All stories by Michael Billington on BroadwayStars

Wednesday, June 22, 2016

Birdland review – Ceaselessly inventive critique of rock stardom by Michael Billington

Royal Court, LondonMega-fame and limitless cash can turn a man into a monster, and Simon Stephens's new play excellently evokes its hero's spiritually shrunken worldNo one will be surprised …

SOURCE: The Guardian at 04:34AM
Tuesday, June 21, 2016

Our Town review – an unforgettable evocation of Everytown by Michael Billington

Almeida, LondonDavid Cromer’s cooly observant narrator leads a radically reworked version of Thornton Wilder’s classic that taps into collective folk memoryWe are used to seeing old play…

SOURCE: The Guardian at 10:25PM

A Midsummer Night's Dream review – Trevor Nunn's foxtrot through colonial India by Michael Billington

New Wolsey, IpswichThe verse is handled with microscopic precision as Nunn relocates Shakespeare’s comedy to a world of diplomats and cocktails where Theseus becomes a white-suited Mountba…

SOURCE: The Guardian at 06:14PM

It Is Easy to Be Dead five-star review – requiem for a forgotten war poet by Michael Billington

Finborough, LondonNeil McPherson pays tribute to Charles Hamilton Sorley in a beautifully orchestrated production with songs by Schubert and George ButterworthRobert Graves considered Charle…

SOURCE: The Guardian at 02:46AM
Sunday, June 19, 2016

Vassa Zheleznova review – Liverpool dock strike is no match for the Russian revolution by Michael Billington

Southwark Playhouse, LondonAn updating of Gorky’s play loses the moral ambiguity surrounding its female protagonist and makes little sense uprooted from its historial contextMaxim Gorky’…

SOURCE: The Guardian at 06:36AM
Saturday, June 18, 2016

Jonathan Cecil obituary by Michael Billington

Versatile actor and writer often called upon to play toffs and bumbling clericsThe actor Jonathan Cecil, who has died of pneumonia aged 72 after suffering from emphysema, spent much of his …

SOURCE: The Guardian at 04:56PM
Thursday, June 16, 2016

Richard III review – Ralph Fiennes gets to grips with Shakespeare's ruthless ruler by Michael Billington

Almeida, LondonIn Rupert Goold’s production, Fiennes sacrifices some of the character’s irony while Vanessa Redgrave softens the often scolding Queen MargaretRupert Goold’s production …

SOURCE: The Guardian at 06:43PM
Wednesday, June 15, 2016

Aladdin review – Disney musical is a magic carpet ride to panto land by Michael Billington

Prince Edward theatre, London Impressive stage magic, a gold-dripping design and a party-loving genie make this energetic adaptation of the animated movie a wicked treatImagine a Christmas p…

SOURCE: The Guardian at 05:31PM

One Man, Two Guvnors – review by Michael Billington

Adelphi, LondonTransfers can be tricky. But Richard Bean's updated version of Goldoni's comic classic seems, if anything, even funnier than it did at the National. The text has been shortene…

SOURCE: The Guardian at 01:36PM
Monday, June 13, 2016

Corin Redgrave obituary by Michael Billington

A political radical, as an actor he excelled at playing tortured establishment figuresCorin Redgrave, who has died aged 70, was both a formidable actor and a strenuous political activis…

SOURCE: The Guardian at 09:59AM
Sunday, June 12, 2016

Phaedra(s) review – Isabelle Huppert stars in bizarre theatrical collage by Michael Billington

Barbican, LondonHuppert is a treat but even she struggles to make sense of a production that is at times close to insufferable Continue reading...

SOURCE: The Guardian at 07:10AM
Friday, June 10, 2016

Ross review – Joseph Fiennes captures TE Lawrence's troubled spirit by Michael Billington

Chichester Festival theatreFiennes gives an accomplished performance in an elegantly mounted production of Terence Rattigan’s uneven playWe associate Terence Rattigan with domestic drama. …

SOURCE: The Guardian at 08:10AM
Thursday, June 9, 2016

The Audience – review by Michael Billington

Gielgud, LondonPeter Morgan struck box-office gold with his movie The Queen. He's likely to do so again with this play based on the private weekly audience given by the monarch to the prime …

SOURCE: The Guardian at 08:21PM

The Deep Blue Sea review – Helen McCrory blazes in passionate revival by Michael Billington

Lyttelton, LondonTerence Rattigan’s powerful portrait of emotional turmoil in postwar Britain is beautifully played – if only the sound effects weren’t so disruptiveTerence Rattigan’…

SOURCE: The Guardian at 07:32AM

Why Chicago is my kind of theatre town by Michael Billington

Productions of new plays by Tracy Letts and Rebecca Gilman confirm the Windy City is a hotbed of exciting new dramaNew York gets all the attention but in my experience Chicago is just as vib…

SOURCE: The Guardian at 06:25AM
Wednesday, June 8, 2016

Hamlet review – Benedict Cumberbatch imprisoned in a dismal production by Michael Billington

Barbican, LondonCumberbatch has a gift for suggesting Hamlet’s essential decency, but visual conceits take the place of textual investigation in this frustrating stagingAfter all the hype …

SOURCE: The Guardian at 09:34AM

Harry Potter and the cursed previews: the opening of plays has become absurd by Michael Billington

The West End’s preview practice dates back nearly 50 years. As it stands, the outdated system works against the public interestWhen does Harry Potter and the Cursed Child actually open? Th…

SOURCE: The Guardian at 09:34AM

Titanic review – the best piece of musical staging in London by Michael Billington

Charing Cross theatre, LondonThom Southerland opens his Charing Cross tenure with his brilliantly staged revival set aboard the doomed linerThe disaster-musical seems an unlikely genre, but …

SOURCE: The Guardian at 07:26AM

The Go-Between review – Michael Crawford time-travels through song by Michael Billington

Apollo, LondonThis evocative chamber piece, based on LP Hartley’s 1953 coming-of-age novel, is done with taste and style but never quite soars Is LP Hartley’s 1953 novel a good subject f…

SOURCE: The Guardian at 06:21AM
Tuesday, June 7, 2016

Bard on the wire: how Chicago scored a hit with Shakespeare and Leonard Cohen by Michael Billington

Tug of War, a gripping take on the history plays with protest songs from Leonard Cohen and Nina Simone, is rocking Chicago. The woman behind it says torture and invasion never felt more rele…

SOURCE: The Guardian at 11:09AM
Monday, June 6, 2016

Amadeus review – Rupert Everett's Salieri darkly rages at God by Michael Billington

Chichester Festival TheatrePeter Shaffer's spectacle of Mozart's mediocre rival distorts historical reality but remains compelling and stylishly presentedFew living dramatists write big star…

SOURCE: The Guardian at 09:12PM

Cat on a Hot Tin Roof: Tennessee Williams's southern discomfort by Michael Billington

The American playwright's masterpiece, an explosive story of sexual repression, has suffered at the hands of directors and censorsGiven that it is Tennessee Williams's best play, it is surpr…

SOURCE: The Guardian at 04:55PM

Miss Julie/Black Comedy review – sprightly Strindberg, sublime Shaffer by Michael Billington

Minerva theatre, Chichester Strindberg's Miss Julie is well directed, but it's Shaffer's dark comedy that illuminates in this contrasting double billAugust Strindberg's tragedy Miss Julie an…

SOURCE: The Guardian at 01:32PM
Sunday, June 5, 2016

The Alchemist review – Polly Findlay finds gold in moral anarchy by Michael Billington

Swan, Stratford-upon-AvonA refreshingly authentic Jacobean setting by the RSC allows Ben Jonson’s comedy of greed to play to its vicious strengths Polly Findlay has taken a bold and, by to…

SOURCE: The Guardian at 11:24AM

Chilcot review – devastating account of Blair cabinet's Iraq war delusions by Michael Billington

Battersea Arts Centre, LondonHow the Labour government drove itself to invade Iraq in 2003 is laid bare in this sharp distillation of Chilcot inquiry evidence – given added fire by damning…

SOURCE: The Guardian at 08:10AM
Friday, June 3, 2016

Sunset at the Villa Thalia review – dinner and despotism on the Greek islands by Michael Billington

Dorfman, LondonAn English couple are manipulated by a domineering CIA man and his alcoholic wife in a fine play that explores the effects of American inverventionismAlexi Kaye Campbell’s f…

SOURCE: The Guardian at 08:03AM

The Spoils review – Jesse Eisenberg's jerk hero repels and attracts by Michael Billington

Trafalgar Studios, LondonEisenberg’s bullying, sexist and racist rich kid has the comic rhythm of Woody Allen and is compelling to watch, even if we don’t care about him Related: Jesse E…

SOURCE: The Guardian at 08:03AM
Tuesday, May 31, 2016

Radiant Vermin review – Philip Ridley’s nightmare tale of a dream home by Michael Billington

Soho theatre, LondonA couple must murder their way to a perfect property in this morality play about a materialistic world where enough is never enoughThere is no doubt as to the hot theatri…

SOURCE: The Guardian at 10:41PM
Friday, May 27, 2016

The Threepenny Opera review – grubbily vivacious revival plays up the sexuality by Michael Billington

Olivier, LondonRory Kinnear brings a rasping clarity to Macheath in a production by Rufus Norris that does full justice to Kurt Weill’s plangent, sawn-off melodiesWhat does this famous pie…

SOURCE: The Guardian at 06:27AM
Thursday, May 26, 2016

Romeo and Juliet review – Branagh gives tragedy a touch of la dolce vita by Michael Billington

Garrick theatre, LondonLily James’s Juliet has a boozy balcony scene, Richard Madden’s Romeo seems genuinely inflamed by love and Derek Jacobi is a lounge-lizard MercutioThere are many w…

SOURCE: The Guardian at 05:48AM
Wednesday, May 25, 2016

Human Animals review – fur flies in chilling vision of dystopian London by Michael Billington

Royal Court, LondonStef Smith’s powerfully alarmist play imagines the impact of a city’s animal infestation on its citizensDystopia is a popular territory for young dramatists. Its lates…

SOURCE: The Guardian at 08:41AM