All stories by Nelson Pressley on BroadwayStars

Friday, March 21, 2014

National Theatre’s latest shows part of non-Equity trend by Nelson Pressley

The National Theatre spectacularly broke out of its years-long funk last fall with “If/Then,” a splashy Broadway tryout of a major new musical showcasing a genuine star in Idina Menzel. …

SOURCE: Washington Post at 12:08PM
Tuesday, March 18, 2014

Synetic Theater’s ‘Hamlet’ is wordless but there’s plenty good to say about the play by Nelson Pressley

How has Synetic Theater performed Shakespeare without words for the past dozen years? Here’s a snapshot from the current revival of “Hamlet . . . the rest is silence,” the innovati…

SOURCE: Washington Post at 11:48AM
Monday, March 17, 2014

Rage meets misery in ‘Harmsaga,’ at the Kennedy Center by Nelson Pressley

Rage meets misery in “Harmsaga,” the marital death grip of a play from Iceland that opened Saturday night for two performances at the Kennedy Center’s Terrace Theater. How psychotic is…

SOURCE: Washington Post at 03:52PM
Friday, March 14, 2014

by Nelson Pressley

Ari Roth expects protests when the new play “The Admission” finally takes the stage at Theater J this week. Agitation against the very premise of the yet-unseen drama was so strong last …

SOURCE: Washington Post at 11:22AM
Tuesday, March 11, 2014

Molotov Theatre’s ‘Normal’ is a chilling look at serial killer the Vampire of Dusseldorf by Nelson Pressley

If horror suits your taste, then the small Molotov Theatre Group may be your bucket of blood. The hour-long creeper “Normal” is on display in the closet-sized District of Columbia Arts C…

SOURCE: Washington Post at 11:33AM
Sunday, March 9, 2014

Brian d’Arcy James at Kennedy Center’s Terrace Theater by Nelson Pressley

Brian d’Arcy James listens to the anthem “Who I’d Be” from the Broadway version of “Shrek” and hears Peter Gabriel’s “In Your Eyes.” He convincingly mashed them together to…

SOURCE: Washington Post at 02:24PM
Saturday, March 8, 2014

At World Stages: ‘Les Souffleurs Commandos Poétiques,’ from Japan and France by Nelson Pressley

“Les Souffleurs Commandos Poétiques” March 28-30, in public spaces throughout the Kennedy Center Country: Japan and France Description: “Les souffleurs” means “whisperers,”…

SOURCE: Washington Post at 08:58PM

At World Stages: ‘A Great Wilderness,’ from United States by Nelson Pressley

“A Great Wilderness” March 22 at Terrace Gallery Country: United States Description: A staged reading of a new play from on-the-rise dramatist Samuel D. Hunter, a writer in residenc…

SOURCE: Washington Post at 08:58PM

At World Stages: ‘Green Snake,’ from China by Nelson Pressley

“Green Snake” March 27-30, Eisenhower Theater Country: China Description: An interpretation of a timeless Chinese myth about two sister snakes becoming human and attempting love, ad…

SOURCE: Washington Post at 08:51PM

At World Stages: ‘A Midsummer Night’s Dream,’ from England and South Africa by Nelson Pressley

“A Midsummer Night’s Dream” March 20-23, Eisenhower Theater Country: England and South Africa Description: Shakespeare’s fairy-fueled comedy, from the minds of the acclaimed “…

SOURCE: Washington Post at 08:45PM

At World Stages: ‘Harmsaga,’ from Iceland by Nelson Pressley

“Harmsaga” March 15-16, Terrace Theater Country: Iceland Description: From the National Theatre of Iceland, a young couple with two children find themselves adrift online as their m…

SOURCE: Washington Post at 08:45PM
Friday, March 7, 2014

Lauren Gunderson’s ‘I and You’ is a crafty drama that mostly escapes sentimentality by Nelson Pressley

“How do you hate poetry?” an earnest and disbelieving high-schooler named Anthony asks a prickly, bedridden girl in “I and You,” a crafty two-character drama by Lauren Gunderson. The…

SOURCE: Washington Post at 02:13PM
Wednesday, March 5, 2014

The Twinkie of musicals, ‘Mamma Mia!’ arrives at National Theatre, somehow not totally stale by Nelson Pressley

Only about a half dozen shows have run longer on Broadway than “Mamma Mia!,” which will disco past “Rent” this week on the all-time durability chart. It still tours, too, and a non-E…

SOURCE: Washington Post at 03:24PM
Wednesday, February 26, 2014

Grim reality meets supernatural mystery in ‘Pluto,’ at Forum Theatre by Nelson Pressley

Early Monday afternoon, a rumor flickered across Twitter about a possible gunman on a Big Ten campus. The report was false, but for a moment it was terribly easy to believe it was all happen…

SOURCE: Washington Post at 04:29PM
Tuesday, February 25, 2014

Washington Stage Guild gives mostly thrilling voice to Shaw’s relevant ‘Back to Methuselah’ by Nelson Pressley

“Life must not cease,” the serpent declares to Adam and Eve in George Bernard Shaw’s “Back to Methuselah.” “That comes before everything.” That may sound obvious, but Shaw wasn…

SOURCE: Washington Post at 02:52PM
Monday, February 24, 2014

Source Theatre’s ‘The Cole Porter Project’ sends up the Beltway crowd by Nelson Pressley

How inside the Beltway is the puckish new “The Cole Porter Project” at Source Theatre? House Speaker John Boehner’s name gets worked into the lyrics of “You’re the Top.” Robert G…

SOURCE: Washington Post at 02:51PM
Friday, February 21, 2014

Washington Stage Guild is taking a risk in tackling Shaw’s ‘Back to Methuselah’ by Nelson Pressley

In 1923, a British theater manager told George Bernard Shaw that he wanted to produce the playwright’s latest work, a sprawling five-play cycle called “Back to Methuselah.” “I asked …

SOURCE: Washington Post at 12:56PM
Thursday, February 20, 2014

Patti LuPone and Mandy Patinkin bring a mature energy to Kennedy Center by Nelson Pressley

You really don’t need more on a stage than this: Patti LuPone, her hip slightly cocked, standing next to Mandy Patinkin, his hands gravely folded in front of him, with both of them singing…

SOURCE: Washington Post at 10:37PM
Wednesday, February 19, 2014

On breathless, barnstorming tour, ‘American Idiot’ feels less than electric by Nelson Pressley

The touring company of “American Idiot” has already played two dozen cities this year, some of them one-nighters in places such as Manhattan, Kan., and Elmira, N.Y. That grind didn’t s…

SOURCE: Washington Post at 02:11PM
Monday, February 17, 2014

Woolly Mammoth’s ‘We Are Proud’ is both explosive and ungainly by Nelson Pressley

The new show at Woolly Mammoth Theatre Company is wild and windy, living up to a title so long and full of fanfare that it practically demands its own paragraph. Ladies and gentlemen: “We …

SOURCE: Washington Post at 02:39PM
Sunday, February 16, 2014

Iris Rainer Dart on ‘Beaches’ at Signature - The Washington Post by Nelson Pressley

Now “Beaches” is washing ashore again as a brand-new musical starting Tuesday at Arlington’s Signature Theatre. That might give you the impression that Dart has been a re-purposing one…

SOURCE: Washington Post at 12:50PM
Friday, February 14, 2014

Iris Rainer Dart on ‘Beaches’ at Signature by Nelson Pressley

“Beaches” is what Iris Rainer Dart is best known for, and if it’s all she ever did, her career would have reached an enviable high tide. The 1985 novel followed an urchin showgirl and …

SOURCE: Washington Post at 02:08PM

D.C. actors’ favorite tearjerker songs by Nelson Pressley

When things go bad for Barbara Hershey’s character in the 1988 movie “Beaches,” the soundtrack swells. Bette Midler sings “Wind Beneath My Wings,” and for many viewers the mysterio…

SOURCE: Washington Post at 02:03PM

Small Landless Theatre receives unexpected buzz over plan to stage ‘Sweeney Todd’ by Nelson Pressley

Landless Theatre Company, a small Washington outfit known for satire and, perhaps more distinctively, cult rock dramas, has obtained permission to amp up a new prog metal version of “Sween…

SOURCE: Washington Post at 09:38AM
Wednesday, February 12, 2014

Style Blog: Exclusive video: Duet from Signature Theatre’s new musical ‘Beaches’ by Nelson Pressley

The new musical of “Beaches” begins previews Tuesday at Signature Theatre, so reach for your hankies and bathe in heartbreaking show tunes. Signature is sharing exclusive rehearsal video…

SOURCE: Washington Post at 04:53PM
Tuesday, February 11, 2014

‘Seminar’: Savvy, satisfying and great fun at Round House by Nelson Pressley

The truth hurts in “Seminar,” the sharp-tongued comedy by “Smash” creator Theresa Rebeck that’s being acted with magnetic bad manners and casual sex appeal at the Round House Theat…

SOURCE: Washington Post at 06:12PM

‘The Piano Teacher’ at Columbia’s Rep Stage by Nelson Pressley

Don’t be fooled by the sweet little old lady nattering innocently as she offers cookies to audiences in the front row at Columbia’s Rep Stage. Mrs. K, as the retired piano teacher was ca…

SOURCE: Washington Post at 12:06PM
Friday, February 7, 2014

‘We Are Proud to Present. . .’ becomes calling card for playwright Jackie Sibblies Drury by Nelson Pressley

The siren call of Africa inspired Jackie Sibblies Drury to write the heroically titled “We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as South-West Afr…

SOURCE: Washington Post at 11:40AM
Thursday, February 6, 2014

MetroStage’s ‘Ella’ has plenty of swing thanks to Freda Payne’s spot-on singing as Fitzgerald by Nelson Pressley

If you remember the 1970 hit song “Band of Gold,” then you know Freda Payne’s voice. Payne is holding forth at Alexandria’s MetroStage, not crooning Motown-style but swinging and sca…

SOURCE: Washington Post at 10:57AM
Tuesday, February 4, 2014

Review: Single Carrot Theater presents ‘The Flu Season’ by Nelson Pressley

Will Eno’s melancholy “The Flu Season” poses all kinds of tantalizing questions about love and life, but a new production in Baltimore also makes you wonder: What sort of build-a-theat…

SOURCE: Washington Post at 11:39AM

Review: ‘How to Succeed’ at Olney Theatre Center by Nelson Pressley

In the Pulitzer-winning 1961 musical “How to Succeed in Business Without Really Trying,” the workplace is a blast. Adrenaline and moxie pulse through the title tune and through songs lik…

SOURCE: Washington Post at 11:39AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic