All stories by Michael Billington on BroadwayStars

Wednesday, October 12, 2016

One Night in Miami review – Muhammad Ali, Sam Cooke and Malcolm X slug it out by Michael Billington

Donmar Warehouse, LondonThe acting is outstanding and the issues are timely in Kwame Kwei-Armah’s production of Kemp Powers’ passionate playIt may be a flawed play, but it is still a gre…

SOURCE: The Guardian at 07:24AM
Monday, October 10, 2016

Derren Brown: Infamous – review by Michael Billington

Palace theatre, LondonDerren Brown begs us all, journalists included, not to reveal anything he has done in the course of two-and-a-half hours. Seeing him for the first time, however, I feel…

SOURCE: The Guardian at 08:17PM

Roots and forgotten fruits: Wesker tribute reminds us of his later plays by Michael Billington

The Royal Court hosted a moving celebration of Arnold Wesker. His early works such as Roots are well known – let’s rediscover the rest of his 44 playsIf there is an ideal place to stage …

SOURCE: The Guardian at 12:49PM

The Autumn Garden review – Hellman's unhappy guests overstay their welcome by Michael Billington

Jermyn Street theatre, London A strong cast imbue Lillian Hellman’s 1951 play with a keen malaise, though they are shackled by the author’s enervating attitude towards her charactersA gr…

SOURCE: The Guardian at 06:19AM
Friday, October 7, 2016

Half Life review – an unusually honest drama about love among elderly people by Michael Billington

Ustinov Studio, BathTwo nursing-home visitors watch their ailing parents strike up a romance in a play that explores the mysteries of the human heartIs sex the exclusive property of the unde…

SOURCE: The Guardian at 01:16PM

A Room With a View review – Felicity Kendal's star power obscures Forster's story by Michael Billington

Theatre Royal, BathAs the complex chaperone Charlotte Bartlett, Kendal is a pleasure to watch, but her presence unbalances this rich tale of middle-class self-discoveryThe presence of Felici…

SOURCE: The Guardian at 07:58AM
Thursday, October 6, 2016

Antigone review – Juliette Binoche stars in puzzling take on Sophocles by Michael Billington

Director Ivo van Hove’s production has a sombre aesthetic beauty while Binoche avoids the easy path of pathosTeam Juliette Binoche with Ivo van Hove, director of A View from the Bridge, in…

SOURCE: The Guardian at 03:00PM

Arms and the Man review – a fresh take on Shaw's anti-romcom by Michael Billington

Watford Palace theatreTwo soldiers square up over an heiress in Brigid Larmour’s production of this 1894 play that hints teasingly at Shaw’s mature styleWhy would most producers rather c…

SOURCE: The Guardian at 08:34AM
Wednesday, October 5, 2016

Travesties review – Hollander makes mischief in Stoppard's serious comedy by Michael Billington

Menier Chocolate Factory, London Political and artistic revolutions collide in a sprightly revival, directed by Patrick Marber, highlighting the emotion as well as the erudition of this bril…

SOURCE: The Guardian at 07:34AM
Tuesday, October 4, 2016

No’s Knife review – Lisa Dwan excels in Beckett's strange no man's land by Michael Billington

Old Vic, LondonDwan’s vocal range is astonishing in her adaptation of Beckett’s Texts for Nothing, but the ingenious staging still struggles to give physical life to mysterious proseLisa…

SOURCE: The Guardian at 07:16AM
Sunday, October 2, 2016

Adding Machine: A Musical review – revenge, redemption and the afterlife by Michael Billington

Finborough, LondonElmer Rice’s 1923 satire about a browbeaten wage slave gets added musical spice in this savagely comic adaptationEuropean expressionism had a big impact on American theat…

SOURCE: The Guardian at 11:31AM
Friday, September 30, 2016

Blank canvas: the enduring appeal of Yasmina Reza’s Art by Michael Billington

The French playwright’s comedy has been packing audiences in worldwide for 20 years. What is the secret of its success?Twenty years ago Yasmina Reza’s Art opened at the Comédie des Cham…

SOURCE: The Guardian at 11:04AM
Thursday, September 29, 2016

Best Shakespeare productions: what's your favourite Henry VIII? by Michael Billington

The play that burned down the Globe theatre in 1613, after a stage cannon ignited the thatch, is a potent farewell to this seriesIt seems strange to end this series of favourite Shakespeare …

SOURCE: The Guardian at 12:28PM

Floyd Collins review – subterranean homesick bluegrass in sentimental satire by Michael Billington

Wilton’s Music Hall, LondonThere are some striking performances in this musical about an explorer stuck underground, but too many of the lyrics are incomprehensibleA musical about a hero t…

SOURCE: The Guardian at 08:06AM
Wednesday, September 28, 2016

Battlefield review – Peter Brook's return to the Mahabharata is breathtaking by Michael Billington

Young Vic, LondonThe director’s new work based on the ancient text is one of aesthetic beauty and great skill, if less convincing as a parable of our times Three decades ago, Peter Brook�…

SOURCE: The Guardian at 11:26PM
Tuesday, September 27, 2016

The Libertine review – Dominic Cooper is riveting as rakish hero by Michael Billington

Theatre Royal Haymarket, LondonCooper commands the stage as the Restoration rebel John Rochester in Stephen Jeffreys’ portrait of debauchery and self-destructionDominic Cooper follows in t…

SOURCE: The Guardian at 06:55PM
Sunday, September 25, 2016

Imogen review – Globe unleashes sex, drugs and gang warfare on Cymbeline by Michael Billington

Shakespeare’s Globe, London EastEnders actor Maddy Hill brings gutsy toughness as the heroine of this refocused Shakespeare adaptation, but Matthew Dunster’s violent setting seems at odd…

SOURCE: The Guardian at 08:50AM

Twelve Angry Men – review by Michael Billington

Garrick, London This 1950s courtroom drama is an efficient piece of entertainment but is beginning to show its ageReginald Rose's script has had an incredibly long life. It first surfaced on…

SOURCE: The Guardian at 03:28AM
Friday, September 23, 2016

Father Comes Home from the Wars review – gripping African-American epic by Michael Billington

Royal Court, LondonPerformed by an excellent cast, Suzan Lori-Parks’s trilogy about the US civil war is riddled with Homeric allusions and seamlessly incorporates songs into the action Rel…

SOURCE: The Guardian at 08:14AM

Miss Saigon review - an old tale put across with exemplary vigour by Michael Billington

Prince Edward theatre, LondonThe opposing forces of communism and capitalism carry strange visual echoes in this production by Laurence ConnorSo how does Boublil and Schönberg's musical sta…

SOURCE: The Guardian at 12:33AM
Thursday, September 22, 2016

Good Canary review – Malkovich makes addiction drama dazzle by Michael Billington

Rose, KingstonJohn Malkovich’s immaculately staged version of Zach Helm’s clever play about drug dependency and genius doesn’t quite escape its sentimental conclusion John Malkovich is…

SOURCE: The Guardian at 07:19AM
Tuesday, September 20, 2016

Theatre review: Waiting for Godot / Theatre Royal, Haymarket by Michael Billington

Theatre Royal HaymarketIt's a sign of how much our theatre has changed that Beckett's masterpiece, once seen as a subversion of West End theatre, now occupies one of its iconic temples. But …

SOURCE: The Guardian at 08:56PM

No Man's Land review – McKellen and Stewart capture the contrasts of Pinter's masterwork by Michael Billington

Wyndham’s theatre, LondonSean Mathias’s production shows the comedy and bleakness in the story of a pub potman invited to a writer’s luxurious homeWhen Ian McKellen and Patrick Stewart…

SOURCE: The Guardian at 06:44PM

Paradise of the Assassins review – ancient fable questions modern faith and politics by Michael Billington

Tara theatre, LondonTara’s new theatre is an enticing venue for this adaptation of a medieval tale, with topical lessons, about lovers manipulated by religious ideology This vital multicul…

SOURCE: The Guardian at 11:40AM
Monday, September 19, 2016

Who's Afraid of Virginia Woolf? review – marital battle is a metaphor for America by Michael Billington

Theatre Royal, BathClare Higgins and Tim Pigott-Smith trade blows with relish, but Adrian Noble's revival brings little fresh insight to Albee's classicWhen Peter Hall ran the Bath summer se…

SOURCE: The Guardian at 12:13AM
Sunday, September 18, 2016

Things I Know to Be True review – a blinkered view of family affairs by Michael Billington

Lyric HammersmithThis strongly cast British/Australian collaboration is a pleasure to watch but glibly assumes the strains of domestic life are the same the world overThe fraught family has …

SOURCE: The Guardian at 11:23AM

Who’s Afraid of Virginia Woolf? is a misunderstood masterpiece by Michael Billington

The film, starring Elizabeth Taylor and Richard Burton, led Edward Albee’s play to be remembered as a boozy marital slugfest. But it is as much about America itselfEdward Albee occasionall…

SOURCE: The Guardian at 07:57AM
Saturday, September 17, 2016

Harold Pinter and the Hackney gang by Michael Billington

A new tranche of Harold Pinter’s letters, written to lifelong friends, has been made public. We take a first glimpseHarold Pinter was a born letter writer. In later years his com…

SOURCE: The Guardian at 09:00AM

Who's Afraid of Virginia Woolf?, Apollo, London by Michael Billington

Apollo, LondonTruth versus illusion is the great theme of American drama: think of O'Neill, Miller and Williams. And, since it lies at the core of Edward Albee's ritualistic 1962 drama, it i…

SOURCE: The Guardian at 09:00AM
Friday, September 16, 2016

The Goat or Who Is Sylvia?, Almeida, London by Michael Billington

Almeida, LondonTragedy, we are often told, is dead: an impossibility in an age that believes all problems are socially remediable. But Edward Albee has boldly defied convention by writing an…

SOURCE: The Guardian at 11:20PM

The Rover review – the RSC's randy fiesta is laced with innuendo by Michael Billington

The Swan, Stratford-upon-AvonA cavalier meets his match among strong women in Loveday Ingram’s carnivalesque production of Aphra Behn’s 17th-century comedyAphra Behn is acclaimed as the …

SOURCE: The Guardian at 08:09AM