All stories by Michael Schulman on BroadwayStars

Sunday, April 8, 2018

Tina Fey’s “Mean Girls” Is Now a Fetch Broadway Musical by Michael Schulman

Michael Schulman writes about Tina Fey's "Mean Girls," now a musical on Broadway.

SOURCE: The New Yorker Subscription at 10:00PM
Monday, April 2, 2018

A Duet with Two Generations of “Carousel” Ballerinas by Michael Schulman

Bambi Linn, ninety-two, and Brittany Pollack, twenty-nine, discuss dancing the same role on Broadway, seventy-three years apart. Michael Schulman writes.

SOURCE: The New Yorker Subscription at 05:00AM
Monday, March 19, 2018

“Angels in America” Rises Again by Michael Schulman

Michael Schulman writes about Marianne Elliott as she wrestles with a notoriously difficult play, and with Tony Kushner.

SOURCE: The New Yorker Subscription at 05:00AM
Friday, March 16, 2018

A Deaf Romance on Broadway in “Children of a Lesser God” by Michael Schulman

A revival of Mark Medoff’s Tony Award-winning play comes to Studio 54.

SOURCE: The New Yorker Subscription at 05:00AM
Monday, March 5, 2018

Frances McDormand Makes the Oscars Weird Again by Michael Schulman

Michael Schulman writes about Frances McDormand’s Best Actress Oscar, and her speech demanding that more women tell their stories in the movies.

SOURCE: The New Yorker Subscription at 08:29AM
Friday, March 2, 2018
Friday, February 23, 2018

The Spring Awakening of the Marjory Stoneman Douglas Theatre Kids by Michael Schulman

Michael Schulman on how the Tony Award-winning rock musical ”Spring Awakening” relates to the experience of the student survivors of the Parkland, Florida, school shooting.

SOURCE: The New Yorker Subscription at 01:59PM
Saturday, February 17, 2018

Jake Shears, of Scissor Sisters, Stages His Own Comeback by Michael Schulman

After years of self-imposed exile, the glam rocker returns to the limelight on Broadway, and with a new memoir chronicling a saucy slice of downtown New York.

SOURCE: The New York Times Subscription at 06:00AM
Monday, February 5, 2018

Road Trip with Donald Sutherland and Helen Mirren by Michael Schulman

In “The Leisure Seeker,” they play a couple on a Winnebago odyssey. In New York, they did a morning-show blitz. Michael Schulman writes.

SOURCE: The New Yorker Subscription at 05:00AM
Monday, January 29, 2018

Malcolm X’s Daughters Take to the Runway by Michael Schulman

Michael Schulman on the six sisters’ fashion line, which rebrands their father’s message for the pussy-hat era.

SOURCE: The New Yorker Subscription at 05:00AM
Tuesday, January 23, 2018

Is the Era of #OscarsSoWhite Over? by Michael Schulman

Michael Schulman on the diversity of the 2018 Academy Award nominations and whether the Academy has moved past its #OscarsSoWhite controversy from years past.

SOURCE: The New Yorker Subscription at 03:08PM
Monday, January 22, 2018

Harvesting Farmers  by Michael Schulman

Michael Schulman writes about GrowNYC, which teaches students—largely from immigrant populations—how to make a living in agriculture. 

SOURCE: The New Yorker Subscription at 05:00AM
Friday, January 12, 2018

Darren Criss Plays the Happy-Go-Lucky Killer in the Versace TV Drama by Michael Schulman

He acts, he sings, he dances. And in his latest role, the 30-year-old, who shot to fame with “Glee,” is the serial killer who murdered Gianni Versace.

SOURCE: The New York Times Subscription at 11:58AM
Monday, January 8, 2018

The 2018 Golden Globes: Oprah Leads a Decisive Feminist Takeover by Michael Schulman

Michael Schulman writes about Oprah Winfrey and the women of the 2018 Golden Globe ceremony.

SOURCE: The New Yorker Subscription at 08:43AM
Monday, December 25, 2017

Why Beanie Feldstein Loves Playing the Sidekick by Michael Schulman

At a vegan cooking class, “the Bean,” who’s co-starring in “Lady Bird” and in Broadway’s “Hello, Dolly!,” talks theatre camp and her big brother Jonah Hill.

SOURCE: The New Yorker Subscription at 05:00AM
Friday, December 15, 2017

The State of the 2018 Oscar Race by Michael Schulman

Michael Schulman writes about the odds for films such as “Call Me by Your Name,” “The Shape of Water,” “The Post,” and more in advance of Oscar season.

SOURCE: The New Yorker Subscription at 10:58AM
Friday, December 8, 2017

The Inspired Nonsense of the “SpongeBob SquarePants” Musical by Michael Schulman

An all-star roster of artists—including John Legend and Cyndi Lauper—supplied original songs for this new Broadway extravaganza, set in Bikini Bottom.

SOURCE: The New Yorker Subscription at 04:00AM
Monday, December 4, 2017

Shin Guards and Tampon Talk at Lincoln Center by Michael Schulman

Sarah DeLappe’s “The Wolves” takes teen-age girl talk to a soccer field at the Mitzi E. Newhouse Theatre.

SOURCE: The New Yorker Subscription at 05:00AM
Thursday, November 30, 2017

Uma Thurman Débuts on Broadway in Beau Willimon’s “The Parisian Woman” by Michael Schulman

Michael Schulman reviews Beau Willimon’s “The Parisian Woman,” starring Uma Thurman in her Broadway début.

SOURCE: The New Yorker Subscription at 10:00PM
Monday, November 27, 2017

Martin McDonagh Plays Pool and Talks Movies by Michael Schulman

The filmmaker and playwright explains what billiards has in common with “Three Billboards Outside Ebbing, Missouri.”

SOURCE: The New Yorker Subscription at 05:00AM
Monday, November 20, 2017

Lois Smith Refreshes Her Memory by Michael Schulman

The actress, who got her start as James Dean’s co-star, reflects on “Marjorie Prime,” and remembering.

SOURCE: The New Yorker Subscription at 05:00AM
Friday, November 17, 2017

Kinetic Adaptations of Nineteenth-Century Novels by Michael Schulman

Kate Hamill has turned “Sense and Sensibility” and “Vanity Fair” into fast-paced romps. Now she tackles “Pride and Prejudice.”

SOURCE: The New Yorker Subscription at 04:00AM
Wednesday, November 15, 2017

John Leguizamo’s Latino-History Lecture by Michael Schulman

Michael Schulman on John Leguizamo’s new one-man Broadway show, ”Latin History for Morons,” in which the actor tries to find a hero for his son’s history project.

SOURCE: The New Yorker Subscription at 05:00PM
Thursday, November 9, 2017

“The Band’s Visit” Translates Those Muted, Indie-Film Longings to Broadway by Michael Schulman

Michael Schulman reviews the Broadway musical “The Band’s Visit,” starring Tony Shalhoub and Katrina Lenk and based on the 2007 Israeli film.

SOURCE: The New Yorker Subscription at 07:30PM
Monday, November 6, 2017

Brian Selznick Traverses the Panorama by Michael Schulman

The children’s-book author visits the scale model of New York, which plays a starring role in his novel “Wonderstruck.”

SOURCE: The New Yorker Subscription at 05:00AM
Friday, November 3, 2017

Winter Theatre Preview by Michael Schulman

Mark Rylance returns to Broadway in “Farinelli and the King,” and “Angels in America” arrives from London.

SOURCE: The New Yorker Subscription at 05:00AM
Monday, October 30, 2017

Kevin Spacey Muddies the Waters by Michael Schulman

Michael Schulman on the actor Kevin Spacey’s troubling coming-out statement, which was coupled with the actor’s response to a sexual-assault allegation.

SOURCE: The New Yorker Subscription at 04:48PM
Friday, October 20, 2017

Keegan-Michael Key’s Broadway Début by Michael Schulman

The comedian stars in “Meteor Shower,” a play by Steve Martin that combines marital friction and astronomical calamity.

SOURCE: The New Yorker Subscription at 05:00AM
Saturday, October 14, 2017

Camping With John Waters and His Band of ‘Filthy Freaks’ by Michael Schulman and Andrew White

The “Pope of Trash” hosts a sleep-away camp in Litchfield County, Conn. Yes, there were marshmallows, polyester and nudity.

SOURCE: The New York Times Subscription at 06:00AM
Friday, October 13, 2017

Jason Alexander Returns to the Stage by Michael Schulman

The actor had a busy theatre career before “Seinfeld.” Now he’s back, with “The Portuguese Kid.”

SOURCE: The New Yorker Subscription at 05:00AM
Thursday, September 28, 2017

What Can “Will & Grace” Tell Us in 2017? by Michael Schulman

Michael Schulman on the reboot of the sitcom “Will & Grace,” which brings the characters into the Trump era.

SOURCE: The New Yorker Subscription at 06:08PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic