All stories by Michael Billington on BroadwayStars

Wednesday, May 25, 2016

Human Animals review – fur flies in chilling vision of dystopian London by Michael Billington

Royal Court, LondonStef Smith’s powerfully alarmist play imagines the impact of a city’s animal infestation on its citizensDystopia is a popular territory for young dramatists. Its lates…

SOURCE: The Guardian at 08:41AM

A View from Islington North review – satirical sketches skewer Osborne and May by Michael Billington

Arts theatre, LondonGeorge Osborne becomes a sex slave in a lethal piece by David Hare alongside short political plays by Caryl Churchill, Mark Ravenhill, Alistair Beaton and Stella FeehilyA…

SOURCE: The Guardian at 07:33AM
Tuesday, May 24, 2016

A Subject of Scandal and Concern review – John Osborne wrestles with religion by Michael Billington

Finborough theatre, LondonThis rarely revived piece about a Victorian blasphemy trial reveals the playwright’s complex feelings about ChristianityWritten for a 1960 television production s…

SOURCE: The Guardian at 10:50AM

The Skriker review – Maxine Peake in a Midsummer Night's vision of climate catastrophe by Michael Billington

Royal Exchange, ManchesterAspects of Caryl Churchill’s 1994 collaborative fantasy remain obscure, but magnetic Peake and a 12-strong ensemble offer an intensely theatrical experiencePlays …

SOURCE: The Guardian at 06:26AM
Monday, May 23, 2016

Shakespeare Live! review – like an upmarket Royal Variety Show by Michael Billington

BBC2 The show perked up when it got round to the plays but tried to cram too much into one eveningIt is always worrying when an entertainment promises “something for everybody”. That usu…

SOURCE: The Guardian at 09:52PM

Midsummer Night's Dream team: 'play for the nation' unites professionals and amateurs by Michael Billington

A doctor and a private-hire driver are just a couple of the amateur actors starring along RSC members in a touring production of the Dream. The experiment is a success but it shouldn’t set…

SOURCE: The Guardian at 10:12AM
Saturday, May 21, 2016

Benedict Cumberbatch proves a superb villain in The Hollow Crown's Richard III by Michael Billington

Cumberbatch’s turn as Shakespeare’s scheming king is remarkable in a finale that also features fine performances from Judi Dench and Keeley HawesRichard III brings the BBC’s Hollow Cro…

SOURCE: The Guardian at 06:55PM

The River – review by Michael Billington

Royal Court, LondonI spy a danger for the theatre in a new form of chic exclusivity. Because everyone wants to see Jez Butterworth's first new play since Jerusalem and because space is limit…

SOURCE: The Guardian at 12:50AM
Friday, May 20, 2016

Blue/Orange review – Joe Penhall peels tricky issues of mental heath and race by Michael Billington

Young Vic, London With tremendous performances from Daniel Kaluuya, David Haig and Luke Norris, Penhall’s drama packs even more of a punch 16 years after its debutJunior doctors are in the…

SOURCE: The Guardian at 07:44AM
Thursday, May 19, 2016

The Invisible Hand review – Ayad Akhtar's thriller is right on the money by Michael Billington

Tricycle theatre, LondonThe arguments about global economics in Akhtar’s follow-up to the Pulitzer-winning Disgraced are so dramatic that it’s a shame when the plot kicks inOscar Wilde�…

SOURCE: The Guardian at 07:46AM

How the Other Half Loves review – hilarious Ayckbourn, fresh and fighting by Michael Billington

Theatre Royal, Haymarket, LondonAlan Ayckbourn’s vintage comedy about adultery and male bullying is shockingly up to dateTheatrical snobs still patronise Alan Ayckbourn. Alan Strachan’s …

SOURCE: The Guardian at 04:37AM
Wednesday, May 18, 2016

My Family: Not the Sitcom review – David Baddiel is breathtakingly honest by Michael Billington

Menier Chocolate Factory, LondonNothing is out of bounds in Baddiel’s new standup, which exposes his father’s dementia and his mother’s hyperactive sex life to the same affectionate sc…

SOURCE: The Guardian at 08:04AM

The Philanderer review – Shaw's sex comedy played to the hilt by Michael Billington

Orange Tree, RichmondThe performances are full of Shavian vitality in this invigorating modern-day revival mocking the disparity between high ideals and personal practice George Bernard Shaw…

SOURCE: The Guardian at 08:04AM
Monday, May 16, 2016

Closer review – Patrick Marber's play is as powerful and pertinent as ever by Michael Billington

Donmar Warehouse, London David Leveaux’s fine revival featuring an expertly balanced cast shows this 1997 play is much more than the product of its timeDoes it still resonate? That is the …

SOURCE: The Guardian at 07:46PM

Yukio Ninagawa obituary by Michael Billington

Japanese theatre director who harmonised the traditions of east and west in his productions of Shakespeare, Ibsen and EuripidesYukio Ninagawa, who has died aged 80, was a great Japanese thea…

SOURCE: The Guardian at 07:40AM
Saturday, May 14, 2016

Hollow Crown soaks up Shakespeare's swordplay but loses some of his punch by Michael Billington

Part two of the BBC’s Wars of the Roses series was a visual treat led by a brooding Benedict Cumberbatch, but poignancy was among the script’s many casualtiesLast week’s opening episod…

SOURCE: The Guardian at 06:50PM

Doctor Faustus review – off-with-your-kit Harington stars in Marlovian mish-mash by Michael Billington

Duke of York’s, London The Game of Thrones actor gives us a sense of the scholar’s flailing despair but Jamie Lloyd’s excessive version of the tragedy comes with a trite messageChristo…

SOURCE: The Guardian at 02:39PM
Friday, May 13, 2016

Cats review – glamourpuss Nicole Scherzinger hits high notes by Michael Billington

London PalladiumA strong cast led by the former Pussycat Doll bring impressive verve to the song and dance spectacular, but the question remains whether the jukebox musical is Andrew Lloyd W…

SOURCE: The Guardian at 10:04AM

The Mission review – Jessica Swale's fury at the baby trade by Michael Billington

Arts Educational, LondonA 1920 private adoption home farms poor children out to rich couples in this fluent production by Kate Sason and a talented student castAs we know from Nell Gwynn and…

SOURCE: The Guardian at 07:52AM

Torture and baby-stonings: why we need shock theatre ... in small doses by Michael Billington

In Cyprus Avenue, I watched aghast as a Protestant attacked his own baby. But I left with a new understanding of sectarianism. So why did the litany of horrors in Sarah Kane’s Cleansed jus…

SOURCE: The Guardian at 07:21AM
Thursday, May 12, 2016

A View from the Bridge review – spartan makeover for Arthur Miller by Michael Billington

Young Vic, LondonArthur Miller's 1955 Brooklyn drama is stripped right back to showcase rich behavioural accuracy and high-quality performances• Monroe and Miller's sensational year – in…

SOURCE: The Guardian at 06:48PM

Groomed review – the shocking true story of a boy betrayed by Michael Billington

Jury’s Inn, BrightonPatrick Sandford’s candid play about the abuse he suffered as a nine-year-old at the hands of a teacher shines much needed light on dark placesThe Brighton festival h…

SOURCE: The Guardian at 08:19AM

Operation Black Antler review – how to make friends with extremists by Michael Billington

Brighton festivalThis disturbing piece of immersive theatre shines a light on the morality of police surveillance as audience members get to play undercover agentsAt what point, if any, is p…

SOURCE: The Guardian at 07:16AM
Wednesday, May 11, 2016

The Suicide review – Thatcher blunders into a banned Soviet satire by Michael Billington

Lyttelton, LondonSuhayla El-Bushra brings Nikolai Erdman’s 1928 social comedy into the modern day, but leaves its eccentricity and subversion behindThe National Theatre these days seems su…

SOURCE: The Guardian at 07:16PM

Cymbeline review – the RSC's bizarre romance comes straight from the heart by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonSet in a post-Brexit dystopia, Melly Still’s production is odd, excessive and over-stuffed with ideas but it’s unafraid of emotion and boast…

SOURCE: The Guardian at 07:54AM

Curtain-raisers: the best theatre of summer 2016 by Michael Billington and Lyn Gardner

Branagh channels Olivier, Isabelle Huppert lusts after her stepson and Ralph Fiennes gets the royal hump. Meanwhile there’s magic in the air as Harry Potter grows up – and Groundhog Day …

SOURCE: The Guardian at 06:52AM
Tuesday, May 10, 2016

After Independence review – a family fight it out on the farm in Zimbabwean drama by Michael Billington

Arcola, LondonMay Sumbwanyambe’s promising play, set in 1998, pits a white farm-owning family against a government agent sent to acquire their landThe Papatango new writing prize has uncov…

SOURCE: The Guardian at 08:26AM
Saturday, May 7, 2016

Shakespeare outdoes Game of Thrones in the BBC's Hollow Crown by Michael Billington

The Henry VI plays are condensed into two servings of power battles, sex and witchcraft with fine performances from Hugh Bonneville and Sophie OkonedoShakespeare’s early histories used to …

SOURCE: The Guardian at 05:56PM
Friday, May 6, 2016

Lawrence After Arabia review – Howard Brenton on a tortured war hero by Michael Billington

Hampstead theatre, LondonWhy did TE Lawrence turn his back on fame after assisting the Arab uprising? Brenton’s solidly acted play explores the mystery of a troubled figureThe centenary of…

SOURCE: The Guardian at 07:32AM
Wednesday, May 4, 2016

An Enemy of the People review – Hugh Bonneville's whistleblower is a man of our times by Michael Billington

Chichester festival theatreBonneville precisely captures the recklessness and egotism of Dr Stockmann in a vigorous production of Ibsen’s frighteningly topical playThis is the fifth major …

SOURCE: The Guardian at 06:34PM

Zindabad review – compelling European view of India's partition by Michael Billington

Mill Studio, Yvonne Arnaud, GuildfordPrivate passion coincides with the public chaos of 1947 in this tale of an affair featuring a first-rate castHoward Brenton’s Drawing the Line dramatis…

SOURCE: The Guardian at 11:00AM