All stories by Robert Cushman on BroadwayStars

Thursday, February 9, 2012

Theatre Review: In the Heights is down in the depths by Robert Cushman

In the Heights won the 2008 Tony for best Broadway musical and, unlike some other recipients, it deserved to. It also introduced a newish musical sound to Broadway and, again unlike some oth…

SOURCE: National Post (Canada) at 08:00AM
Thursday, October 27, 2011

Theatre Review: The dance dance revolution of Fela! by Robert Cushman

Here is a production with a large cast but only one real character; at its heart, in fact, a one-man show. It’s an audience-pleasing, even audience-baiting, piece of work that can also lan…

SOURCE: National Post (Canada) at 08:00AM
Tuesday, October 25, 2011

Soulpepper 2012: The death of Albert Schultz’s game plan? by Robert Cushman

Soulpepper’s 2012 season, its 15th, will contain a dozen shows. Two of these are revivals from previous years: Death of a Salesman, from 2010, and the perennial A Christmas Carol.

SOURCE: National Post (Canada) at 07:00PM
Friday, October 21, 2011

Theatre Review: The Normal Heart at Buddies in Bad Times by Robert Cushman

For eight years now, Joel Greenberg’s Theatre 180 has been bringing us plays on urgent public subjects. They have divided into the documentary or quasi-documentary (The Laramie Project, St…

SOURCE: National Post (Canada) at 07:30PM
Friday, October 14, 2011

Theatre Review: I Send You This Cadmium Red, at Berkeley Street Theatre by Robert Cushman

The Art of Time ensemble likes to merge all kinds of performing disciplines, sometimes throwing in some non-performing ones as well. Canadian Stage is giving its Berkeley Street platform to …

SOURCE: National Post (Canada) at 08:00PM
Monday, October 10, 2011

Theatre Review: The Ugly One; Sex, Religion & Other Hangups by Robert Cushman

There’s an old comedy routine in which a man who has lost his memory is returned by the authorities to the bosom of his family. “Is it really true,” his wife asks, on her way up to bed…

SOURCE: National Post (Canada) at 09:00AM
Friday, October 7, 2011

Theatre Review: Another Africa trilogy works better as a pair by Robert Cushman

A hearty welcome to Another Africa, which actually is the same Africa we saw last year at Luminato, only shorter. Shorter by a third, since what was previously The Africa Trilogy is now just…

SOURCE: National Post (Canada) at 02:24PM
Tuesday, October 4, 2011

Theatre Review: Chess the Musical by Robert Cushman

The best thing about Chess is its title. The worst is that the title has nothing to do with the rest of the show. OK, that’s an exaggeration. The storyline does involve a world chess champ…

SOURCE: National Post (Canada) at 02:55PM
Friday, September 30, 2011

Theatre Review: Daniel MacIvor’s return with His Greatness a welcome treat by Robert Cushman

The most enjoyable Daniel MacIvor plays have usually been those in which he has appeared himself. This, in recent memory, has meant that they have been monologues. However, his new play, ent…

SOURCE: National Post (Canada) at 07:30PM
Monday, September 26, 2011

Theatre Review: The low fidelity of Private Lives by Robert Cushman

Just to refresh memories: Elyot and Amanda used to be married. They fought all the time, so now, meaning at the beginning of Act One, they’re divorced. They’ve also remarried and, honeym…

SOURCE: National Post (Canada) at 06:00PM
Friday, September 23, 2011

Theatre Review: In the Next Room plays Victorian sex for easy laughs by Robert Cushman

Dr. Givings, New York physician circa 1880, turns on the newly installed electric light in his living room and wonders at the marvels Edison has wrought. His wife, Catherine, feels less jubi…

SOURCE: National Post (Canada) at 08:00PM
Wednesday, September 21, 2011

Cushman: All aboard Peter Hinton’s theatre ark by Robert Cushman

Last weekend I caught the final performance of the Shaw Festival’s When the Rain Stops Falling, directed by Peter Hinton, and enjoyed it even more than I had on the first night. This Austr…

SOURCE: National Post (Canada) at 03:44PM
Tuesday, September 20, 2011

Theatre Review: The Tale of a Town by Robert Cushman

It isn’t really accurate to say that The Tale of a Town happens at Theatre Passe Muraille. Taking its name literally, and perhaps reverting to its roots, TPM is here the embarkation point …

SOURCE: National Post (Canada) at 08:00PM
Saturday, September 17, 2011

On Theatre: No one should take opinion as gospel, not even our critic’s by Robert Cushman

Soulpepper’s production of Arthur Miller’s The Price received a standing ovation on its first night. These days that isn’t such a rarity, anywhere you go. But the cheers and claps on t…

SOURCE: National Post (Canada) at 11:00AM
Friday, September 9, 2011

Theatre Review: Soulpepper revives The Price with humanity by Robert Cushman

Once upon a time there were two brothers and their washed-up father. Or, in the corpus of Arthur Miller’s plays, once upon several times. The Price, first staged in New York in 1968 and no…

SOURCE: National Post (Canada) at 05:08PM
Tuesday, August 30, 2011

Theatre Review: When the Rain Stops Falling by Robert Cushman

The year is 2039, and in Alice Springs, Australia, a dead fish falls from the sky. This is even odder than it might seem, because the man at whose feet it falls, whose name is Gabriel York, …

SOURCE: National Post (Canada) at 10:30AM
Friday, August 26, 2011

Theatre Reviews: Savage whimsy in White Biting Dog and Cirque’s Totem by Robert Cushman

Judith Thompson’s White Biting Dog begins with a depressed and divorced 31-year-old lawyer, who goes by the name of Cape Race, preparing to kill himself by jumping off the Bloor Street Via…

SOURCE: National Post (Canada) at 07:15PM
Monday, August 22, 2011

Theatre review: Come Fly Away by Robert Cushman

Frank Sinatra never sang the words “come fly away.” He did of course sing the words “come fly with me,” at the beginning of the song of that name, closely followed by…

SOURCE: National Post (Canada) at 08:00AM
Friday, August 19, 2011

Theatre Review: ’da Kink in My Hair not curled as tight these days by Robert Cushman

When Trey Anthony’s ’da Kink in My Hair was seen at the Princess of Wales Theatre six years ago it had a few musical numbers, and I wished that there might be more. I should have been mo…

SOURCE: National Post (Canada) at 07:00PM
Thursday, August 18, 2011

Theatre Review: Exit the King by Robert Cushman

Eugène Ionesco’s Exit the King is a play that seems, provokingly, to have set out to be a masterpiece. Even more provokingly, it succeeds. Ionesco, the supposed maestro of the Theatre of …

SOURCE: National Post (Canada) at 08:00AM
Monday, August 15, 2011

Theatre Review: The Homecoming by Robert Cushman

In 1958 the British theatre critic Irving Wardle, later to become the revered reviewer for The Times, wrote an essay entitled “Comedy of Menace,” in which he identified a group o…

SOURCE: National Post (Canada) at 08:00PM
Friday, August 12, 2011

Theatre Reviews: The very best (and worst) of Summerworks by Robert Cushman

Hannah Moscovitch’s Little One (Summerworks, Theatre Passe Muraille) is about growing up with a sociopath. There’s Claire, who as a sexually damaged four-year-old was rescued by an Ottaw…

SOURCE: National Post (Canada) at 07:00PM
Thursday, August 11, 2011

Theatre Reviews: Topdog/Underdog and The President by Robert Cushman

The two characters in Topdog/Underdog, a prizewinning American play by Suzan-Lori Parks, are brothers, black, whose father named them Lincoln and Booth. This, according to Lincoln, was daddy…

SOURCE: National Post (Canada) at 05:30PM
Tuesday, August 9, 2011

Theatre Review: Maria Severa by Robert Cushman

Maria Severa Onofriana sang the blues, in Portuguese. More exactly, she was an early exponent — some say the inventor — of the guitar-based form known as fado. She was born in Lisbon in …

SOURCE: National Post (Canada) at 04:23PM
Friday, August 5, 2011

Summerworks: In celebration of homegrown plays by Robert Cushman

Tickets to shows at Toronto’s Summerworks Festival, previously $10 apiece, will this year cost $15. That doesn’t sound like much, but if you want to take full advantage of a festival con…

SOURCE: National Post (Canada) at 08:00PM
Friday, July 29, 2011

Theatre Review: Lysistrata is a compelling battle of the sexes by Robert Cushman

The Canopy Theatre Company’s Lysistrata — The Sex Strike (their subtitle) is the most satisfying production of an Aristophanes play I have ever seen. That isn’t quite the sweeping stat…

SOURCE: National Post (Canada) at 07:00PM

Theatre Review: Next to Normal by Robert Cushman

The musical Next to Normal goes irretrievably down the tubes at the moment, early in Act One, when one of its characters, already a driving force in the action, is revealed to have been dead…

SOURCE: National Post (Canada) at 03:00PM
Wednesday, July 27, 2011

Theatre Review: The Kreutzer Sonata by Robert Cushman

This is Ted Dykstra’s time. He is the director of all three of the plays in Soulpepper’s current repertoire: the superb Glass Menagerie, the perennially successful Billy Bishop Goes to W…

SOURCE: National Post (Canada) at 01:36PM
Sunday, July 24, 2011

Theatre Review: Des McAnuff’s Twelfth Night dazzles at Stratford by Robert Cushman

Back in the 1960s, there was a gently rocking musical based on Twelfth Night entitled Your Own Thing, which is a pretty fair translation of the original play’s subtitle What You Will. More…

SOURCE: National Post (Canada) at 08:00AM
Tuesday, July 19, 2011

Theatre Review: Titus Andronicus at Stratford by Robert Cushman

There are 24 named characters in the standard texts of Titus Andronicus, and by the end of the play 14 of them are either dead or under sentence of same. Two of the deceased have, while aliv…

SOURCE: National Post (Canada) at 05:14PM
Monday, July 18, 2011

Theatre Review: Carrie Fisher: Wishful Drinking by Robert Cushman

“I like to quote fictional characters,” says Carrie Fisher, after citing Sherlock Holmes on the amount of information it’s possible for one person to hold in his head “because I’m …

SOURCE: National Post (Canada) at 02:30PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic