The actress, now eighty-nine, spent decades being typecast and belittled. In a new documentary, she tries to recover her story.
SOURCE: The New Yorker Subscription at 06:53AMShakespeare in the Park returns with “Merry Wives,” Aleshea Harris’s “What to Send Up When It Goes Down” at the Brooklyn Botanic Garden, and more.
SOURCE: The New Yorker Subscription at 07:34AMAfter a rehearsal for a virtual production of the play, Hawke and his co-star John Leguizamo ponder how all dialogue now sounds like Beckett.
SOURCE: The New Yorker Subscription at 09:11AMMichael Schulman reviews the telecast of the Tony Awards, hosted by James Corden, in which Rachel Chavkin, Elaine May, and others gave winning speeches.
SOURCE: The New Yorker Subscription at 09:07AMMichael Schulman reviews Joe Mantello’s Broadway production of Lucas Hnath’s play “Hillary and Clinton,” about the life of the former Presidential candidate Hillary Clinton and the 2…
SOURCE: The New Yorker Subscription at 05:06PMMichael Schulman writes on “Oklahoma!” and “What the Constitution Means to Me,” two current theatre productions that have unsettling stories to tell about statehood.
SOURCE: The New Yorker Subscription at 11:47AMShoved into a locker as a teen, the actor Will Roland vowed to transform himself—and made it to the nerd-heaven of Broadway, Michael Schulman writes.
SOURCE: The New Yorker Subscription at 05:00AMRevivals offer enticing actor pairings, including Adam Driver and Keri Russell, in “Burn This,” and Annette Bening and Tracy Letts, in Arthur Miller’s “All My Sons.”
SOURCE: The New Yorker Subscription at 04:00AMMichael Schulman recaps his night at the 2019 Oscars ceremony, and at the Vanity Fair after-party.
SOURCE: The New Yorker Subscription at 07:15PMMichael Schulman writes on the fraught Oscars season—including controversy surrounding the film “Green Book” and Kevin Hart—and the broadcast, on Sunday night, of the Academy Awards.
SOURCE: The New Yorker Subscription at 05:00AMMichael Schulman interviews the actress Jane Curtin on her sitcom years, the early, turbulent days of “S.N.L.,” and the shifting sands of the present.
SOURCE: The New Yorker Subscription at 05:00AMThe New Yorker writers Michael Schulman and Naomi Fry discuss the history of the red carpet, from Aeschylus to Joan Rivers, in anticipation of the Academy Awards.
SOURCE: The New Yorker Subscription at 05:00AMMichael Schulman on the playwright’s combination of memoir and civics lesson in a show for the Trump era.
SOURCE: The New Yorker Subscription at 05:18AMMichael Schulman on the star of the one-woman show, who learned, after a curtain-call tumble, that having two broken arms is not unlike being an astronaut.
SOURCE: The New Yorker Subscription at 05:00AMMichael Schulman and Rick Negron, who plays a Trumpish King George III in the hit musical “Hamilton,” stroll the plazas of Negron’s home town.
SOURCE: The New Yorker Subscription at 05:00AMMichael Schulman on Lin-Manuel Miranda’s return to “Hamilton” this month, bringing the play to the Centro de Bellas Artes Luis A. Ferré, in San Juan, Puerto Rico, and its significance…
SOURCE: The New Yorker Subscription at 10:09AMMichael Schulman reviews the 2019 Golden Globe awards, an odd night in terms of winners, in which Sandra Oh and Glenn Close gave memorable speeches.
SOURCE: The New Yorker Subscription at 08:03AMMichael Schulman on a tech entrepreneur’s new company, which sells Icelandic fish with a QR code.
SOURCE: The New Yorker Subscription at 05:00AMYalitza Aparicio was studying to be a schoolteacher in a small town in Mexico when she was cast in Alfonso Cuarón’s lauded film.
SOURCE: The New Yorker Subscription at 05:00AMMichael Schulman interviews the actor Robert De Niro on getting a pipe bomb in the mail, on his acting career, and on his public denunciation of Donald Trump.
SOURCE: The New Yorker Subscription at 05:00AMMichael Schulman reviews his favorite plays of 2018, including “Angels in America,” “The Waverly Gallery,” and more.
SOURCE: The New Yorker Subscription at 12:00PMMichael Schulman writes on Bob Mackie’s costumes for “The Cher Show,” a Broadway bio-musical currently running at the Neil Simon Theatre.
SOURCE: The New Yorker Subscription at 01:58PMAs Daniel Stiepleman wrote “On the Basis of Sex,” which is centered on the Supreme Court Justice, he came to see the Ginsburgs’ marriage as a model for his own, Michael Schulman writes.
SOURCE: The New Yorker Subscription at 05:00AMMichael Schulman interviews the director Rob Marshall about his new film, “Mary Poppins Returns,” which starts Emily Blunt in the title role and features nostalgia-inducing cameos by Dic…
SOURCE: The New Yorker Subscription at 12:19PMMichael Schulman writes about the comedian Kevin Hart’s ouster as the host of the Academy Awards, after Web users pointed to his history of homophobic jokes.
SOURCE: The New Yorker Subscription at 10:13AMThe pop star, who was briefly homeless during her teens, helped open two shelters for L.G.B.T. youth.
SOURCE: The New Yorker Subscription at 05:00AMMichael Schulman recommends “Don’t Look Now,” a film from 1973 by the British director Nicolas Roeg.
SOURCE: The New Yorker Subscription at 11:00AMMichael Schulman on the French writer and public intellectual Bernard-Henri Lévy's Off Broadway début, a solo play called “Looking for Europe.”
SOURCE: The New Yorker Subscription at 10:00AMMichael Schulman on “Kiss Me, Kate,” at Studio 54; “Be More Chill,” at the Lyceum; “About Alice,” at the Polonsky Shakespeare Center; and more.
SOURCE: The New Yorker Subscription at 05:00AMMichael Schulman goes inside a custom control booth where a team of specialty puppeteers operates a twenty-foot-tall animatronic ape.
SOURCE: The New Yorker Subscription at 05:36AMMichael Schulman writes about the Drama Book Shop, a beloved New York City theatre institution that will soon be forced from its home and is hoping to find a new space.
SOURCE: The New Yorker Subscription at 04:41PM
