All stories by Nelson Pressley on BroadwayStars

Saturday, April 28, 2012

Theater review: ‘Begotten’ a unique look at Eugene O’Neill’s life and works by Nelson Pressley

Eugene O’Neill’s dog Blemie gets a monologue at the end of “Begotten: O’Neill and the Harbor of Masks,” a workshop project in Arena Stage’s Kogod Cradle that’s part of the ongo…

SOURCE: Washington Post at 01:38AM
Friday, April 27, 2012

Marathon three-hour performances leave weary actors scrambling to recover by Nelson Pressley

Actress Francesca Faridany has never been through the kind of marathon she’s running as Nina Leeds in Eugene O’Neill’s “Strange Interlude.” As the complex heroine at the center of …

SOURCE: Washington Post at 10:19PM

Lynn Nottage’s ‘Las Meninas,’ Patrick Barlow’s ‘39 Steps’ keep laughs coming by Nelson Pressley

Why haven’t Washington area theaters had more of a hand in making playwright Lynn Nottage a star? Arena Stage’s production of “Ruined” earned top honors at the Helen Hayes Awardsthis…

SOURCE: Washington Post at 02:53AM
Tuesday, April 24, 2012

At Helen Hayes Awards, Signature’s ‘Hairspray’ takes musical honors by Nelson Pressley

Signature Theatre’s “Hairspray” stood a beehive above the rest of Washington theater during Monday night’s Helen Hayes Awards at the Warner Theatre. The local revival of the popular …

SOURCE: Washington Post at 02:57AM
Monday, April 23, 2012

Theater review: ‘God of Carnage’ at Signature Theatre by Nelson Pressley

In “God of Carnage,” the comic belch of a play by the sensationally popular French provocateur Yasmina Reza, two upscale couples sit down for a civil conversation and quickly make each o…

SOURCE: Washington Post at 10:34PM
Saturday, April 21, 2012

Helen Hayes Awards could use a two-tiered approach to Washington theater by Nelson Pressley

Aticklish question: How to critique the Helen Hayes Awards process on the eve of the ceremony without smearing the accomplishments of the 153 nominees? It may not require such finesse. The i…

SOURCE: Washington Post at 08:20AM
Friday, April 13, 2012

At Studio Theatre, Basil Twist’s alluring scenery changes invoke Japanese tradition by Nelson Pressley

Puppeteer Basil Twist loves the old-fashioned business of raising the curtain. That’s how each of the four eye-opening shows in this month’s festival of Twist’s work has begun, and in …

SOURCE: Washington Post at 08:14PM

‘The Whipping Man’ at Baltimore’s Centerstage: Drama aplenty by Nelson Pressley

Matthew Lopez’s “The Whipping Man” is one of the most-produced new plays on U.S. stages right now, and watching the dark-and-stormy show that opened Wednesday at Baltimore’s Centerst…

SOURCE: Washington Post at 01:26AM
Friday, April 6, 2012

In ‘Carnage,’ another hit play bombs on screen by Nelson Pressley

Three years ago, “God of Carnage” was the biggest play on Broadway. The cast was killer: James Gandolfini, Marcia Gay Harden, Jeff Daniels and Hope Davis. French dramatist Yasmina Reza�…

SOURCE: Washington Post at 06:24PM
Thursday, April 5, 2012

Basil Twist’s ‘Symphonie Fantastique’ is spectacle of puppetry and fun by Nelson Pressley

It’s hard to explain the magical pull of fabric and light in Basil Twist’s puppetry spectacle “Symphonie Fantastique” except in terms of sheer charm. This clever blend of color and m…

SOURCE: Washington Post at 06:21PM
Wednesday, March 28, 2012

Mike Daisey attempts damage control with his audience by Nelson Pressley

The only applause line during a 75-minute public forum with Mike Daisey on Tuesday evening at Woolly Mammoth came when the theater’s artistic director, Howard Shalwitz, said, “We shouldn…

SOURCE: Washington Post at 09:47PM

‘How to Disappear’ by Theater Alliance explores thin line between life, death by Nelson Pressley

Start with a dead guy, or maybe not — maybe he’s in purgatory, or the subway. Wait — he’s alive, but he’s a grieving liar-thief-coke fiend who needs to erase his identity and sta…

SOURCE: Washington Post at 03:48PM
Friday, March 23, 2012

Michael Kahn, the Shakespeare Theatre Company’s risk-taker in chief by Nelson Pressley

When you make a success of a major arts institution for 25 years, you can choose your own special projects for fun. What’s fun for Michael Kahn? Eugene O’Neill. “Strange Interlude,” …

SOURCE: Washington Post at 05:45PM
Tuesday, March 6, 2012

‘New Jerusalem: The Interrogation of Baruch De Spinoza’ returns to Theater J by Nelson Pressley

“New Jerusalem: The Interrogation of Baruch De Spinoza” strides back into Theater J after its acclaimed 2010 run as an established hit, and the show’s success is no mystery. The David …

SOURCE: Washington Post at 09:45PM
Friday, February 24, 2012

Roy Williams’s ‘Sucker Punch’ steps into the U.S. ring at Studio Theatre by Nelson Pressley

The moment Barack Obama locked up the Democratic nomination during the 2008 presidential campaign, British playwright Roy Williams — long acclaimed in the U.K. for his streetwise dramas of…

SOURCE: Washington Post at 05:00PM
Friday, February 10, 2012

More D.C. theaters open rehearsals to the public by Nelson Pressley

When Michael Kahn took over the Shakespeare Theatre in the 1980s, he felt the best way to put the struggling troupe on the map was to open the doors for a day while Stacy Keach and the cast …

SOURCE: Washington Post at 02:24PM

Stripping away at the musical theater experience by Nelson Pressley

Musicals start with music. So why is music often the most disposable element of the show? Because musicals are expensive, sometimes corners get cut. (Flip side: Musicals are popular. They ma…

SOURCE: Washington Post at 12:35PM
Monday, February 6, 2012

Kinsey Sicks launch ditzy White House bid in Theater J show by Nelson Pressley

Can dragapella save a presidential campaign that suddenly seems to be hitting the skids, entertainment-wise? The Kinsey Sicks hope so. The Sicks are four men in red-white-and-blue drag, a �…

SOURCE: Washington Post at 06:24PM
Friday, January 6, 2012

New Hayes Awards could spur diverse theater by Nelson Pressley

Washington vetoed the idea of splitting the Helen Hayes Awards in two, creating separate categories for large and small theaters. In 2009, the Hayes Awards sent out surveys, created focus gr…

SOURCE: Washington Post at 03:42PM
Wednesday, October 26, 2011

Theater review: ‘Rock Bottom,’ at the edge of morbid music-making by Nelson Pressley

You’ve heard this before, right? Rock band begins to fray at the edges; the personalities clash, and the label dumps them; the drummer’s dad is busted for torturing women in a dungeon . …

SOURCE: Washington Post at 05:35PM

Cherry Red Productions stages the perfect send-off: over-the-top ‘Aristocrats’ by Nelson Pressley

Foul weather, foul show Saturday night as a loyal band of followers crowded the small Warehouse Theatre for a final, one-night-only debauch by the dastardly, shuttering Cherry Red Production…

SOURCE: Washington Post at 05:35PM

Theater review: ‘Something Past in Front of the Light’ at Catholic University by Nelson Pressley

What does the Devil watch on TV? Reality shows, of course, chortling at the mayhem as foul-mouthed, amoral youngsters compete to be “interesting.” “It’s my fast food,” Satan grins …

SOURCE: Washington Post at 05:35PM

‘The Ramayana’ by Constellation Theatre remounted at Source in D.C. by Nelson Pressley

It hasn’t taken long for Allison Arkell Stockman and Tom Teasley to form one of the most distinctive theatrical partnerships in Washington. Stockman, artistic director of Constellation The…

SOURCE: Washington Post at 05:35PM

Theater: ‘The Stenographer’ by Zoe Mavroudi by Nelson Pressley

When a drunk brings a stripper home and starts talking about the murderous impulses in Dostoyevsky’s “Crime and Punishment,” that can’t be good, can it? That’s the launching point …

SOURCE: Washington Post at 05:35PM

Review: ‘Imagining Madoff’ at Theater J by Nelson Pressley

Deb Margolin’s “Imagining Madoff” has a firm identity as The Play That Angered Elie Wiesel: Last year the Holocaust survivor and Nobel laureate, one of the many bilked by the herculean…

SOURCE: Washington Post at 05:35PM

Riot Grrrls of Taffety Punk Theatre Company present ‘Much Ado About Nothing’ by Nelson Pressley

The boys are back from the wars in Shakespeare’s “Much Ado About Nothing,” but they’re being played by women in the Taffety Punk Theatre Company’s amusing but unbalanced all-female…

SOURCE: Washington Post at 05:35PM

Ted van Griethuysen’s actor and poet are enthralling in Studio’s ‘Habit of Art’ by Nelson Pressley

It takes a really refined actor to get away with mischief onstage, and at the Studio Theatre Ted van Griethuysen is offering not one but two sly turns — both as the irascible British poet …

SOURCE: Washington Post at 05:35PM

Faction of Fools’ ‘Mandrake’: More smart than funny by Nelson Pressley

Commedia dell’arte, the antique Italian street comedy theater style, lends itself to improvisation, and actor Matthew R. Wilson had to think on his feet a couple weeks ago as his Faction o…

SOURCE: Washington Post at 05:35PM
Friday, May 6, 2011

The ‘Follies’ women: ‘Who’s That Woman?’ singer Terri White - The Washington Post by Nelson Pressley

When Terri White was cast in the Encores! concert staging of “Finian’s Rainbow” two years ago, and then in the Broadway transfer that followed, it was like coming in out of the cold.

SOURCE: Washington Post at 03:31PM
Thursday, May 5, 2011

The ‘Follies’ women: Linda Lavin at 73, still a Broadway baby - The Washington Post by Nelson Pressley

Broadway baby? You bet. Linda Lavin’s first Tony Award nomination came in 1970 for Neil Simon’s “Last of the Red Hot Lovers,” and she was in the running again last year — for the f…

SOURCE: Washington Post at 06:05PM
Monday, March 28, 2011

Theater review: 'Stomp' at the Warner Theatre by Nelson Pressley

What we liked about "Stomp" - and there must be something, for the dance-a-little, whack-a-lot percussion show has been kicking around the world for 20 years - used to be its ferocious energ…

SOURCE: Washington Post at 09:01AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic