All stories by Nelson Pressley on BroadwayStars

Sunday, June 8, 2014

Hugh Jackman opens Tonys: ‘Wolverine in tap shoes’ punts by Nelson Pressley

He did bounce! Viewers tuning in to the Tony Awards tonight on CBS were probably as keyed in to why Hugh Jackman was bouncing in his YouTube video tease as to what would win best musical. An…

SOURCE: Washington Post at 09:45PM
Friday, June 6, 2014

‘Healing Wars,’ at Arena Stage, traces the nation’s steps in coping with combat’s toll by Nelson Pressley

Actor Bill Pullman, rehearsing a dance piece upstairs at Arena Stage, gracefully sinks into a crouch. So does his wife, dancer Tamara Hurwitz Pullman. Moving slowly, they gracefully sweep th…

SOURCE: Washington Post at 04:17PM
Tuesday, May 27, 2014

Splendid production of ‘The Last Days of Judas Iscariot’ at Forum Theatre by Nelson Pressley

“The Last Days of Judas Iscariot” is a splendid storm of a play, a full three hours examining the proper fate of the man who betrayed Jesus and, by conspicuous extension, the fate of unf…

SOURCE: Washington Post at 02:02PM
Friday, May 23, 2014

Director Maria Aitken, keeping Coward’s blithe spirit alive by Nelson Pressley

Maria Aitken — first name pronounced with a long “i,” as in Mariah — looks rehearsal-casual in blue jeans and a zip-front hoodie. But she sounds as posh and funny as a Noel Coward he…

SOURCE: Washington Post at 11:53AM
Tuesday, May 20, 2014

Kennedy Center blesses Stephen Schwartz’s ‘Children of Eden’ by Nelson Pressley

Stephen Schwartz fans are legion, thanks to the box office dynamo “Wicked” and the jillions of “Godspells” and “Pippins” that give so many stagestruck kids their first real mu…

SOURCE: Washington Post at 01:42PM
Monday, May 19, 2014

‘Freud’s Last Session’ at Theater J by Nelson Pressley

Sigmund Freud cracks five pretty good jokes in the first five minutes of “Freud’s Last Session,” Mark St. Germain’s easygoing two-character drama. St. Germain wants you to like Freud…

SOURCE: Washington Post at 03:51PM
Friday, May 16, 2014

Kennedy Center to host free concert headlined by John Legend by Nelson Pressley

John Legend will headline a free concert May 28 showcasing an eclectic group of pop artists who have emerged via YouTube. Read full article >>

SOURCE: Washington Post at 01:40PM

Theaters revive parts of August Wilson’s ‘Decades Cycle,’ reavealing unease over race by Nelson Pressley

Race relations news from the past few weeks: Nevada rancher Cliven Bundy’s bigotry eclipses his 15 seconds of folk hero fame as a federal grazing fee resister. The NBA playoffs nearly grin…

SOURCE: Washington Post at 12:12PM

Destined for D.C.?: ‘Children of Eden’ and ‘Scottsboro Boys’ draw creative interest by Nelson Pressley

Attend the tale of two wandering musicals with imperial bloodlines, one by Stephen Schwartz (“Wicked,” “Pippin,” “Godspell”), the other by John Kander and Fred Ebb (“Cabaret,�…

SOURCE: Washington Post at 12:12PM
Wednesday, May 14, 2014

Cahill’s ‘Charm,’ Brenton’s ‘Bloody Poetry’ pair well at Taffety Punk Theatre Company by Nelson Pressley

Kathleen Cahill’s “Charm” takes a rosy view of the early American feminist Margaret Fuller and her appealing play floats. Howard Brenton’s “Bloody Poetry” delves into the romanti…

SOURCE: Washington Post at 11:49AM
Monday, May 12, 2014

Kennedy Center to host free concert showcasing range of YouTube artists by Nelson Pressley

The Kennedy Center announced Monday that John Legend will headline a free concert May 28 in the Opera House showcasing an eclectic range of pop artists who have emerged via YouTube. The one-…

SOURCE: Washington Post at 02:08PM
Friday, May 9, 2014

‘Smokey Joe’s Café’ musical revue at Arena Stage is energetic fun, if light on substance by Nelson Pressley

“Teach me how to shimmy,” goes one of the songs in the Leiber and Stoller revue “Smokey Joe’s Café,” and shimmying is what the venerable Arena Stage is doing with its energetic re…

SOURCE: Washington Post at 04:54PM

How ‘The Velocity of Autumn’ ran into the ferocity of Broadway economics by Nelson Pressley

Washington-based producer Larry Kaye didn’t break a leg on Broadway, but he’s now walking with a cane. Kaye stumbled in a hotel lobby recently while talking to a British producer interes…

SOURCE: Washington Post at 11:42AM
Tuesday, May 6, 2014

Kennedy Center extending Jason Moran’s contract for three years by Nelson Pressley

The Kennedy Center announced Tuesday that it is extending its contract with pianist and composer Jason Moran, 39, the center’s artistic adviser for jazz since 2011. Moran is being renewed …

SOURCE: Washington Post at 11:11AM
Tuesday, April 29, 2014

Constellation’s ‘The Love of the Nightingale’ is dynamic and heartbreaking by Nelson Pressley

Constellation Theatre Company has developed one of the most distinctive house styles in town, especially when they light into classic myths and exotic design on a budget. “The Love of the …

SOURCE: Washington Post at 12:12PM
Monday, April 28, 2014

‘Underneath the Lintel,’ an agreeable historical goose chase, benefits from faith in audience by Nelson Pressley

“Underneath the Lintel” is an agreeable goose chase about a librarian perplexed by a returned item that was 113 years overdue. Who had it all this time? What can such century-hopping mea…

SOURCE: Washington Post at 02:00PM
Friday, April 18, 2014

In Signature’s ‘Threepenny Opera,’ old themes find a new relevance and a new look by Nelson Pressley

To the tune of “Mack the Knife”: Brecht’s “Threepenny” has Songs with teeth, dear Read full article >>

SOURCE: Washington Post at 11:43AM
Monday, April 14, 2014

Light-footed charmer ‘Once on This Island’ opens breezily at Olney Theatre Center by Nelson Pressley

“Once on This Island” at the Olney Theatre Center is a burst of spring, a warm 90-minute fairy tale told to breezy Caribbean rhythms. This is the 1990 musical by Lynn Ahrens and Stephen …

SOURCE: Washington Post at 02:14PM
Friday, April 11, 2014

Lynn Nottage: A playwright made for D.C. audiences rarely sees her work produced here by Nelson Pressley

You’d think Washington would perpetually be in the market for sophisticated, unpredictable, audience-friendly plays by a black female playwright. Yet plays by Lynn Nottage, a Pulitzer Priz…

SOURCE: Washington Post at 11:28AM

Nottage industry: Area productions of the playwright’s work by Nelson Pressley

“A Nottage play, like history, is full of discoveries,” critic Michael Feingold once wrote of Lynn Nottage. “You never know what, or who, will turn up next.” Oddly, Nottage’s play…

SOURCE: Washington Post at 11:28AM
Wednesday, April 9, 2014

MetroStage’s ‘The Thousandth Night’ deftly evades play’s invitation to mawkishness by Nelson Pressley

Acting isn’t subversive, right? That’s the case a nervous Parisian performer makes to a roomful of 1943 French gendarmes in Carol Wolf’s “The Thousandth Night,” a solo drama that A…

SOURCE: Washington Post at 11:44AM
Tuesday, April 8, 2014

‘Two Trains Running’ by August Wilson at Round House Theatre review by Nelson Pressley

In 1969 August Wilson, who would become the most accomplished and historically ambitious black playwright this country has produced so far, turned 24. Did he shortchange the cauldron of late…

SOURCE: Washington Post at 02:56PM
Friday, April 4, 2014

‘Arguendo’ at Woolly Mammoth blends reality, absurdity in show about Supreme Court case by Nelson Pressley

What exactly can you do in public while nude? When the Supreme Court pondered the question in 1991, a lawyer began like this: A man walks into a bar. “Once inside the bar,” the lawyer a…

SOURCE: Washington Post at 11:20AM
Wednesday, April 2, 2014

‘Brief Encounter’ at Lansburgh Theatre review by Nelson Pressley

The “Brief Encounter” that’s at the Lansburgh Theatre for the next two weeks is hardly a campy parody of the beloved 1945 romantic film, thank heavens. It’s a gorgeous, unexpected fe…

SOURCE: Washington Post at 11:23AM
Monday, March 31, 2014

‘Spelling Bee’ at Ford’s Theatre is i-f-f-y by Nelson Pressley

Ford’s Theatre isn’t the only place you can find “The 25th Annual Putnam County Spelling Bee” this month. In April alone, the chipper musical about angsty, lovable adolescents enduri…

SOURCE: Washington Post at 06:57PM
Sunday, March 30, 2014

At World Stages, ‘Les Souffleurs Commandos Poétiques’ is an inspired artistic intervention by Nelson Pressley

Stop. Breathe. Smile. You’re in the hands of angels of tranquillity. They look fabulous in their individualized black outfits — chic boots here, a bowler there. They’re ultra-hip and c…

SOURCE: Washington Post at 03:30PM
Friday, March 28, 2014

National Theatre of China’s ‘Green Snake’ at Kennedy Center playfully blends old and new by Nelson Pressley

The National Theatre of China’s “Green Snake” begins with a dignified ceremony as monks march through the aisles of the Kennedy Center’s Eisenhower Theater, taking the stage for a so…

SOURCE: Washington Post at 02:39PM
Tuesday, March 25, 2014

‘Morning, Miranda’ is disappointing, obvious follow-up from playwright Stephen Spotswood by Nelson Pressley

The new play “Morning, Miranda” is so TV cute that our addled heroine, Miranda, shows up late to her mother’s funeral wearing a short red dress. The mother’s spirit haunts the girl, …

SOURCE: Washington Post at 01:06PM

‘Tender Napalm’ at Signature Theatre can be hard to watch, but you can’t look away by Nelson Pressley

For some audiences, enduring the first few minutes of the terribly titled “Tender Napalm” will take nerve. The language in this peculiar romantic blowup by English dramatist Philip Ridle…

SOURCE: Washington Post at 12:36PM
Friday, March 21, 2014

Puppets make ‘A Midsummer Night’s Dream’ magical at Kennedy Center World Stages fest by Nelson Pressley

English director Tom Morris and South Africa’s Handspring Puppet Company brought the world “War Horse,” a sensation thanks in large part to the show’s graceful, stunningly realistic …

SOURCE: Washington Post at 02:35PM

National Theatre’s latest shows part of non-Equity trend by Nelson Pressley

The National Theatre spectacularly broke out of its years-long funk last fall with “If/Then,” a splashy Broadway tryout of a major new musical showcasing a genuine star in Idina Menzel. …

SOURCE: Washington Post at 12:08PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic