All stories by Paul Vale on BroadwayStars

Sunday, December 31, 2017

Jack and the Beanstalk review at Waddon Leisure Centre, Croydon – ‘patchy and uneven’ by Paul Vale

It was feared that when Fairfield Halls closed its doors for refurbishment in 2016 that live pantomime would disappear from the town.

SOURCE: The Stage Registration at 08:58AM
Saturday, December 30, 2017

Peter Pan review at SSE Arena, Wembley, London – ‘an empty spectacle’ by Paul Vale

Over the years, the story of Peter Pan has morphed from magical Christmas show into full-on riotous pantomime with varying degrees of

SOURCE: The Stage Registration at 07:27AM
Saturday, December 23, 2017

Cinderella review at Hippodrome, Birmingham – ‘rich in comedy’ by Paul Vale

Before Qdos Entertainment ventured into the London Palladium, the shinning jewel in it’s pantomime crown was at the Birmingham Hippodrome. It’s still

SOURCE: The Stage Registration at 07:36AM
Tuesday, December 19, 2017

Robin Hood review at New Victoria, Woking – ‘fitfully entertaining’ by Paul Vale

The story of Robin Hood, with its broadly painted heroes and villains, makes a good basis for a family pantomime. Writer Alan

SOURCE: The Stage Registration at 10:56AM

The Queen’s Head review at Selfridges, London – ‘anarchy and nostalgia’ by Paul Vale

Building on the success of last year’s Down the Rabbit Hole, Sink the Pink is back in the basement of Selfridges with

SOURCE: The Stage Registration at 10:44AM
Friday, December 15, 2017

Aladdin review at Richmond Theatre, London – ‘a low-energy affair’ by Paul Vale

Of all the pantomimes, Aladdin perhaps offers the biggest opportunity to a stage designer. The story is, after all, filled with exotic

SOURCE: The Stage Registration at 08:17AM
Wednesday, December 13, 2017

Dick Whittington review at the London Palladium – ‘Julian Clary is pantomime gold’ by Paul Vale

Last year, Qdos Entertainment brought pantomime back to the Palladium in grand style with its production of Cinderella. That show was a

SOURCE: The Stage Registration at 07:16PM

Jack and the Beanstalk review at New Wimbledon Theatre, London – ‘desperately lacking in imagination’ by Paul Vale

The New Wimbledon pantomime was once a stronghold for First Family Entertainment, now it’s been taken on by Qdos. It’s been 15

SOURCE: The Stage Registration at 09:58AM
Monday, December 11, 2017

Aladdin review at Towngate Theatre, Basildon – ‘outstanding family pantomime’ by Paul Vale

The Slave of the Ring is a single mum on a zero hours contract so when Abanazar beckons, she sends the kids

SOURCE: The Stage Registration at 07:41AM

Rapunzel review at Theatre Royal Stratford East, London – ‘innovative and uplifting’ by Paul Vale

Trish Cooke and Robert Hyman’s adaptation of Rapunzel for Theatre Royal Stratford East may stray wildly from the original story, but that’s

SOURCE: The Stage Registration at 06:10AM
Thursday, December 7, 2017

Snow White – Rotten to the Core review at Above the Stag, London – ‘invention and assurance’ by Paul Vale

Jon Bradfield and Martin Hooper, co-authors of Snow White – Rotten to the Core, have evicted the dwarves and replaced them with a

SOURCE: The Stage Registration at 01:18PM
Friday, December 1, 2017

Freddie, Ted and the Death of Joe Orton review at London Theatre Workshop – ‘an idiosyncratic homage’ by Paul Vale

The 50th anniversary passing of the Sexual Offences Act has resulted in a lot of interesting new work. 1967 was a major

SOURCE: The Stage Registration at 12:05PM
Thursday, November 30, 2017

My Fair Lady review at Mill on Sonning – ‘resourceful and imaginative’ by Paul Vale

Encouraged by the reception of High Society last year, the same creative team has returned to the Mill at Sonning, with Lerner

SOURCE: The Stage Registration at 05:28AM
Wednesday, November 29, 2017

King Tut – A Pyramid Panto review at King’s Head Theatre, London – ‘regenerates the panto canon’ by Paul Vale

This may be Charles Court Opera’s 11th pantomime in Islington, but rather than re-run familiar titles the company looks for inspiration elsewhere. Ancient

SOURCE: The Stage Registration at 07:25AM
Friday, November 24, 2017

Cinderella review at Hackney Empire, London – ‘a patchy production’ by Paul Vale

The Hackney Empire pantomime has a proud history of innovation and diversity. It’s known for good all-round family entertainment. The challenge of

SOURCE: The Stage Registration at 05:44AM
Wednesday, November 22, 2017

We are the Lions, Mr Manager review at Tara Theatre, London – ‘a tightly plotted two-hander’ by Paul Vale

When Jayaben Desai initiated a picket line at the Grunwick Film Processing Laboratories in 1976, she was setting off a string of

SOURCE: The Stage Registration at 10:23AM

Top 10 pantomimes for 2017 by Paul Vale

As the festive season gets underway, Paul Vale shares his picks from the UK’s Christmas theatre offerings 1. Aladdin, Towngate Theatre, Basildon November 28-January

SOURCE: The Stage Registration at 05:30AM
Monday, November 20, 2017

Now First Family Entertainment has shut up shop, where have all the US panto stars gone? by Paul Vale

Earlier this year, the panto war ended when Qdos took over long-time competitor First Family Entertainment. Paul Vale looks at the unforeseen

SOURCE: The Stage Registration at 08:00AM
Friday, November 17, 2017

The End of History review at Tristan Bates Theatre, London – ‘fails at practically every level’ by Paul Vale

In 2007 Blair on Broadway garnered much critical acclaim for creators Iain Hollingshead and Timothy Muller. Ten years later they have reunited

SOURCE: The Stage Registration at 05:24AM
Monday, November 13, 2017

No Place Like Hope review at Old Red Lion, London – ‘sincerity and humour’ by Paul Vale

Neither Anna nor Becca are where they are supposed to be. Teenager Becca has been forced to do community service in a

SOURCE: The Stage Registration at 06:18AM
Monday, November 6, 2017

Hot Gay Time Machine review at Other Palace, London – ‘energetic satirical cabaret’ by Paul Vale

Camp stereotypes and the class system have always been mainstays of British comedy. Long before homosexuality was decriminalised in the UK, there

SOURCE: The Stage Registration at 08:21AM
Friday, November 3, 2017

Awful Auntie review at Richmond Theatre, London – ‘madcap and inventive’ by Paul Vale

Following on from the successful stage adaptation of David Walliams’ Gangsta Granny, Horrible Histories’ writer Neal Foster has turned Awful Auntie –

SOURCE: The Stage Registration at 12:26PM
Monday, October 30, 2017

Imagine This review at Union Theatre, London – ‘brave, but flawed’ by Paul Vale

Though it’s common on the fringe to see big shows scaled down for small spaces, it’s a precarious game that can sometimes

SOURCE: The Stage Registration at 09:54AM
Thursday, October 26, 2017

Our House review at Churchill Theatre, Bromley – ‘bags of energy’ by Paul Vale

With music and lyrics by Madness, Our House went on to win the Olivier award for best new musical after ist premiere

SOURCE: The Stage Registration at 06:38AM
Wednesday, October 25, 2017

Why Canadian musicals are flying high by Paul Vale

Investment in workshops and development programmes is paying off as the North American nation looks to develop a production line of hit

SOURCE: The Stage Registration at 11:00AM
Wednesday, October 18, 2017

The Legend of King Arthur review at Spiegeltent, Guildford – ‘hearty theatrics’ by Paul Vale

A week after the National Theatre’s flailing attempt to turn the story of Saint George into a state of the nation play,

SOURCE: The Stage Registration at 08:17AM
Monday, October 16, 2017

Perfect Wedding review at Mill at Sonning – ‘great comic timing’ by Paul Vale

The rituals of a wedding are prime fodder for a farce. The heightened emotions surrounding the event have been a huge source

SOURCE: The Stage Registration at 11:36AM
Friday, October 13, 2017

Gilgamesh review at White Bear Theatre, London – ‘an entertaining adaptation’ by Paul Vale

The Epic of Gilgamesh is one of the earliest piece of literature known to man, dating back to the Third Dynasty of

SOURCE: The Stage Registration at 09:05AM
Monday, October 9, 2017

Hammer House of Horror Live: The Soulless Ones review at Hoxton Hall – ‘not particularly frightening’ by Paul Vale

In its heyday, between the 1950s and 1970s, Hammer Films, the British horror film studio, successfully snatched the horror genre back from

SOURCE: The Stage Registration at 07:10AM
Friday, October 6, 2017

Big Foot review at Stratford Circus Arts Centre, London – ‘gentle yet persuasive message’ by Paul Vale

Beneath the bold, humorous theatrical style of Joseph Barnes Phillips’ new play Big Foot is a simple, semi-autobiographical rites of passage tale.

SOURCE: The Stage Registration at 07:26AM
Thursday, October 5, 2017

Child of the Divide review at Polka Theatre, London – ‘imaginative and educational’ by Paul Vale

In 1947, the partition of India and the newly formed Pakistan resulted in the migration of more that 16 million people. The

SOURCE: The Stage Registration at 07:48AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic