Monday, February 25, 2019
Michael Schulman recaps his night at the 2019 Oscars ceremony, and at the Vanity Fair after-party.
SOURCE: The New Yorker Subscription at 07:15PMSunday, February 24, 2019
Michael Schulman writes on the fraught Oscars season—including controversy surrounding the film “Green Book” and Kevin Hart—and the broadcast, on Sunday night, of the Academy Awards.
SOURCE: The New Yorker Subscription at 05:00AMSunday, February 17, 2019
Michael Schulman interviews the actress Jane Curtin on her sitcom years, the early, turbulent days of “S.N.L.,” and the shifting sands of the present.
SOURCE: The New Yorker Subscription at 05:00AMTuesday, February 12, 2019
The New Yorker writers Michael Schulman and Naomi Fry discuss the history of the red carpet, from Aeschylus to Joan Rivers, in anticipation of the Academy Awards.
SOURCE: The New Yorker Subscription at 05:00AMMonday, February 11, 2019
Michael Schulman on the playwright’s combination of memoir and civics lesson in a show for the Trump era.
SOURCE: The New Yorker Subscription at 05:18AMMonday, February 4, 2019
Michael Schulman on the star of the one-woman show, who learned, after a curtain-call tumble, that having two broken arms is not unlike being an astronaut.
SOURCE: The New Yorker Subscription at 05:00AMMonday, January 21, 2019
Michael Schulman and Rick Negron, who plays a Trumpish King George III in the hit musical “Hamilton,” stroll the plazas of Negron’s home town.
SOURCE: The New Yorker Subscription at 05:00AMThursday, January 17, 2019
Michael Schulman on Lin-Manuel Miranda’s return to “Hamilton” this month, bringing the play to the Centro de Bellas Artes Luis A. Ferré, in San Juan, Puerto Rico, and its significance…
SOURCE: The New Yorker Subscription at 10:09AMMonday, January 7, 2019
Michael Schulman reviews the 2019 Golden Globe awards, an odd night in terms of winners, in which Sandra Oh and Glenn Close gave memorable speeches.
SOURCE: The New Yorker Subscription at 08:03AMMichael Schulman on a tech entrepreneur’s new company, which sells Icelandic fish with a QR code.
SOURCE: The New Yorker Subscription at 05:00AMMonday, December 31, 2018
Yalitza Aparicio was studying to be a schoolteacher in a small town in Mexico when she was cast in Alfonso Cuarón’s lauded film.
SOURCE: The New Yorker Subscription at 05:00AMSunday, December 30, 2018
Michael Schulman interviews the actor Robert De Niro on getting a pipe bomb in the mail, on his acting career, and on his public denunciation of Donald Trump.
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Michael Schulman reviews his favorite plays of 2018, including “Angels in America,” “The Waverly Gallery,” and more.
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Michael Schulman writes on Bob Mackie’s costumes for “The Cher Show,” a Broadway bio-musical currently running at the Neil Simon Theatre.
SOURCE: The New Yorker Subscription at 01:58PMMonday, December 17, 2018
As Daniel Stiepleman wrote “On the Basis of Sex,” which is centered on the Supreme Court Justice, he came to see the Ginsburgs’ marriage as a model for his own, Michael Schulman writes.
SOURCE: The New Yorker Subscription at 05:00AMThursday, December 13, 2018
Michael Schulman interviews the director Rob Marshall about his new film, “Mary Poppins Returns,” which starts Emily Blunt in the title role and features nostalgia-inducing cameos by Dic…
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Michael Schulman writes about the comedian Kevin Hart’s ouster as the host of the Academy Awards, after Web users pointed to his history of homophobic jokes.
SOURCE: The New Yorker Subscription at 10:13AMMonday, December 3, 2018
The pop star, who was briefly homeless during her teens, helped open two shelters for L.G.B.T. youth.
SOURCE: The New Yorker Subscription at 05:00AMThursday, November 29, 2018
Michael Schulman recommends “Don’t Look Now,” a film from 1973 by the British director Nicolas Roeg.
SOURCE: The New Yorker Subscription at 11:00AMSunday, November 4, 2018
Michael Schulman on the French writer and public intellectual Bernard-Henri Lévy's Off Broadway début, a solo play called “Looking for Europe.”
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Michael Schulman on “Kiss Me, Kate,” at Studio 54; “Be More Chill,” at the Lyceum; “About Alice,” at the Polonsky Shakespeare Center; and more.
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Michael Schulman goes inside a custom control booth where a team of specialty puppeteers operates a twenty-foot-tall animatronic ape.
SOURCE: The New Yorker Subscription at 05:36AMFriday, October 26, 2018
Michael Schulman writes about the Drama Book Shop, a beloved New York City theatre institution that will soon be forced from its home and is hoping to find a new space.
SOURCE: The New Yorker Subscription at 04:41PMWednesday, October 17, 2018
Michael Schulman interviews the actor Paul Dano about his directorial début, ”Wildlife,” which is based on a novel by Richard Ford and stars Carey Mulligan and Jake Gyllenhaal.
SOURCE: The New Yorker Subscription at 06:15PMMonday, October 15, 2018
Monday, October 8, 2018
Researching his role in “The Lifespan of a Fact,” the actor embeds in The New Yorker’s fact-checking department.
SOURCE: The New Yorker Subscription at 05:00AMWednesday, September 26, 2018
Michael Schulman interviews the actress and activist Jane Fonda about talking to voters, supporting \#MeToo, and growing into herself.
SOURCE: The New Yorker Subscription at 04:18PMTuesday, September 18, 2018
Michael Schulman writes about the 2018 Primetime Emmy awards, where a surprise marriage proposal one the night.
SOURCE: The New Yorker Subscription at 07:49AMMonday, September 17, 2018
In shows such as “The Leftovers” and “Fargo,” she exudes a Midwestern pragmatism that has its own kind of mystery, Michael Schulman writes.
SOURCE: The New Yorker Subscription at 05:00AMMonday, September 10, 2018
A swarm struck Times Square. Members of an élite beekeeping squad rushed to the scene, Michael Schulman writes.
SOURCE: The New Yorker Subscription at 05:00AMSunday, September 2, 2018
Michael Schulman writes on the inability to see actors as laborers in light of the recent shaming of the actor Geoffrey Owens, of “The Cosby Show,” after he was photographed working at a…
SOURCE: The New Yorker Subscription at 06:06PM 
