All stories by Paul Vale on BroadwayStars

Tuesday, August 15, 2017

Double Feature review at Gilded Balloon at Rose Theatre, Edinburgh – ‘well-established double-act’ by Paul Vale

Andy Gray and Grant Stott were originally regarded as a regular pantomime double-act at the King’s Theatre in Edinburgh. For the past

SOURCE: The Stage Registration at 12:00PM

The Soft Subject (A Love Story) review at Assembly Hall, Edinburgh – ‘cathartic one-man show’ by Paul Vale

It takes a while to work out where Chris Woodley’s new play The Soft Subject is going. It’s unapologetically autobiographical and for

SOURCE: The Stage Registration at 11:47AM

Modern Maori Quartet: That’s Us! review at Assembly George Square, Edinburgh – ‘fiercely individual sound’ by Paul Vale

A series of productions from New Zealand is taking place at the Edinburgh Fringe this year and included is the Modern Maori

SOURCE: The Stage Registration at 11:38AM

Donors review at Space on the Mile, Edinburgh – ‘interesting moral questions’ by Paul Vale

Set in a fertility clinic, Donors takes a brief look at the emotional fallout when an older woman strikes a deal with

SOURCE: The Stage Registration at 10:47AM
Monday, August 14, 2017

Richard Carpenter is Close to You review at Underbelly, Edinburgh – ‘pitch-perfect parody’ by Paul Vale

When Matthew Floyd Jones steps out on to the stage and starts singing a reworked medley of The Carpenter’s greatest hits, you

SOURCE: The Stage Registration at 05:50AM
Sunday, August 13, 2017

What Would Cathy Do? review at C Primo, Edinburgh – ‘an exciting monologue ‘ by Paul Vale

A fumbled snatch of music in black-out and the sound of a flickering movie projector, and then Cathy lurches onto the stage.

SOURCE: The Stage Registration at 08:37AM

The Curse Of The Mummy review at Just The Tonic, Edinburgh – ‘very little to recommend’ by Paul Vale

With meta-comedy theatre at its greatest density at Edinburgh in August, it’s inevitable that you are going to wander into a few

SOURCE: The Stage Registration at 08:11AM

The Power Behind the Crone review at Assembly Studios, Edinburgh – ‘entertaining’ by Paul Vale

For those who believe that there are no good parts for older women in Shakespeare, The Power Behind The Crone is required

SOURCE: The Stage Registration at 07:55AM
Saturday, August 12, 2017

Jack Rooke: Happy Hour review at Underbelly Cowgate, Edinburgh – ‘quirky humour’ by Paul Vale

It seems to Jack Rooke that far too many people and pets have died in his life so far. When his friend

SOURCE: The Stage Registration at 05:53AM

Buried: A New Musical review at C Too, Edinburgh – ‘excellent vocal performances’ by Paul Vale

It’s pretty rare that a musical will appear perfect and fully formed at the Fringe. This is a place for experimentation and

SOURCE: The Stage Registration at 05:28AM
Friday, August 11, 2017

Let Me Look at You review at Pleasance Courtyard, Edinburgh – ‘exploration of LGBT+ history’ by Paul Vale

This year marks the 50th anniversary of the de-criminalisation of homosexuality. Godfrey Hamilton’s new one-man play takes stock of the changes in

SOURCE: The Stage Registration at 01:19PM

Lemonade review at Assembly Rooms, Edinburgh – ‘fascinating’ by Paul Vale

When life gives you lemons, you make lemonade. This old adage is explored by Heather Litteer in Lemonade, a fascinating, richly textured

SOURCE: The Stage Registration at 05:50AM

No Miracles Here review at Summerhall, Edinburgh – ‘unusual and engaging’ by Paul Vale

Plays about mental health issues may be ubiquitous at the Fringe but No Miracles Here adopts such an unusual and engaging approach

SOURCE: The Stage Registration at 04:50AM
Wednesday, August 9, 2017

Chill Habibi review at Summerhall, Edinburgh – ‘casual, intimate cabaret’ by Paul Vale

The Arab Arts Focus at Summerhall and the New Town Theatre aims to reassess the place, purpose and future of the arts

SOURCE: The Stage Registration at 12:07PM

The Choir of Man review at Assembly Rooms, Edinburgh – ‘boisterous celebration of pub culture’ by Paul Vale

The initial USP of The Choir of Man is that you are offered a pint of beer upon entry. On stage, the

SOURCE: The Stage Registration at 10:31AM

Burnt Toast review at Assembly Rooms, Edinburgh – ‘colourful characters’ by Paul Vale

Every year Polly marks the disappearance of her mother with an unusual ritual. The memory of a food fight involving ice-cream and

SOURCE: The Stage Registration at 05:55AM

Bright Colours Only review at Assembly Rooms, Edinburgh – ‘oddly humorous and wholly practical’ by Paul Vale

Despite its constant presence, the practicalities of death are rarely considered until absolutely necessary. Bright Colours Only attempts to address this in

SOURCE: The Stage Registration at 05:35AM

Rachel Tucker: Unplugged review at Pleasance Courtyard, Edinburgh – ‘intimate and accomplished’ by Paul Vale

Remarkably, this is the first time that Rachel Tucker has played Edinburgh. Even though it’s only a two-date gig, it’s a performance

SOURCE: The Stage Registration at 04:33AM
Tuesday, August 8, 2017

Assessment review at Gilded Balloon at Rose Theatre – ‘chilling and emotionally articulate’ by Paul Vale

Alan McDonald is not having a good birthday. Reduced to living with his daughter to make his pension go further, his arthritis

SOURCE: The Stage Registration at 12:19PM
Monday, August 7, 2017

Prom Kween review at Underbelly Cowgate, Edinburgh – ‘sharp, satirical and bursting with heart’ by Paul Vale

In 2016 Matthew Crisson, a student who recognises as non-binary, made headlines when he was crowned prom queen at La Guardia High

SOURCE: The Stage Registration at 08:16AM
Sunday, August 6, 2017

Wereldband: Slapstick review at Assembly George Square, Edinburgh – ‘meticulous musical clowing’ by Paul Vale

It’s extremely difficult to pin down Wereldband to a particular genre. The Dutch five-piece band are not simply multi-talented musicians performing a

SOURCE: The Stage Registration at 10:44AM

Becoming Scheherazade review at Summerhall, Edinburgh – ‘amiable personal history’ by Paul Vale

The essence of theatre is storytelling and, for Kamaal Hussain, the tales of 1,001 Nights have long been a source of fascination.

SOURCE: The Stage Registration at 05:56AM
Saturday, August 5, 2017

Auditions review at Sweet, Grassmarket, Edinburgh – ‘cliched and fragmented’ by Paul Vale

Four people turn up at an audition and begin swapping stories about their career highs – or, more frequently, lows. Racism, ageism

SOURCE: The Stage Registration at 07:59AM

Douze review at C Royale, Edinburgh – ‘a mad-cap piece of interactive theatre’ by Paul Vale

Eurovision and the culture surrounding it seems to be  a fairly easy target for satirists. Even the spectacle of the event itself

SOURCE: The Stage Registration at 05:54AM

Behind the Mirror review at C, Edinburgh – ‘enchanting’ by Paul Vale

The biggest impact on an Edinburgh Fringe musical is invariably the orchestra. Usually reduced to a recorded soundtrack, or at best a

SOURCE: The Stage Registration at 05:40AM
Friday, August 4, 2017

The Inevitable Quiet of the Crash review at C Royale, Edinburgh – ‘potent and involving psychological musical’ by Paul Vale

There are many things to commend in Katie Hale and Stephen Hyde’s new musical, although the unwieldy title The Inevitable Quiet of

SOURCE: The Stage Registration at 07:44AM
Thursday, July 27, 2017

The Secret Diary of Adrian Mole Aged 13 3/4 review at Menier Chocolate Factory, London – ‘fresh and funny’ by Paul Vale

This musical adaptation of Sue Townsend’s The Secret Diary of Adrian Mole Aged 13 3/4 first saw light of day at Leicester’s

SOURCE: The Stage Registration at 06:50AM
Monday, July 24, 2017

The Blues Brothers – Summer Special‬ ‪review at Hippodrome, London – ‘formulaic’ by Paul Vale

‪In this age of jukebox musicals it is surprising that The Blues Brothers has never been adapted more for the stage in

SOURCE: The Stage Registration at 08:16AM
Saturday, July 22, 2017

Briefs: Close Encounters review at Underbelly Festival, London – ‘energetic all-male burlesque’ by Paul Vale

The Briefs Factory, an all-male burlesque troupe, stormed into London from Australia in 2013 with a fusion of circus and avant-garde burlesque.

SOURCE: The Stage Registration at 07:07AM
Monday, July 17, 2017

Chinese Whispers review at Greenwich Theatre, London – ‘fascinating but unfocused’ by Paul Vale

Sir Edmund Backhouse represents one of the more curious characters spawned in 19th-century England. A gentleman con artist who, after being sent

SOURCE: The Stage Registration at 07:53AM
Thursday, July 13, 2017

Brian Blessed directs Spider’s Web at the Mill at Sonning review – ‘wicked humour’ by Paul Vale

For Spider’s Web, author Agatha Christie weaves a rather unexpected thread of comedy through one of her traditional murder mysteries. Originally created

SOURCE: The Stage Registration at 05:49AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic