All stories by Robert Israel on BroadwayStars

Friday, April 22, 2016

Fuse Theater Review: “Historia de Amor” at ArtsEmerson — Daring and Unsparing Theater by Robert Israel

Based on a graphic novel, the brilliant Historia de Amor is unrelenting in its darkness. It’s as if we’re swimming in a pool of India ink.

SOURCE: The Arts Fuse at 08:39AM
Tuesday, April 12, 2016

Fuse News: 20th Annual IRNE Awards — A Celebration of Theatrical Excellence by Robert Israel

Let no one accuse the Boston theater community of being moribund.

SOURCE: The Arts Fuse at 03:54PM
Tuesday, March 22, 2016

Fuse Theater Review: “Bootycandy” — Bawdy and Sweet by Robert Israel

Bootycandy is sharp-witted and entertaining -- but thoroughly sugary.

SOURCE: The Arts Fuse at 06:18PM
Monday, March 14, 2016

Fuse Theater Review: “How I Learned What I Learned” — August Wilson’s Indelible Lessons by Robert Israel

August Wilson's dramatized autobiography, thanks to the magnificent actor Eugene Lee, is a stirring experience.

SOURCE: The Arts Fuse at 12:16PM
Saturday, February 27, 2016

Fuse Music Feature: At 76, Singer Mavis Staples Continues to be an Antidote to Despair by Robert Israel

Mavis Staples' voice and stage presence still exude power, still plumb emotional and spiritual depths.

SOURCE: The Arts Fuse at 09:15AM
Tuesday, January 19, 2016

Fuse Book Review: Stanley Fish Invites Readers to “Think Again” — With Chutzpah by Robert Israel

The New York Times columns selected for Think Again are engaging, provocative, maddening, humorous, and insightful.

SOURCE: The Arts Fuse at 09:06AM
Sunday, January 10, 2016

Fuse Theater Review: “Via Dolorosa” — An Innocent Abroad in Israel by Robert Israel

Via Dolorosa is essentially a work of reportage: it would have been more effective if it had taken the form of a travel essay rather than a performance piece.

SOURCE: The Arts Fuse at 03:03PM
Tuesday, December 8, 2015

Fuse Theater Review: “Buyer & Cellar” — In Barbra Streisand’s Enchanted Village by Robert Israel

This one-man comic extravaganza about the dizzying spell of celebrity is a welcome respite from the annual bombardment of holiday joyrides.

SOURCE: The Arts Fuse at 09:56AM
Monday, November 16, 2015

Fuse Theater Review: Isango Ensemble’s “uCarmen” — A Captivating Version of a Classic by Robert Israel

A bewitching South African version of Bizet's opera -- performed with a distinctive blend of spunk and sass.

SOURCE: The Arts Fuse at 09:56AM
Monday, November 2, 2015

Fuse Theater Review: “Casa Valentina” — Dovetailing Hilarity and Heartbreak by Robert Israel

Casa Valentina's dramatic weight comes from how skillfully the cast explores the tensions that swirl about the subject of who is gay, who is straight, and what is legal.

SOURCE: The Arts Fuse at 09:28AM
Tuesday, October 27, 2015

Fuse Theater Review: “A Measure of Normalcy” — Mauled at the Mall by Robert Israel

A Measure of Normalcy pays more attention to its many themes than its characterizations..

SOURCE: The Arts Fuse at 09:53AM
Sunday, October 11, 2015

Fuse Theater Review: “An Audience with Meow Meow”—Blinded by Glitter by Robert Israel

Meow Meow milks the audience for applause so often it feels as if we are seated on stools in a dairy barn.

SOURCE: The Arts Fuse at 01:33PM
Tuesday, October 6, 2015

Fuse Visual Arts Interview: Matthew Teitelbaum Takes the Helm at Boston’s MFA by Robert Israel

Matthew Teitelbaum, 59, may be among the most reluctant employees the Museum of Fine Arts, Boston has hired.

SOURCE: The Arts Fuse at 07:13PM
Monday, September 21, 2015

Fuse Theater Review: Color Me “Gloucester Blue” — at the GSC by Robert Israel

Gloucester Blue is a lively play whose glow is generated by the spirited, tragicomic performances of a cast that obviously delights in performing it.

SOURCE: The Arts Fuse at 03:09PM
Saturday, September 19, 2015

Fuse Theater Review: “appropriate” — Southern Gothic, Entertainingly Deconstructed by Robert Israel

In appropriate, a talented young playwright turns mischievous literary homage into a work of exhilarating entertainment.

SOURCE: The Arts Fuse at 01:01PM
Monday, August 24, 2015

Fuse Theater Review: “GSC”‘s “The Flick” — Lots of Pauses, Pregnant and Otherwise by Robert Israel

You should see GSC's The Flick, but be warned that the drama works in spurts and starts

SOURCE: The Arts Fuse at 07:04PM
Tuesday, August 4, 2015

Fuse Poetry Review: James Tate’s Last Poems — Dense, Daffy, and Original by Robert Israel

James Tate remains true to himself. These prose-poems are often stellar, harrowingly distinctive, and worthy of repeat visits.

SOURCE: The Arts Fuse at 12:08PM
Friday, July 31, 2015

Fuse Theater Review: “The New Electric Ballroom” — Life’s Stark But Beautiful Melodies by Robert Israel

Like Sanuel Beckett, Enda Walsh does not ignore the tenderness that flourishes, often under the duress of absurdity.

SOURCE: The Arts Fuse at 09:32AM
Wednesday, July 22, 2015

Fuse Theater Review: Robert Lepage’s “887″ — Speak, Memory by Robert Israel

While 887 explores the political, historical, and cultural ramifications of centuries-old racism, Robert Lepage never pander to victim mentality polemics.

SOURCE: The Arts Fuse at 08:38AM
Saturday, July 4, 2015

Arts Fuse Theater Review: “Out of Sterno” — Absurd to the Point of Distraction by Robert Israel

Out of Sterno punches the same punchline far too often.

SOURCE: The Arts Fuse at 11:52AM
Thursday, June 25, 2015

Fuse Visual Art Feature: Toronto’s Aga Khan Museum — An Experience of Tranquility by Robert Israel

The Aga Khan Museum should also be appreciated as a source of inspiration at a time when the civilization that produced its art has become horrifically vulnerable.

SOURCE: The Arts Fuse at 06:15PM
Tuesday, June 16, 2015

Fuse Theater Review: Gloucester Stage Company’s “Sweet and Sad” — Subtle to a Fault by Robert Israel

Richard Nelson does not compel us to pay attention to his characters' psychological disclosures, and his reluctance to underline is refreshing.

SOURCE: The Arts Fuse at 02:50PM
Saturday, May 16, 2015

Fuse Theater Review: “Mothers & Sons” — Surveying, With Understanding, the Battles Ahead by Robert Israel

Mothers & Sons raises important questions about struggle, acceptance, and love, dramatizing battles that are still being waged.

SOURCE: The Arts Fuse at 02:21PM
Tuesday, April 14, 2015

Fuse Theater Review: Elie Wiesel’s “Choice” — A Tragic Parable About Loss by Robert Israel

Despite the well-intentioned efforts of the cast, Eli Wiesel’s words were lost in space.

SOURCE: The Arts Fuse at 07:54AM
Monday, March 30, 2015

Fuse Interview: Actor Marc Labrèche — On Robert Lepage’s “Needles and Opium” by Robert Israel

“It is just when we delve deeper into the sorrows of our lives, the sorrows we have all endured, that our humor saves us."

SOURCE: The Arts Fuse at 09:11AM
Monday, March 16, 2015

Fuse Theater Review: Culture Clash at 30 — Still Making Ballsy Political Theater by Robert Israel

Culture Clash's view of America will discomfort, which is all the more reason that I urge you -- strongly -- to attend.

SOURCE: The Arts Fuse at 09:46AM
Sunday, March 1, 2015

Fuse Commentary: Baltimore’s American Visionary Art Museum Envisions the Future — Now by Robert Israel

To call the American Visionary Art Museum quirky would be an understatement: therein lies its charm as well as one of the reason for its success, even in economic hard times.

SOURCE: The Arts Fuse at 11:41AM
Friday, December 12, 2014

Fuse Theater Review: “Necessary Monsters” — A Confusing Walk on the Wild Side by Robert Israel

Attempting to dig underneath our protective psychic skins to get at the festering Ids within, John Kuntz would like Necessary Monsters to mesh laughter and fright, comedy and horror.

SOURCE: The Arts Fuse at 01:11PM
Saturday, November 1, 2014

Fuse Remembrance: Galway Kinnell — “The Cadence of Vanishing” by Robert Israel

Galway Kinnell served as the Poet Laureate of Vermont and penned a number of poems, which often took the form of pastoral ramblings, that celebrated his appreciation of the rural life.

SOURCE: The Arts Fuse at 09:23AM
Friday, October 31, 2014

Fuse Theater Review: “Bad Jews” — Lots of Sound and Fury by Robert Israel

Joshua Harmon steers his play to the middle ground where his two lead characters – representing polar opposites, cultural versus religious Judaism – ultimately exhaust one another, and u…

SOURCE: The Arts Fuse at 08:36AM
Friday, October 17, 2014

Fuse Film Review: “Pride” — A Feel-Good Film About the Union Ties That Bind by Robert Israel

Pride is poignant celebration of the power of the human element, a carefully layered tale of solidarity.

SOURCE: The Arts Fuse at 06:20PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre