All stories by Michael Billington on BroadwayStars

Monday, November 21, 2016

Beyond Hamilton: five shows Pence and Trump should see together by Michael Billington

Following the hip-hop musical’s special message to the US vice-president elect, here’s a selection of great American shows that could enlighten him and his bossEveryone knows what happen…

SOURCE: The Guardian at 07:06AM
Friday, November 18, 2016

The Tempest review – Beale's superb Prospero haunts hi-tech spectacle by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonFears that digital technology would upstage the actors are scotched in this RSC production starring Simon Russell BealeSimon Russell Beale’s r…

SOURCE: The Guardian at 11:06AM
Thursday, November 17, 2016

The Sewing Group review – power struggles of the quilt makers by Michael Billington

Royal Court, LondonIn EV Crowe’s teasing tale, the suspicion and rebellion among rural women in 1700s England lead to troubling questions about the modern worldEV Crowe tends to write abou…

SOURCE: The Guardian at 10:12AM
Wednesday, November 16, 2016

Rumpy Pumpy! review – WI's brave sex crusaders trivialised by lewd jokes and crass songs by Michael Billington

Union theatre, LondonThe story of Women’s Institute members fighting to decriminalise sex work did not deserve the Carry On treatmentThere is a good show to be written about the 10-year ca…

SOURCE: The Guardian at 10:18AM
Tuesday, November 15, 2016

I Call My Brothers review – an innocent on the run in the wake of terror by Michael Billington

Gate, LondonJonas Hassen Khemiri’s disturbing, topical exploration of what it’s like to be a foreigner in the aftermath of a terrorist attack is stalled by a series of flashbacksWhat mus…

SOURCE: The Guardian at 07:42AM
Monday, November 14, 2016

School of Rock review – Andrew Lloyd Webber's most exuberant show in years by Michael Billington

New London TheatreWhen Lloyd Webber and Julian Fellowes let down their hair, the results are hardly anti-establishment. But the kids are genuinely talented and this is good-natured entertain…

SOURCE: The Guardian at 05:36PM
Saturday, November 12, 2016

Farinelli and the King review – Mark Rylance gets lost in music by Michael Billington

Sam Wanamaker Playhouse, LondonClaire van Kampen mixes story and song superbly in a tale about the celebrated castratoPlays about mad kings are always popular. After Alan Bennett’s portrai…

SOURCE: The Guardian at 05:36AM

Gypsy review – Imelda Staunton in superb tale of showbiz and self-delusion by Michael Billington

Chichester festival theatreEverything slots perfectly into place in this glorious evocation of American vaudeville’s tackinessIf proof were needed of the power of the traditional Broadway …

SOURCE: The Guardian at 12:12AM
Wednesday, November 9, 2016

Orca review – Jaws meets The Wicker Man in unnerving drama by Michael Billington

Southwark Playhouse, LondonMatt Grinter’s play vividly captures the pressure to conform as a girl in an isolated fishing community tries to prevent a devastating mythical ritual The Papata…

SOURCE: The Guardian at 07:31AM
Tuesday, November 8, 2016

Lazarus review – Michael C Hall is a loving alien in spectacular Bowie fantasy by Michael Billington

King’s Cross theatre, LondonDavid Bowie and Enda Walsh’s sequel to The Man Who Fell to Earth is staged with visual sophistication by Ivo van Hove but it’s rarely emotionally engagingHe…

SOURCE: The Guardian at 06:36PM

Strindberg's Women review – a double bill of power games and sexual politics by Michael Billington

Jermyn Street theatre, LondonTwo short plays by the Swedish dramatist show that his female characters can be just as varied and vivid as the menThe title sounds like a provocation, given Str…

SOURCE: The Guardian at 05:06PM
Monday, November 7, 2016

Deny, Deny, Deny review – doping play puts sport in the Faust lane by Michael Billington

Park theatre, LondonJonathan Maitland’s new work about an ambitious runner and her coach shows that there is no such thing as a level playing field in sportJonathan Maitland, as a journali…

SOURCE: The Guardian at 08:06AM
Saturday, November 5, 2016

King Lear – review by Michael Billington

Minerva, ChichesterThis return to star-driven Shakespeare has in Frank Langella a commanding Lear still driven by a craving for loveWe are used to director’s Shakespeare. This production, …

SOURCE: The Guardian at 04:42AM
Friday, November 4, 2016

King Lear – review by Michael Billington

Theatre Royal, BathDavid Haig, like the late Nigel Hawthorne, follows an acclaimed performance in Alan Bennett's The Madness of George III by playing Shakespeare's deranged monarch. But, alt…

SOURCE: The Guardian at 11:12PM

King Lear review – Glenda Jackson makes a shattering return to the stage by Michael Billington

Old Vic, LondonJackson ends a 25-year absence with a ferocious, unflinching performance that transcends gender and puts her among the best LearsHelp fund our journalism by becoming a Guardia…

SOURCE: The Guardian at 08:54PM
Thursday, November 3, 2016

Dead Funny review – Johnson's classic brings laughs with a lump in the throat by Michael Billington

Vaudeville, LondonKatherine Parkinson is hilarious in Terry Johnson’s revival of his 1994 drama about a group of emotionally deficient comedy obsessivesImages of Frankie Howerd, Tommy Coop…

SOURCE: The Guardian at 07:42PM
Wednesday, November 2, 2016

Theatre review: Othello / Donmar Warehouse, London by Michael Billington

Donmar Warehouse, LondonWhat are the hottest tickets in London theatre? Patrick Stewart's Macbeth, Ian McKellen's Lear and what will now be known as Chiwetel Ejiofor's Othello. For director …

SOURCE: The Guardian at 10:48PM

What Shadows review – Ian McDiarmid ignites portrait of Enoch Powell by Michael Billington

Birmingham RepMcDiarmid delivers the paradoxical politician’s ‘rivers of blood’ speech in Chris Hannan’s new play which switches between the 1960s and the 90sThe Rep seems the right …

SOURCE: The Guardian at 09:36AM
Tuesday, November 1, 2016

Don Juan in Soho, Donmar Warehouse, London by Michael Billington

Donmar Warehouse, LondonPatrick Marber is not the first person to give Molière's comedy a makeover. Only two years ago Neil Bartlett transposed the action to a belle-époque hotel. But, whi…

SOURCE: The Guardian at 04:48PM

Much Ado About Nothing – review by Michael Billington

Wyndham's Theatre, LondonArt is not a competition. Since, however, this is the second Much Ado in five days, comparisons are inevitable. And, while Jeremy Herrin's version at Shakespeare's G…

SOURCE: The Guardian at 03:31PM

A subsidised critic is the thin end of a dangerous wedge by Michael Billington

The Boston Globe’s initiative to fund a classical music critic by nonprofit groups raises troubling questions for arts critics on both sides of the AtlanticAll critics cherish their indepe…

SOURCE: The Guardian at 12:31PM

Fool for Love review – Sam Shepard's caged lovers are lost in the wild by Michael Billington

Found111, London Shepard’s 1983 play about incestuous love – revived with Adam Rothenberg and Lydia Wilson – has lost something of its visceral powerSome plays grow richer with time. I…

SOURCE: The Guardian at 09:12AM
Monday, October 31, 2016

Magnificence review – Brenton's take on 70s Britain still explodes with anger by Michael Billington

Finborough, LondonHoward Brenton’s play about the ringleader of a chaotic squat is given a timely revival by Josh RocheHoward Brenton’s play dates from 1973: a period when Britain was ev…

SOURCE: The Guardian at 10:42AM
Thursday, October 27, 2016

Amadeus review – stunning production pits Salieri against God, Mozart and his own orchestra by Michael Billington

Olivier theatre, London Musicians are thrust centre stage to epic effect in Michael Longhurst’s revival, and Lucian Msamati is excellent as the composer locked in battle with the divinePet…

SOURCE: The Guardian at 07:12AM

Howard Davies: a lightning rod for theatrical genius by Michael Billington

Howard Davies, who has died aged 71, was one of the great post war theatre directors, teasing new messages from old plays and drawing career-defining performances from Alan Rickman, Helen Mi…

SOURCE: The Guardian at 06:01AM
Wednesday, October 26, 2016

The Hotel Cerise review – Bonnie Greer's ferociously clever take on Chekhov by Michael Billington

Theatre Royal Stratford East, LondonGreer’s play adds modern politics to Chekhov’s The Cherry Orchard, following the divided, upper-class black owners of a Michigan hotel during the US e…

SOURCE: The Guardian at 07:46AM

Who is Britain's best theatre director? by Michael Billington

After drawing up a long list of names, I've picked my candidate. Can you guess who it is? And which director would you nominate?And the winner is ... Who would you place in the spotlight? Ph…

SOURCE: The Guardian at 04:31AM
Tuesday, October 25, 2016

Frankenstein - review by Michael Billington

Olivier Theatre, LondonForget Boris Karloff with a bolt through his neck. Forget even Peter Boyle as the new, improved monster singing Puttin' On The Ritz in the Mel Brooks pastiche. What yo…

SOURCE: The Guardian at 10:02PM
Monday, October 24, 2016

Sheila Allen obituary by Michael Billington

Actor who excelled at playing women of strength, wit and charmSheila Allen, who has died aged 78, was an actor of extraordinary range and power, and a delightful, independent-minde…

SOURCE: The Guardian at 08:28PM

Tomorrow I Was Always a Lion review – ingenious journey inside mental illness by Michael Billington

Arcola, London Five actors take turns to portray a woman with schizophrenia in this imaginative, disquieting Belarus Free Theatre adaptation of a bold memoirJust over a decade ago, Belarus F…

SOURCE: The Guardian at 07:21AM
Sunday, October 23, 2016

The Grinning Man review – Victor Hugo musical is wonderfully weird by Michael Billington

Bristol Old Vic Circus freaks, puppets and soaring songs collide in a new adaptation that deftly walks a tightrope between romantic and grotesqueYou can see why Victor Hugo attracts the make…

SOURCE: The Guardian at 07:08AM

All that Chat