Touring productions and local standouts that illuminated Washington stages.
SOURCE: Washington Post at 12:06PMThe insightful U.K. import at the Kennedy Center cuts across borders — from Britain to Africa.
SOURCE: Washington Post at 02:54PMEnergetic and exciting are not the same things.
SOURCE: Washington Post at 10:12AMIn this episode, Peas won.
SOURCE: Washington Post at 06:34PMThe play at Studio Theatre gets serious about the challenges, especially for women.
SOURCE: Washington Post at 04:06PMColin Hovde, who has run the company since 2011, steps away.
SOURCE: Washington Post at 12:48PMThe Olney Theatre Center show lacks originality and spirit.
SOURCE: Washington Post at 09:18AMArena Stage revives the Cole Porter classic.
SOURCE: Washington Post at 01:18PMOscar Wilde’s “A Woman of No Importance” benefits from an all-female cast.
SOURCE: Washington Post at 02:06PMYarn expands from animated film to song and dance.
SOURCE: Washington Post at 12:54PMThe winner, “Sing to Me Now,” features a muse with the blues.
SOURCE: Washington Post at 02:42PMBrave Spirits Theatre takes on “The Duchess of Malfi” and “The Changeling.”
SOURCE: Washington Post at 02:18PMPolitics invades a living room in ‘Blight,’ and Dario Fo’s ‘Can’t Pay, Won’t Pay!’ is revived.
SOURCE: Washington Post at 03:12PMAlex Timbers and David Korins offer a sneak peek at the set of their new Broadway-bound show.
SOURCE: Washington Post at 08:54AMAnna Ziegler’s Title IX drama arrives in Theater J’s show at Arena Stage.
SOURCE: Washington Post at 02:04PMThe troupe 600 Highwaymen brings the experimental show about the human bond to Woolly Mammoth.
SOURCE: Washington Post at 09:36AMThe 1997 Pulitzer winner’s depiction of abuse has not dulled.
SOURCE: Washington Post at 06:06PMThe new hire comes from Theater J.
SOURCE: Washington Post at 05:04PM‘New Guidelines for Peaceful Times’ at Spooky Action freshens an old interrogation model.
SOURCE: Washington Post at 02:42PMThe Washington Stage Guild production, in the intimate Undercroft Theatre, jolts your senses.
SOURCE: Washington Post at 11:04PM‘Camelot’ director Alan Paul tries his hand at Shakespeare’s early farce.
SOURCE: Washington Post at 02:06PMThe terrain looks familiar in a rom-com that goes from Blair to Brexit.
SOURCE: Washington Post at 12:54PMFour of 10 works this season are by female playwrights. That’s better than ever, but parity should be the goal.
SOURCE: Washington Post at 10:06AMAs the show on democratic principles opens at Ford’s Theatre, good luck leaving politics at the door.
SOURCE: Washington Post at 12:42PMThe London smash by James Graham is making its U.S. debut at Olney Theatre.
SOURCE: Washington Post at 10:36AMAn earlier look at angry speech from the author of “The Originalist.”
SOURCE: Washington Post at 01:48PMSadie Hasler’s bruising comedy takes an irreverent point of view.
SOURCE: Washington Post at 03:06PMThe Putin piece is absurd, while a mass violence incident sends a playwright toward ancient Greek models.
SOURCE: Washington Post at 05:18PMMiddle East politics and deep secrets strain a D.C. family.
SOURCE: Washington Post at 01:48PMArena Stage revives the late comic’s style.
SOURCE: Washington Post at 04:04PMShirlington troupe gets extra points for being user-friendly and producing musicals better than the rest.
SOURCE: Washington Post at 10:32AM
