All stories by Michael Billington on BroadwayStars

Saturday, November 5, 2016

King Lear – review by Michael Billington

Minerva, ChichesterThis return to star-driven Shakespeare has in Frank Langella a commanding Lear still driven by a craving for loveWe are used to director’s Shakespeare. This production, …

SOURCE: The Guardian at 04:42AM
Friday, November 4, 2016

King Lear – review by Michael Billington

Theatre Royal, BathDavid Haig, like the late Nigel Hawthorne, follows an acclaimed performance in Alan Bennett's The Madness of George III by playing Shakespeare's deranged monarch. But, alt…

SOURCE: The Guardian at 11:12PM

King Lear review – Glenda Jackson makes a shattering return to the stage by Michael Billington

Old Vic, LondonJackson ends a 25-year absence with a ferocious, unflinching performance that transcends gender and puts her among the best LearsHelp fund our journalism by becoming a Guardia…

SOURCE: The Guardian at 08:54PM
Thursday, November 3, 2016

Dead Funny review – Johnson's classic brings laughs with a lump in the throat by Michael Billington

Vaudeville, LondonKatherine Parkinson is hilarious in Terry Johnson’s revival of his 1994 drama about a group of emotionally deficient comedy obsessivesImages of Frankie Howerd, Tommy Coop…

SOURCE: The Guardian at 07:42PM
Wednesday, November 2, 2016

Theatre review: Othello / Donmar Warehouse, London by Michael Billington

Donmar Warehouse, LondonWhat are the hottest tickets in London theatre? Patrick Stewart's Macbeth, Ian McKellen's Lear and what will now be known as Chiwetel Ejiofor's Othello. For director …

SOURCE: The Guardian at 10:48PM

What Shadows review – Ian McDiarmid ignites portrait of Enoch Powell by Michael Billington

Birmingham RepMcDiarmid delivers the paradoxical politician’s ‘rivers of blood’ speech in Chris Hannan’s new play which switches between the 1960s and the 90sThe Rep seems the right …

SOURCE: The Guardian at 09:36AM
Tuesday, November 1, 2016

Don Juan in Soho, Donmar Warehouse, London by Michael Billington

Donmar Warehouse, LondonPatrick Marber is not the first person to give Molière's comedy a makeover. Only two years ago Neil Bartlett transposed the action to a belle-époque hotel. But, whi…

SOURCE: The Guardian at 04:48PM

Much Ado About Nothing – review by Michael Billington

Wyndham's Theatre, LondonArt is not a competition. Since, however, this is the second Much Ado in five days, comparisons are inevitable. And, while Jeremy Herrin's version at Shakespeare's G…

SOURCE: The Guardian at 03:31PM

A subsidised critic is the thin end of a dangerous wedge by Michael Billington

The Boston Globe’s initiative to fund a classical music critic by nonprofit groups raises troubling questions for arts critics on both sides of the AtlanticAll critics cherish their indepe…

SOURCE: The Guardian at 12:31PM

Fool for Love review – Sam Shepard's caged lovers are lost in the wild by Michael Billington

Found111, London Shepard’s 1983 play about incestuous love – revived with Adam Rothenberg and Lydia Wilson – has lost something of its visceral powerSome plays grow richer with time. I…

SOURCE: The Guardian at 09:12AM
Monday, October 31, 2016

Magnificence review – Brenton's take on 70s Britain still explodes with anger by Michael Billington

Finborough, LondonHoward Brenton’s play about the ringleader of a chaotic squat is given a timely revival by Josh RocheHoward Brenton’s play dates from 1973: a period when Britain was ev…

SOURCE: The Guardian at 10:42AM
Thursday, October 27, 2016

Amadeus review – stunning production pits Salieri against God, Mozart and his own orchestra by Michael Billington

Olivier theatre, London Musicians are thrust centre stage to epic effect in Michael Longhurst’s revival, and Lucian Msamati is excellent as the composer locked in battle with the divinePet…

SOURCE: The Guardian at 07:12AM

Howard Davies: a lightning rod for theatrical genius by Michael Billington

Howard Davies, who has died aged 71, was one of the great post war theatre directors, teasing new messages from old plays and drawing career-defining performances from Alan Rickman, Helen Mi…

SOURCE: The Guardian at 06:01AM
Wednesday, October 26, 2016

The Hotel Cerise review – Bonnie Greer's ferociously clever take on Chekhov by Michael Billington

Theatre Royal Stratford East, LondonGreer’s play adds modern politics to Chekhov’s The Cherry Orchard, following the divided, upper-class black owners of a Michigan hotel during the US e…

SOURCE: The Guardian at 07:46AM

Who is Britain's best theatre director? by Michael Billington

After drawing up a long list of names, I've picked my candidate. Can you guess who it is? And which director would you nominate?And the winner is ... Who would you place in the spotlight? Ph…

SOURCE: The Guardian at 04:31AM
Tuesday, October 25, 2016

Frankenstein - review by Michael Billington

Olivier Theatre, LondonForget Boris Karloff with a bolt through his neck. Forget even Peter Boyle as the new, improved monster singing Puttin' On The Ritz in the Mel Brooks pastiche. What yo…

SOURCE: The Guardian at 10:02PM
Monday, October 24, 2016

Sheila Allen obituary by Michael Billington

Actor who excelled at playing women of strength, wit and charmSheila Allen, who has died aged 78, was an actor of extraordinary range and power, and a delightful, independent-minde…

SOURCE: The Guardian at 08:28PM

Tomorrow I Was Always a Lion review – ingenious journey inside mental illness by Michael Billington

Arcola, London Five actors take turns to portray a woman with schizophrenia in this imaginative, disquieting Belarus Free Theatre adaptation of a bold memoirJust over a decade ago, Belarus F…

SOURCE: The Guardian at 07:21AM
Sunday, October 23, 2016

The Grinning Man review – Victor Hugo musical is wonderfully weird by Michael Billington

Bristol Old Vic Circus freaks, puppets and soaring songs collide in a new adaptation that deftly walks a tightrope between romantic and grotesqueYou can see why Victor Hugo attracts the make…

SOURCE: The Guardian at 07:08AM
Friday, October 21, 2016

One Flew Over the Cuckoo's Nest, Garrick, London by Michael Billington

Garrick, LondonFirst seen in Edinburgh two years ago, Dale Wasserman's version of the Ken Kesey novel keeps coming back. Clearly that has a lot to do with the star-presence of Christian Slat…

SOURCE: The Guardian at 05:37AM
Thursday, October 20, 2016

A Pacifist's Guide to the War on Cancer review – bold musical demystifies the disease by Michael Billington

Dorfman, LondonBryony Kimmings, Brian Lobel and Tom Parkinson have created an ebullient show that follows the stories of a group of cancer patientsA musical about cancer? I see no reason why…

SOURCE: The Guardian at 08:03AM
Wednesday, October 19, 2016

Blue Heart review – a double dose of surreal surprises from Caryl Churchill by Michael Billington

Orange Tree, RichmondThis long overdue revival of Churchill’s 1997 plays captures the fragility and savagery of family relationships Related: 'Her work haunts me': Caryl Churchill by those…

SOURCE: The Guardian at 10:22AM
Tuesday, October 18, 2016

Yellow Face review – a probing, political satire on racial identity by Michael Billington

The Shed, LondonChinese-American playwright David Henry Hwang uses humour to look at the implications of being racially hyphenated in this peach of a playWhat exactly is racial identity? Doe…

SOURCE: The Guardian at 09:23PM

The Red Barn review – David Hare turns Simenon's stormy tale into a film noir by Michael Billington

Lyttelton, LondonHare’s adaptation of 1968 novel La Main features subtle performances from Mark Strong and Elizabeth Debicki, but the cinematic design upstages the dramaThere is a palpable…

SOURCE: The Guardian at 07:12AM
Sunday, October 16, 2016

Oil review – scorchingly ambitious with plenty of renewable energy by Michael Billington

Almeida, LondonAnne-Marie Duff time travels from 1800s Cornwall to 70s Libya in Ella Hickson’s remarkable new play about empire, energy and parenthoodThe old idea that women dramatists ten…

SOURCE: The Guardian at 08:32AM

Theatre review: The Chalk Garden / Donmar Warehouse, London by Michael Billington

Donmar Warehouse, LondonI have never much warmed to Enid Bagnold's play: what others call its high comic style sounds to me arch, precious and exhibitionist. But, if this 1956 Haymarket hit …

SOURCE: The Guardian at 12:48AM
Friday, October 14, 2016

A Man of Good Hope review – exhilarating musical tale of a Somali refugee by Michael Billington

Young Vic, LondonBased on the book by Jonny Steinberg, Isango Ensemble’s powerful music-theatre production tells the true story of an eight-year-old refugee’s journeyCape Town’s Isango…

SOURCE: The Guardian at 09:56AM
Thursday, October 13, 2016

The Dresser review – Shearsmith and Stott savour the spite in Harwood's love-hate letter to theatre by Michael Billington

Duke of York’s theatre, LondonReece Shearsmith is a waspish factotum to Ken Stott’s earthy, contradictory Shakespearean actor in Ronald Harwood’s grot-behind-the-greasepaint drama Ken…

SOURCE: The Guardian at 06:58PM

Dario Fo: a theatrical jester who made us laugh in the face of tragedy by Michael Billington

Fo combined a profound love of humanity with a detestation of the abuse of power. He was also a performer of extraordinary physical plasticity and vocal skillDario Fo, who has died at the ag…

SOURCE: The Guardian at 11:14AM

Dario Fo's Accidental Death of an Anarchist – a heady blend of vaudeville and politics by Michael Billington

From the archive: The Guardian’s review, published on 16 October 1979, for the London production of Fo’s classic play, starring Alfred Molina at the Half MoonWe tend to associate politic…

SOURCE: The Guardian at 08:04AM
Wednesday, October 12, 2016

One Night in Miami review – Muhammad Ali, Sam Cooke and Malcolm X slug it out by Michael Billington

Donmar Warehouse, LondonThe acting is outstanding and the issues are timely in Kwame Kwei-Armah’s production of Kemp Powers’ passionate playIt may be a flawed play, but it is still a gre…

SOURCE: The Guardian at 07:24AM