All stories by Michael Billington on BroadwayStars

Sunday, October 23, 2016

The Grinning Man review – Victor Hugo musical is wonderfully weird by Michael Billington

Bristol Old Vic Circus freaks, puppets and soaring songs collide in a new adaptation that deftly walks a tightrope between romantic and grotesqueYou can see why Victor Hugo attracts the make…

SOURCE: The Guardian at 07:08AM
Friday, October 21, 2016

One Flew Over the Cuckoo's Nest, Garrick, London by Michael Billington

Garrick, LondonFirst seen in Edinburgh two years ago, Dale Wasserman's version of the Ken Kesey novel keeps coming back. Clearly that has a lot to do with the star-presence of Christian Slat…

SOURCE: The Guardian at 05:37AM
Thursday, October 20, 2016

A Pacifist's Guide to the War on Cancer review – bold musical demystifies the disease by Michael Billington

Dorfman, LondonBryony Kimmings, Brian Lobel and Tom Parkinson have created an ebullient show that follows the stories of a group of cancer patientsA musical about cancer? I see no reason why…

SOURCE: The Guardian at 08:03AM
Wednesday, October 19, 2016

Blue Heart review – a double dose of surreal surprises from Caryl Churchill by Michael Billington

Orange Tree, RichmondThis long overdue revival of Churchill’s 1997 plays captures the fragility and savagery of family relationships Related: 'Her work haunts me': Caryl Churchill by those…

SOURCE: The Guardian at 10:22AM
Tuesday, October 18, 2016

Yellow Face review – a probing, political satire on racial identity by Michael Billington

The Shed, LondonChinese-American playwright David Henry Hwang uses humour to look at the implications of being racially hyphenated in this peach of a playWhat exactly is racial identity? Doe…

SOURCE: The Guardian at 09:23PM

The Red Barn review – David Hare turns Simenon's stormy tale into a film noir by Michael Billington

Lyttelton, LondonHare’s adaptation of 1968 novel La Main features subtle performances from Mark Strong and Elizabeth Debicki, but the cinematic design upstages the dramaThere is a palpable…

SOURCE: The Guardian at 07:12AM
Sunday, October 16, 2016

Oil review – scorchingly ambitious with plenty of renewable energy by Michael Billington

Almeida, LondonAnne-Marie Duff time travels from 1800s Cornwall to 70s Libya in Ella Hickson’s remarkable new play about empire, energy and parenthoodThe old idea that women dramatists ten…

SOURCE: The Guardian at 08:32AM

Theatre review: The Chalk Garden / Donmar Warehouse, London by Michael Billington

Donmar Warehouse, LondonI have never much warmed to Enid Bagnold's play: what others call its high comic style sounds to me arch, precious and exhibitionist. But, if this 1956 Haymarket hit …

SOURCE: The Guardian at 12:48AM
Friday, October 14, 2016

A Man of Good Hope review – exhilarating musical tale of a Somali refugee by Michael Billington

Young Vic, LondonBased on the book by Jonny Steinberg, Isango Ensemble’s powerful music-theatre production tells the true story of an eight-year-old refugee’s journeyCape Town’s Isango…

SOURCE: The Guardian at 09:56AM
Thursday, October 13, 2016

The Dresser review – Shearsmith and Stott savour the spite in Harwood's love-hate letter to theatre by Michael Billington

Duke of York’s theatre, LondonReece Shearsmith is a waspish factotum to Ken Stott’s earthy, contradictory Shakespearean actor in Ronald Harwood’s grot-behind-the-greasepaint drama Ken…

SOURCE: The Guardian at 06:58PM

Dario Fo: a theatrical jester who made us laugh in the face of tragedy by Michael Billington

Fo combined a profound love of humanity with a detestation of the abuse of power. He was also a performer of extraordinary physical plasticity and vocal skillDario Fo, who has died at the ag…

SOURCE: The Guardian at 11:14AM

Dario Fo's Accidental Death of an Anarchist – a heady blend of vaudeville and politics by Michael Billington

From the archive: The Guardian’s review, published on 16 October 1979, for the London production of Fo’s classic play, starring Alfred Molina at the Half MoonWe tend to associate politic…

SOURCE: The Guardian at 08:04AM
Wednesday, October 12, 2016

One Night in Miami review – Muhammad Ali, Sam Cooke and Malcolm X slug it out by Michael Billington

Donmar Warehouse, LondonThe acting is outstanding and the issues are timely in Kwame Kwei-Armah’s production of Kemp Powers’ passionate playIt may be a flawed play, but it is still a gre…

SOURCE: The Guardian at 07:24AM
Monday, October 10, 2016

Derren Brown: Infamous – review by Michael Billington

Palace theatre, LondonDerren Brown begs us all, journalists included, not to reveal anything he has done in the course of two-and-a-half hours. Seeing him for the first time, however, I feel…

SOURCE: The Guardian at 08:17PM

Roots and forgotten fruits: Wesker tribute reminds us of his later plays by Michael Billington

The Royal Court hosted a moving celebration of Arnold Wesker. His early works such as Roots are well known – let’s rediscover the rest of his 44 playsIf there is an ideal place to stage …

SOURCE: The Guardian at 12:49PM

The Autumn Garden review – Hellman's unhappy guests overstay their welcome by Michael Billington

Jermyn Street theatre, London A strong cast imbue Lillian Hellman’s 1951 play with a keen malaise, though they are shackled by the author’s enervating attitude towards her charactersA gr…

SOURCE: The Guardian at 06:19AM
Friday, October 7, 2016

Half Life review – an unusually honest drama about love among elderly people by Michael Billington

Ustinov Studio, BathTwo nursing-home visitors watch their ailing parents strike up a romance in a play that explores the mysteries of the human heartIs sex the exclusive property of the unde…

SOURCE: The Guardian at 01:16PM

A Room With a View review – Felicity Kendal's star power obscures Forster's story by Michael Billington

Theatre Royal, BathAs the complex chaperone Charlotte Bartlett, Kendal is a pleasure to watch, but her presence unbalances this rich tale of middle-class self-discoveryThe presence of Felici…

SOURCE: The Guardian at 07:58AM
Thursday, October 6, 2016

Antigone review – Juliette Binoche stars in puzzling take on Sophocles by Michael Billington

Director Ivo van Hove’s production has a sombre aesthetic beauty while Binoche avoids the easy path of pathosTeam Juliette Binoche with Ivo van Hove, director of A View from the Bridge, in…

SOURCE: The Guardian at 03:00PM

Arms and the Man review – a fresh take on Shaw's anti-romcom by Michael Billington

Watford Palace theatreTwo soldiers square up over an heiress in Brigid Larmour’s production of this 1894 play that hints teasingly at Shaw’s mature styleWhy would most producers rather c…

SOURCE: The Guardian at 08:34AM
Wednesday, October 5, 2016

Travesties review – Hollander makes mischief in Stoppard's serious comedy by Michael Billington

Menier Chocolate Factory, London Political and artistic revolutions collide in a sprightly revival, directed by Patrick Marber, highlighting the emotion as well as the erudition of this bril…

SOURCE: The Guardian at 07:34AM
Tuesday, October 4, 2016

No’s Knife review – Lisa Dwan excels in Beckett's strange no man's land by Michael Billington

Old Vic, LondonDwan’s vocal range is astonishing in her adaptation of Beckett’s Texts for Nothing, but the ingenious staging still struggles to give physical life to mysterious proseLisa…

SOURCE: The Guardian at 07:16AM
Sunday, October 2, 2016

Adding Machine: A Musical review – revenge, redemption and the afterlife by Michael Billington

Finborough, LondonElmer Rice’s 1923 satire about a browbeaten wage slave gets added musical spice in this savagely comic adaptationEuropean expressionism had a big impact on American theat…

SOURCE: The Guardian at 11:31AM
Friday, September 30, 2016

Blank canvas: the enduring appeal of Yasmina Reza’s Art by Michael Billington

The French playwright’s comedy has been packing audiences in worldwide for 20 years. What is the secret of its success?Twenty years ago Yasmina Reza’s Art opened at the Comédie des Cham…

SOURCE: The Guardian at 11:04AM
Thursday, September 29, 2016

Best Shakespeare productions: what's your favourite Henry VIII? by Michael Billington

The play that burned down the Globe theatre in 1613, after a stage cannon ignited the thatch, is a potent farewell to this seriesIt seems strange to end this series of favourite Shakespeare …

SOURCE: The Guardian at 12:28PM

Floyd Collins review – subterranean homesick bluegrass in sentimental satire by Michael Billington

Wilton’s Music Hall, LondonThere are some striking performances in this musical about an explorer stuck underground, but too many of the lyrics are incomprehensibleA musical about a hero t…

SOURCE: The Guardian at 08:06AM
Wednesday, September 28, 2016

Battlefield review – Peter Brook's return to the Mahabharata is breathtaking by Michael Billington

Young Vic, LondonThe director’s new work based on the ancient text is one of aesthetic beauty and great skill, if less convincing as a parable of our times Three decades ago, Peter Brook�…

SOURCE: The Guardian at 11:26PM
Tuesday, September 27, 2016

The Libertine review – Dominic Cooper is riveting as rakish hero by Michael Billington

Theatre Royal Haymarket, LondonCooper commands the stage as the Restoration rebel John Rochester in Stephen Jeffreys’ portrait of debauchery and self-destructionDominic Cooper follows in t…

SOURCE: The Guardian at 06:55PM
Sunday, September 25, 2016

Imogen review – Globe unleashes sex, drugs and gang warfare on Cymbeline by Michael Billington

Shakespeare’s Globe, London EastEnders actor Maddy Hill brings gutsy toughness as the heroine of this refocused Shakespeare adaptation, but Matthew Dunster’s violent setting seems at odd…

SOURCE: The Guardian at 08:50AM

Twelve Angry Men – review by Michael Billington

Garrick, London This 1950s courtroom drama is an efficient piece of entertainment but is beginning to show its ageReginald Rose's script has had an incredibly long life. It first surfaced on…

SOURCE: The Guardian at 03:28AM
Friday, September 23, 2016

Father Comes Home from the Wars review – gripping African-American epic by Michael Billington

Royal Court, LondonPerformed by an excellent cast, Suzan Lori-Parks’s trilogy about the US civil war is riddled with Homeric allusions and seamlessly incorporates songs into the action Rel…

SOURCE: The Guardian at 08:14AM

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