All stories by Paul Vale on BroadwayStars

Tuesday, June 12, 2018

Return to the Forbidden Planet review at Upstairs at the Gatehouse, London – ‘an affectionate revival’ by Paul Vale

Bob Carlton’s Return to the Forbidden Planet first landed in the West End in 1989 where it surprised many by beating Miss

SOURCE: The Stage Registration at 01:09PM

Monogamy review at Park Theatre, London – ‘excellent performances’ by Paul Vale

It’s not surprising that a play by the man considered by many to be the spiritual successor to Alan Ayckbourn should focus

SOURCE: The Stage Registration at 07:01AM
Friday, June 8, 2018

San Domino review at Tristan Bates Theatre, London – ‘fascinating slice of queer history’ by Paul Vale

In Italy in 1938, fuelled by Mussolini’s obsession with maintaining a pure and healthy race, known and suspected homosexuals were rounded up

SOURCE: The Stage Registration at 05:36AM
Thursday, June 7, 2018

Beautiful Thing review at Above the Stag, London – ‘beautifully observed performances’ by Paul Vale

After much planning, Above the Stag has finally opened the doors to its new venue in Vauxhall. As the only full-time LGBT+

SOURCE: The Stage Registration at 05:40AM
Wednesday, June 6, 2018

The Stage/Youth Music Theatre UK scholarship winner 2018 by Paul Vale

The winner of The Stage Scholarship 2018 at Youth Music Theatre UK is Noah Cochrane, aged 12 from Portadown, Co Armagh in

SOURCE: The Stage Registration at 07:40AM
Tuesday, May 29, 2018

Into the Woods review at Cockpit Theatre, London – ‘ambitious and inventive’ by Paul Vale

Though set in a world of fairytale, there’s a grittiness to Stephen Sondheim’s Into the Woods. There are enough dysfunctional families, strained

SOURCE: The Stage Registration at 10:42AM
Friday, May 18, 2018

Eleanor of Aquitaine: Mother of Pride review at Tara Theatre, London – ‘a superlative performance’ by Paul Vale

The story of Eleanor of Aquitaine is a dramatist’s dream. Once the queen of France and then the queen of England she

SOURCE: The Stage Registration at 11:49AM

A Sockful of Custard review at Pleasance Theatre, London – ‘a moving tribute to Spike Milligan’ by Paul Vale

It’s difficult to imagine now the influence The Goon Show had on a post-war British audience. Austerity had extended the privations of

SOURCE: The Stage Registration at 07:43AM
Tuesday, May 15, 2018

HR Haitch review at Union Theatre, London – ‘coarse and corny new musical’ by Paul Vale

The social divide between the working classes and the aristocracy has long been a popular theme in musical theatre. Think My Fair

SOURCE: The Stage Registration at 07:29AM
Friday, May 4, 2018

Music Hall Monster: The Insatiable Mr Fred Barnes review at Wilton’s Music Hall, London – ‘richly charismatic’ by Paul Vale

The story of Fred Barnes is a theatrical tragedy just gagging to be brought to life on stage. In his heyday in

SOURCE: The Stage Registration at 11:08AM
Thursday, May 3, 2018

Move Over Mrs Markham review at the Mill at Sonning – ‘precision engineered farce’ by Paul Vale

In the age of the sexual revolution, British dramatists used farce as a device to satirise the disintegration of old-fashioned social mores

SOURCE: The Stage Registration at 11:44AM
Wednesday, May 2, 2018

Priscilla, Queen of the Desert review at Queen’s Theatre, Hornchurch – ‘strong vocals, disappointing design’ by Paul Vale

The beauty of Stephan Elliot and Allan Scott’s musical Priscilla, Queen of the Desert is the way it retains every aspect of

SOURCE: The Stage Registration at 05:17AM
Friday, April 27, 2018

Burke and Hare review at Watermill, Newbury – ‘a lively black comedy’ by Paul Vale

In the 19th century, there was money to be made digging up fresh cadavers from the graveyard and selling them on to

SOURCE: The Stage Registration at 12:11PM
Tuesday, April 24, 2018

How drag is sashaying from cabaret clubs to West End stages by Paul Vale

While onstage gender reversal has long been a common sight in pantomime, drag has tended to be regarded as a niche style

SOURCE: The Stage Registration at 07:30AM
Monday, April 23, 2018

Kathleen Turner – Finding My Voice review at the Other Palace, London – ‘brilliant storytelling’ by Paul Vale

Kathleen Turner is an instinctive performer who rarely shrinks from a challenge. She made her film debut in Body Heat, had leading

SOURCE: The Stage Registration at 07:31AM

The Golden F**king Years review at Jack Studio Theatre, London – ‘honest and often surprising’ by Paul Vale

Retirement drama is not a particularly new trend but, naturally, as our nation ages, there’s going to be a greater market for

SOURCE: The Stage Registration at 05:20AM
Thursday, April 19, 2018

Much Ado About Nothing review at Rose Theatre, London – ‘inventive Mafia-style staging’ by Paul Vale

There’s a modern Mafioso twist to Simon Dormandy’s busy production of Much Ado About Nothing, with Don Pedro and his men arriving

SOURCE: The Stage Registration at 05:49AM
Wednesday, April 18, 2018

Mother’s Ruin – A Cabaret About Gin review at the Other Palace, London – ‘thoughtfully constructed cabaret’ by Paul Vale

If you are going to create a cabaret show to tour cocktail bars around the world, the history of gin is probably

SOURCE: The Stage Registration at 08:44AM
Monday, April 16, 2018

Twang!! review at Union Theatre, London – ‘meta-musical with bags of heart’ by Paul Vale

When the original production of Twang!! closed in January 1966, it was the most expensive flop in the West End to date.

SOURCE: The Stage Registration at 07:26AM

John Barrowman in concert review at Leicester Square Theatre, London – ‘wildly entertaining’ by Paul Vale

Seth Rudetsky began his Broadway @ Leicester Square Theatre concert series with Patti Lupone in 2013, then returned last year with Audra

SOURCE: The Stage Registration at 05:44AM
Friday, April 13, 2018

Sex/Crime review at the Glory, London – ‘articulate, with a lethal sense of comic timing’ by Paul Vale

In a dingy basement, strategically coated in plastic sheeting, character A offers a specialist fetish service. For the right money, a punter

SOURCE: The Stage Registration at 06:31AM
Wednesday, April 11, 2018

Happy Warriors review at Upstairs at the Gatehouse – ‘a witty and intelligent debut’ by Paul Vale

Towards the end of the Second World War, the communist resistance in Yugoslavia were beginning to liberate pockets of the country. Any

SOURCE: The Stage Registration at 08:15AM
Friday, April 6, 2018

Mirrors review at Leicester Square Theatre, London – ‘engagingly surreal’ by Paul Vale

This solo play written by Siobhan McMillan has undergone several transformations since it opened at the Camden People’s Theatre in 2015. There

SOURCE: The Stage Registration at 10:04AM
Wednesday, April 4, 2018

The Case of the Frightened Lady review at New Victoria Theatre, Woking – ‘distressingly turgid’ by Paul Vale

Producer Bill Kenwright has enjoyed a long and successful run with the Agatha Christie Theatre Company, touring adaptations of her most popular

SOURCE: The Stage Registration at 09:23AM

The Stage Scholarships 2018: Rose Bruford College by Paul Vale

Set in Kent parkland yet only 25 minutes from central London, the Sidcup-based school is offering one student the chance to study

SOURCE: The Stage Registration at 07:00AM
Thursday, March 29, 2018

A Spoonful Of Sherman review Greenwich Theatre, London – ‘old-fashioned charm’ by Paul Vale

It would be easy to sideline the Sherman brothers as sentimentalist songwriters from a bygone era. It’s true that their best loved

SOURCE: The Stage Registration at 10:32AM
Tuesday, March 27, 2018

Songs for Nobodies review at Wilton’s Music Hall, London – ‘a singular vocal talent’ by Paul Vale

Director Simon Phillips saw Bernadette Robinson’s singing at a corporate bash in Melbourne. Mesmerised by Robinson’s extraordinary talent as a vocalist, he

SOURCE: The Stage Registration at 11:22AM

How costume makers are coming together to discuss their craft by Paul Vale

Inspired by a Norwegian event for those working in film and television, the Costume Symposium is a focal point for a disparate

SOURCE: The Stage Registration at 08:00AM
Wednesday, March 21, 2018

Faces in the Crowd review at White Bear Theatre, London – ‘a smart revival’ by Paul Vale

When Leo Butler’s Faces In The Crowd premiered at the Royal Court in 2008, it was one of the first plays to

SOURCE: The Stage Registration at 10:18AM

The Stage Scholarships 2018: Spirit Young Performers Company by Paul Vale

Spirit Young Performers Company’s students regularly work in West End shows and all its elite students get their first choice drama schools,

SOURCE: The Stage Registration at 08:00AM
Monday, March 19, 2018

The Cherry Orchard review at Union Theatre, London – ‘a bold adaptation’ by Paul Vale

Revolution and upheaval have played a major part in Phil Willmott’s season of plays at the Union Theatre this year. Detachment from

SOURCE: The Stage Registration at 10:59AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic