All stories by Michael Billington on BroadwayStars

Monday, August 8, 2016

Daffodils at Edinburgh festival review – New Zealand romcom wilts at the fringe by Michael Billington

Traverse, EdinburghRochelle Bright’s ‘play with songs’ starts out as a promising love story but despite vigorous performances and a lively band it never quite bloomsSubtitled “a play…

SOURCE: The Guardian at 08:14AM

The Glass Menagerie at Edinburgh festival review – triumphant take on Tennessee Williams by Michael Billington

King’s theatre, EdinburghJohn Tiffany’s superb production stars Cherry Jones as a woman who clings tenaciously to the memory of her aristocratic past Related: From Black Watch to Harry P…

SOURCE: The Guardian at 05:07AM
Sunday, August 7, 2016

Interiors/The Destroyed Room at Edinburgh review – voyeuristic thrills by Michael Billington

★★★★/★★The Lyceum, EdinburghWe’re Peeping Toms for Vanishing Point’s riveting but disastrous dinner party, but the company’s media critique, The Destroyed Room, isn’t as …

SOURCE: The Guardian at 01:55PM
Friday, August 5, 2016

Yerma review – Billie Piper gives a breathtakingly uninhibited performance by Michael Billington

Young Vic, LondonIn a bravura display, Piper lays bare the soul of a woman who is unable to have children – even if Simon Stone’s update is less powerful than Lorca’s original playThe …

SOURCE: The Guardian at 07:16AM
Thursday, August 4, 2016

Young Chekhov is the greatest of theatrical marathons by Michael Billington

David Hare’s versions of Platonov, Ivanov and The Seagull, now at the National Theatre in a superb production by Jonathan Kent, leave you exhilaratedI have spent many all-day sessions in t…

SOURCE: The Guardian at 10:49AM
Friday, July 29, 2016

Exposure the Musical review – photography-themed Faustus loses focus by Michael Billington

St James theatre, LondonA snapper falls under the spell of a Mephistophelian PR man in Mike Dyer’s energetic story, which takes a turn for the absurd despite some decent songsThe Faust leg…

SOURCE: The Guardian at 07:45AM
Thursday, July 28, 2016

Breakfast at Tiffany's review – Pixie Lott sparkles but Holly Golightly will not shine by Michael Billington

Theatre Royal Haymarket, London The pop singer brings verve and musicality to the glamorous enigma, with admirably conflicted support from Matt Barber – it’s Truman Capote’s story itse…

SOURCE: The Guardian at 07:27PM

The Plough and the Stars review – tenement tragedy affirms life in the midst of bloodshed by Michael Billington

Lyttelton, LondonThe women are exceptionally strong in this production of O’Casey’s great Easter Rising drama, which draws out the complex humanity of its charactersI found it took time …

SOURCE: The Guardian at 08:16AM
Monday, July 25, 2016

Harry Potter and the Cursed Child review – a dazzling duel of dark and light by Michael Billington

Palace theatre, LondonIt’s convoluted, but the latest expansion of the Potter universe is thrillingly staged, with time travel and age-old quests given a dash of post-Freudian guilt“Keep…

SOURCE: The Guardian at 08:04PM
Wednesday, July 20, 2016

Galway festival 2016: 'a powerhouse of ideas and innovation' by Michael Billington

Ireland’s international festival has shown the merits of merging different art forms while reawakening enthusiasm for a much-reprised Beckett classicThey were dancing in the streets last w…

SOURCE: The Guardian at 11:43AM
Tuesday, July 19, 2016

Arlington review – dance, art and poetry explode in Enda Walsh's brave new world by Michael Billington

Leisureland, Salthill, GalwayThe playwright embraces a new form of category-defying theatre in a story of love and oppression that echoes Orwell’s 1984No Galway international arts festival…

SOURCE: The Guardian at 08:19AM
Sunday, July 17, 2016

Fracked! review – Alistair Beaton's environmental satire has rampant energy by Michael Billington

Minerva, ChichesterAnne Reid and James Bolam star in Beaton’s dark comedy about fracking that becomes an outright plea for direct actionAlistair Beaton’s forte is topical satire. His mos…

SOURCE: The Guardian at 08:31AM
Friday, July 15, 2016

The Trial of Jane Fonda review – 'Hanoi Jane' saga is staged like a Hollywood film by Michael Billington

Park theatre, London Anne Archer plays the actor and activist in a drama that revisits the consequences of Fonda’s visit to North Vietnam in 1972Terry Jastrow’s play speculates on what h…

SOURCE: The Guardian at 06:31AM
Thursday, July 14, 2016

Through the Mill review – Judy Garland bio reveals how a star is torn by Michael Billington

Southwark Playhouse, LondonRay Rackham’s musical brings us three Garlands at different periods of her life and deals with the causes and the symptoms of the star’s declineI once said tha…

SOURCE: The Guardian at 08:00AM
Wednesday, July 13, 2016

Cameron Mackintosh: 'I'm a billionaire, but I've never forgotten queueing for the cheap seats' by Michael Billington

Producer Cameron Mackintosh turned the West End musical into a global franchise. And he's not finished yet. New shows are opening round the world, new theatres are being purchased ... the em…

SOURCE: The Guardian at 04:55PM

Into the Woods review – Sondheim's barbed musical staged with brio by Michael Billington

Menier Chocolate Factory, LondonFiasco’s inventive, vigorous version of Stephen Sondheim’s modern fairytale doesn’t entirely mask the problems of James Lapin’s convoluted bookFiasco …

SOURCE: The Guardian at 07:25AM
Tuesday, July 12, 2016

The Kreutzer Sonata review – Tolstoy's tale of murder is electrified by Greg Hicks by Michael Billington

Arcola, LondonHicks confirms his gift for exploring unbalanced minds in this riveting adaptation of the Russian author’s novella, directed by John TerryWhen Nancy Harris’s adaptation of …

SOURCE: The Guardian at 08:44AM
Sunday, July 10, 2016

Unreachable review – a monster takes over the madhouse by Michael Billington

Royal Court, London Matt Smith gives a fine performance but this movie industry satire is unbalanced by one character’s eruptionThere is a long history of theatrical satires on the movie b…

SOURCE: The Guardian at 06:49AM
Friday, July 8, 2016

Needles and Opium review – Miles Davis, Jean Cocteau and the love drug by Michael Billington

Barbican, LondonRobert Lepage’s wry and haunting 1991 piece about various brands of addiction was inspired by two great artists, and it lives up to their brillianceRobert Lepage has revisi…

SOURCE: The Guardian at 08:23AM
Thursday, July 7, 2016

Queens of Syria review – refugees' fury echoes through Euripides by Michael Billington

Young Vic, LondonThe ordeal of 13 Syrian women is powerfully re-created through horrific personal testimony and heartbreaking nostalgiaIt seems faintly obscene to slap star ratings on a show…

SOURCE: The Guardian at 06:28PM
Wednesday, July 6, 2016

Cathy Come Home review – Loach's classic staged with passion and fury by Michael Billington

Barbican, LondonCardboard Citizens’ remarkable version of the TV drama was followed by a fiery discussion in which Loach condemned the government’s ‘conscious cruelty’Can art change …

SOURCE: The Guardian at 06:49AM
Tuesday, July 5, 2016

Rosaura review – feminists unlock the mystery of Calderón’s classic by Michael Billington

Theatre Room, LondonThis two-woman update of Life Is a Dream is brilliantly performed and looks at the Spanish play from a fresh perspectiveThis two-woman version of Calderón’s Spanish cl…

SOURCE: The Guardian at 08:12AM

Let's not flatter politicians with grand Shakespearean comparisons by Michael Billington

In exposing our leaders’ fallibility, it’s natural to invoke Shakespeare but that crowns them with borrowed grandeur. A better reference point would be Dryden’s brand of mock-heroic sa…

SOURCE: The Guardian at 06:06AM
Thursday, June 30, 2016

Boys Will Be Boys review – rude and raucous banking satire by Michael Billington

Bush Hall, London Melissa Bubnic’s song-filled attack on the City of London is played with great brio by an all-female cast but stops short of landing a knockout blowMelissa Bubnic’s pla…

SOURCE: The Guardian at 08:21AM
Wednesday, June 29, 2016

Faith Healer five-star review – Brian Friel's masterpiece of stage mystery by Michael Billington

Donmar, London A lost world of showbiz exiles is evoked through powerful monologues, hauntingly delivered by Stephen Dillane, Gina McKee and Ron Cook Brian Friel’s magical play can be seen…

SOURCE: The Guardian at 07:22AM

1984 – review by Michael Billington

Almeida, LondonThe fierce intelligence of the Almeida, Headlong and Nottingham Playhouse's spin on George Orwell shines through - but the play contributes to a worrying theatrical trendIt is…

SOURCE: The Guardian at 06:32AM
Tuesday, June 28, 2016

Lend us your ears: how actors have handled key Shakespearean speeches by Michael Billington

From Hamlet’s ‘To be or not to be’ to Macbeth’s ‘Tomorrow and tomorrow and tomorrow’, Shakespeare’s lines present an infinity of choicesEarlier this month, I took part in a fas…

SOURCE: The Guardian at 07:39AM
Friday, June 24, 2016

Macbeth review – it's not just the sisters who are weird in Iqbal Khan's bizarre take by Michael Billington

Shakespeare’s Globe, LondonRay Fearon and Tara Fitzgerald give feverish performances but this production has an aura of perverse oddity – why do the Macbeths have a child?Iqbal Khan’s …

SOURCE: The Guardian at 11:51AM
Thursday, June 23, 2016

Henry V review – astonishing gender-switched reinvigoration by Michael Billington

Open Air theatre, Regent’s Park, LondonMichelle Terry is riveting as Shakespeare’s wartime king in a production that emphasises how roleplaying is integral to monarchyAside from Hamlet, …

SOURCE: The Guardian at 08:14AM
Wednesday, June 22, 2016

Wild review – Bartlett's whistleblower thriller turns world upside down by Michael Billington

Hampstead theatre, LondonEdward Snowden-a-like Andrew is visited by two shadowy WikiLeaks employees in Mike Bartlett’s intelligent new play, exploring the 2013 revelationsMike Bartlett’s…

SOURCE: The Guardian at 07:57AM

Birdland review – Ceaselessly inventive critique of rock stardom by Michael Billington

Royal Court, LondonMega-fame and limitless cash can turn a man into a monster, and Simon Stephens's new play excellently evokes its hero's spiritually shrunken worldNo one will be surprised …

SOURCE: The Guardian at 04:34AM