharp keeps everyone on their toes in ‘All American’ by Sarah Kaufman

In her best, loosest moments, Twyla Tharp choreographs the way Woody Allen writes — with a keen understanding of personality, idiosyncratic rhythm and the essence of the performer. In mu…

SOURCE: Washington Post at 01:20AM
Friday, February 17, 2012

What the African American Museum can learn from Holocaust and Indian museums by Sarah Kaufman

We expect a lot from museums today, particularly those showcased on the Mall, the single greatest gallery of America’s treasures. Those institutions should display the most important objec…

SOURCE: Washington Post at 05:58PM
Thursday, February 9, 2012

Alvin Ailey dance troupe shines under new leadership by Sarah Kaufman

New beginnings often contain built-in excitement, but there was an extra note of promise in the Alvin Ailey American Dance Theater’s program Tuesday night at the Kennedy Center Opera House.

SOURCE: Washington Post at 12:54AM
Friday, February 3, 2012

In documentary ‘Pina,’ a physical examination of choreographer’s legacy by Sarah Kaufman

“Meeting Pina was like finding a language,” gushes one of the dancers in Wim Wenders’s extraordinary homage to the late Pina Bausch. Wenders must have felt the same way about the rever…

SOURCE: Washington Post at 12:42AM
Wednesday, February 1, 2012

American Ballet Theatre presents mixed repertory program by Sarah Kaufman

It takes one heck of a man to overcome a tutu disaster. Luckily for ballerina Xiomara Reyes — whose skirt trailed a loop of torn tulle during a “Don Quixote” pas de deux Tuesday — he…

SOURCE: Washington Post at 10:39PM