All stories by Robert Cushman on BroadwayStars

Saturday, June 9, 2012

Theatre review: Mingled passions in Stratford’s Much Ado About Nothing by Robert Cushman

The church scene in Much Ado About Nothing is one of the most notorious booby traps in Shakespeare, the point at which two major plot lines collide

SOURCE: National Post (Canada) at 01:00PM
Friday, June 8, 2012

Stratford review: The Matchmaker is a play well spent by Robert Cushman

The Matchmaker, at the Stratford Festival, is the richest and funniest production of a farce that I’ve ever seen in a Canadian theatre.

SOURCE: National Post (Canada) at 04:45PM
Tuesday, June 5, 2012

Theatre review: Neither comedy or tragedy, Shakespeare’s Cymbeline is a joy by Robert Cushman

The most wonderful thing about Antoni Cimolino’s production of Cymbeline, encompassing all the others, is that it takes the play as it comes.

SOURCE: National Post (Canada) at 01:17PM
Saturday, June 2, 2012

Theatre review: Ragtime revival shows Shaw having a roaring good time by Robert Cushman

It may be hard to claim Ragtime as the great Canadian musical. It’s an adaptation of an American novel, with an American composer, lyricist and librettist

SOURCE: National Post (Canada) at 01:00PM
Wednesday, May 30, 2012

Theatre review: 42nd Street at Stratford makes the showy best of it by Robert Cushman

The program tells us that the 50-year delay in moving 42nd Street from screen to stage “isn’t so mysterious.” It isn’t mysterious at all; in 1980 people weren’t doing that kind of …

SOURCE: National Post (Canada) at 05:47PM
Monday, May 28, 2012

Theatre Review: A Man and Some Women and Misalliance at the Shaw Festival by Robert Cushman

There are three women, no men, on stage at the start of A Man and Some Women.

SOURCE: National Post (Canada) at 04:30PM
Saturday, May 12, 2012

Theatre review: Kathleen Turner delves into the religion of addiction with High by Robert Cushman

Robert Cushman: In High, Kathleen Turner commands the stage with square shoulders and a hoarse but powerful voice suggestive of a heavy cold

SOURCE: National Post (Canada) at 11:30AM
Tuesday, May 8, 2012

Theatre review: Bring It On is just for high kicks by Robert Cushman

Competitive cheerleading is not the deepest of dramatic subjects, and Bring It On is not the deepest of shows.

SOURCE: National Post (Canada) at 05:00PM
Saturday, May 5, 2012

Theatre review: Plumbing the depths of a salesman in The Real World? by Robert Cushman

I like The Real World? better than any other Michel Tremblay play I have seen. It dates back to 1988, and it concerns a playwright who has written a play about his own family

SOURCE: National Post (Canada) at 01:00PM
Monday, April 30, 2012

Theatre review: Family matters in You Can’t Take It with You by Robert Cushman

As dysfunctional families go, the one in You Can’t Take It with You is remarkably functional.

SOURCE: National Post (Canada) at 05:42PM
Saturday, April 28, 2012

Theatre review: Such surprising heights in The Exquisite Hour by Robert Cushman

Sometimes there can be truth in advertising. The Exquisite Hour does run for an hour, or something just over, and it is exquisite, or something just under. “Exquisite” is pitching it a b…

SOURCE: National Post (Canada) at 10:45AM
Saturday, April 21, 2012

Theatre review: Lanier’s landing has its moments in Factory’s Oil and Water by Robert Cushman

Robert Cushman: There’s an extraordinary scene in the second act of Oil and Water — extraordinary in a good way

SOURCE: National Post (Canada) at 11:30AM
Sunday, April 15, 2012

Theatre review: Prisoner of Tehran shackled by fact that it’s a true story by Robert Cushman

The program for Prisoner of Tehran carries the subtitle A True Story. That phrase sums up the play’s claim to serious attention. The things it presents really happened. It also sums up wha…

SOURCE: National Post (Canada) at 02:00PM
Wednesday, April 11, 2012

Theatre Review: Intense drama in the quiet suburb of Clybourne Park by Robert Cushman

The first act of Clybourne Park takes place in an American suburban house of the 1950s, and it plays initially like a typical domestic comedy of that era. There’s Russ, the householder, de…

SOURCE: National Post (Canada) at 05:17PM
Tuesday, April 10, 2012

Theatre review: Ajax & Little Iliad get an update using Sophocles media by Robert Cushman

Of the seven surviving tragedies of Sophocles, two deal with the Trojan War: Ajax, one of his earliest plays, and Philoctetes, one of his last. Both are newly pertinent today.

SOURCE: National Post (Canada) at 03:34PM
Saturday, April 7, 2012

Theatre review: Second City’s Live Wrong and Prosper isn’t good comedy … it’s great by Robert Cushman

One of the cleverest bits in Live Wrong and Prosper, the latest Second City revue, depicts childbirth as a long-range spectator sport. There’s the father-about-to-be, tweeting each second …

SOURCE: National Post (Canada) at 11:30AM
Saturday, March 31, 2012

Theatre review: A Tennessee Williams experiment, and Sia proves war is hell by Robert Cushman

Tennessee Williams’ Vieux Carre is one of his late plays, worked on over many years and first staged in 1977. It harks back both to the New Orleans setting of A Streetcar Named Desire and …

SOURCE: National Post (Canada) at 10:00AM
Tuesday, March 27, 2012

Theatre review: Bombay plights in My Granny the Goldfish by Robert Cushman

Anosh Irani’s play is not in fact pretentious. Rather it’s unpretentious to a fault, or way beyond.

SOURCE: National Post (Canada) at 11:43AM
Saturday, March 24, 2012

Theatre review: Shrek the Musical surprises with strong stage adaptation by Robert Cushman

As one of the few people in the world who never saw the movies, I am in no position to pronounce on how faithful Shrek the Musical is to its source. I have gathered that the first film was g…

SOURCE: National Post (Canada) at 11:00AM
Tuesday, March 20, 2012

Notes on three Canadian theatre scandals by Robert Cushman

Three shocks have hit the Canadian theatre recently. There was the closure of the Vancouver Playhouse; the announcement that the $100,000 Siminovitch Prize will be awarded for the last time;…

SOURCE: National Post (Canada) at 06:00PM
Saturday, March 17, 2012

Theatre review: The Small Room at the Top of the Stairs is a mini masterpiece by Robert Cushman

I haven’t been a great fan of Carole Fréchette’s plays; they’ve seemed to me like tiny surfaces, obsessively polished. Her latest is small too, at least physically — its very title …

SOURCE: National Post (Canada) at 10:30AM
Monday, March 12, 2012

Robert Cushman on the ‘insider’ deal with Stratford’s new director Antoni Cimolino by Robert Cushman

On Sunday it was announced that Antoni Cimolino will be the next artistic director of the Stratford Festival. This was not a surprise. What was surprising, or at least unexpected, is that hi…

SOURCE: National Post (Canada) at 06:00PM
Saturday, March 10, 2012

Theatre Review: Scarifying ladies make The Happy Woman a standout by Robert Cushman

Rose Cullis’s play is called The Happy Woman, and taking into account the expected doses of irony, the decor is very appropriate. It’s also very stylish, which befits a script that’s a…

SOURCE: National Post (Canada) at 11:30AM
Tuesday, March 6, 2012

Review: Free as Injuns teems with paternal power struggles by Robert Cushman

The source play is a hot brew of physical and territorial lusts, the latter trenchantly summarized in the clinching line quoted up top. This version stirs in a new element.

SOURCE: National Post (Canada) at 02:58PM
Friday, March 2, 2012

Theatre Review: Soulpepper’s Long Day’s Journey into Night works the The Eugene O’Neill formula well by Robert Cushman

"If you didn’t make allowances in this family, you’d go nuts.” Those words, spoken by James Tyrone Jr. in Eugene O’Neill’s Long Day’s Journey into Night, could probably apply in …

SOURCE: National Post (Canada) at 05:00PM
Wednesday, February 29, 2012

Theatre review: War Horse gallops off to victory by Robert Cushman

The transforming moment in War Horse — transforming in every sense — comes about 20 minutes in. Joey, the title horse, changes before our eyes from foal to full-grown stallion.

SOURCE: National Post (Canada) at 04:13PM
Saturday, February 25, 2012

Theatre Review: Seeds is an impressive retelling of Monsanto court case by Robert Cushman

The documentary play Seeds centres on the 2004 patent infringement case of Monsanto vs. Schmeiser. Monsanto, the bio-tech company, claimed that Percy Schmeiser, a Saskatchewan farmer, had in…

SOURCE: National Post (Canada) at 11:30AM
Friday, February 24, 2012

Review: It’s all junky business in High Life by Robert Cushman

The high life enjoyed, if that’s the word, by the four characters of Lee MacDougall’s play is a chemical one.

SOURCE: National Post (Canada) at 06:50PM
Saturday, February 18, 2012

Theatre Review: It’s Harry meets satire in Potted Potter by Robert Cushman

The performers and producers of Potted Potter claim their show can be understood without any knowledge of the source material, and I can proclaim, from the full depths of my ignorance, that …

SOURCE: National Post (Canada) at 11:30AM
Saturday, February 11, 2012

Theatre Reviews: It’s man vs. man in The Double and Hughie, two delightful duets by Robert Cushman

Time to order a double-double. The show called The Double is based on a Dostoevski novella of the same title, concerning one Yakov Petrovich Golyadkin. Or rather two Yakov Petrovich Golyadki…

SOURCE: National Post (Canada) at 10:30AM
Thursday, February 9, 2012

Theatre Review: In the Heights is down in the depths by Robert Cushman

In the Heights won the 2008 Tony for best Broadway musical and, unlike some other recipients, it deserved to. It also introduced a newish musical sound to Broadway and, again unlike some oth…

SOURCE: National Post (Canada) at 08:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic