All stories by Michael Billington on BroadwayStars

Wednesday, December 14, 2016

Love review – engrossing homelessness drama leaves us enraged by Michael Billington

Dorfman theatre, LondonAlexander Zeldin’s devised piece depicts the endurance and needless suffering of two families living in temporary accommodationIn Beyond Caring, Alexander Zeldin cre…

SOURCE: The Guardian at 07:42AM
Tuesday, December 13, 2016

Hedda Gabler review – Ruth Wilson lets loose Ibsen's demons by Michael Billington

Lyttelton, London Ruth Wilson superbly conveys the desolation of Ibsen’s ahead-of-her-time aesthete in Ivo van Hove’s invigorating modern-dress versionThe extraordinary Ruth Wilson stars…

SOURCE: The Guardian at 07:36AM
Monday, December 12, 2016

Mother Goose review – there is nothing like a dame played by Roy Hudd by Michael Billington

Wilton’s Music Hall, LondonThe veteran comic is the chief delight of a warm-hearted production mixing morality, melodrama and magicIt’s been a vintage year for 80-year-olds in the Britis…

SOURCE: The Guardian at 07:42AM
Sunday, December 11, 2016

The Screwtape Letters review – a hell of a disappointment by Michael Billington

Park theatre, LondonThis adaptation of CS Lewis’s collection of sardonic letters from a senior to a junior devil is excessively and noisily theatricalThe big question is whether CS Lewis�…

SOURCE: The Guardian at 10:48AM

Mary Stuart – review by Michael Billington

New Diorama, London"Our aim," says Mark Leipacher, director of the young Faction company, "is to create big, bold, bombastic theatre with limited resources." I'm not sure about bombastic; on…

SOURCE: The Guardian at 05:24AM
Friday, December 9, 2016

Wild Honey review – Frayn finds the farce in Chekhov's comic despair by Michael Billington

Hampstead theatre, LondonMichael Frayn excavates Chekhov’s six-hour drama, written when he was 20, for this bittersweet comedy about a schoolteacher torn between romantic rivalsIt is stran…

SOURCE: The Guardian at 08:04AM
Thursday, December 8, 2016

​She Loves Me review – witty and seductive musical is an old-world delight by Michael Billington

Menier Chocolate Factory, London The cult 1960s show lives up to its Broadway pedigree and the performances are perfectly pitched in this skilful, intimate staging “This may be the best pr…

SOURCE: The Guardian at 08:02AM
Wednesday, December 7, 2016

Once in a Lifetime review – Harry Enfield is a legit hit in Hollywood satire by Michael Billington

Young Vic, LondonPlaying a studio mogul at the dawn of the talkies, Enfield makes an assured theatre debut but this production puts visual bravura before verbal precisionHarry Enfield, as we…

SOURCE: The Guardian at 09:02AM
Tuesday, December 6, 2016

Michael Billington's top 10 theatre of 2016 by Michael Billington

Glenda Jackson ruled as Lear and Harry Potter left the West End spellbound but a three-hour drama in an empty cinema tops our critic’s pick of the year’s theatreMore on the best culture …

SOURCE: The Guardian at 02:31AM
Sunday, December 4, 2016

Peter Pan review – spirited exuberance with a touch of sadness by Michael Billington

Olivier, London Sally Cookson’s inventive playfulness reinforces the hero’s devotion to fun and games but remains true to the melancholy spirit of JM Barrie’s playJM Barrie’s play is…

SOURCE: The Guardian at 07:42AM
Friday, December 2, 2016

The Seven Acts of Mercy review –  Caravaggio has a brush with Bootle by Michael Billington

Swan theatre, Stratford-upon-AvonAnders Lustgarten’s play pits the biblical morality of an Italian masterpiece against the cruelty of current housing policies with ingenuity and humourAnde…

SOURCE: The Guardian at 07:24AM
Thursday, December 1, 2016

Buried Child review – Ed Harris is brutally compelling in Sam Shepard's dark drama by Michael Billington

Trafalgar Studios, LondonHarris impresses as a whiskey-soaked old wreck in Shepard’s gothic story of loveless inertia and poisonous guilt in a dysfunctional familyIt is good to see Hollywo…

SOURCE: The Guardian at 06:24PM
Wednesday, November 30, 2016

This House five-star review – James Graham's thrilling political play returns by Michael Billington

Garrick, LondonGraham captures the daily machinations of politics, and raises questions about our current parliamentary system, in this account of Labour’s 1970s strugglesIt has taken four…

SOURCE: The Guardian at 06:48PM
Tuesday, November 29, 2016

Sheppey review – Somerset Maugham's benign barber still cuts a radical figure by Michael Billington

Orange Tree, Richmond Maugham’s 1933 play – about a man whose charitable giving horrifies his family – beautifully skewers the self-interestedness of society then and nowSomerset Maugh…

SOURCE: The Guardian at 08:42AM
Monday, November 28, 2016

After October review – all the pathos of Rodney Ackland's struggling playwright by Michael Billington

Finborough, London Oscar Toeman directs Rodney Ackland’s most autobiographical work, which painfully records the reckless optimism that accompanies any theatrical ventureTime has lent a pa…

SOURCE: The Guardian at 08:24AM
Friday, November 25, 2016

Nice Fish review – Mark Rylance reels them in with kooky comedy by Michael Billington

Harold Pinter theatre, LondonRylance plays a goofball novice on an ice-fishing trip in a play that feels derivative and slides into absurdismMark Rylance and Louis Jenkins have fashioned a p…

SOURCE: The Guardian at 06:42PM

The Children review – Kirkwood's slow-burning drama asks profound questions by Michael Billington

Royal Court, LondonFrancesca Annis, Ron Cook and Deborah Findlay give fine performances in a post-apocalyptic play that is genuinely disturbingLucy Kirkwood astonished us in 2013 with the ep…

SOURCE: The Guardian at 07:12AM
Wednesday, November 23, 2016

In an era of global musicals, Half a Sixpence is distinctly British by Michael Billington

A refurbished version of the 1963 Tommy Steele vehicle has opened in the West End and joins a string of stellar homegrown hitsIt is an odd, but intriguing, fact that Oh! What a Lovely War an…

SOURCE: The Guardian at 05:12AM
Monday, November 21, 2016

Beyond Hamilton: five shows Pence and Trump should see together by Michael Billington

Following the hip-hop musical’s special message to the US vice-president elect, here’s a selection of great American shows that could enlighten him and his bossEveryone knows what happen…

SOURCE: The Guardian at 07:06AM
Friday, November 18, 2016

The Tempest review – Beale's superb Prospero haunts hi-tech spectacle by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonFears that digital technology would upstage the actors are scotched in this RSC production starring Simon Russell BealeSimon Russell Beale’s r…

SOURCE: The Guardian at 11:06AM
Thursday, November 17, 2016

The Sewing Group review – power struggles of the quilt makers by Michael Billington

Royal Court, LondonIn EV Crowe’s teasing tale, the suspicion and rebellion among rural women in 1700s England lead to troubling questions about the modern worldEV Crowe tends to write abou…

SOURCE: The Guardian at 10:12AM
Wednesday, November 16, 2016

Rumpy Pumpy! review – WI's brave sex crusaders trivialised by lewd jokes and crass songs by Michael Billington

Union theatre, LondonThe story of Women’s Institute members fighting to decriminalise sex work did not deserve the Carry On treatmentThere is a good show to be written about the 10-year ca…

SOURCE: The Guardian at 10:18AM
Tuesday, November 15, 2016

I Call My Brothers review – an innocent on the run in the wake of terror by Michael Billington

Gate, LondonJonas Hassen Khemiri’s disturbing, topical exploration of what it’s like to be a foreigner in the aftermath of a terrorist attack is stalled by a series of flashbacksWhat mus…

SOURCE: The Guardian at 07:42AM
Monday, November 14, 2016

School of Rock review – Andrew Lloyd Webber's most exuberant show in years by Michael Billington

New London TheatreWhen Lloyd Webber and Julian Fellowes let down their hair, the results are hardly anti-establishment. But the kids are genuinely talented and this is good-natured entertain…

SOURCE: The Guardian at 05:36PM
Saturday, November 12, 2016

Farinelli and the King review – Mark Rylance gets lost in music by Michael Billington

Sam Wanamaker Playhouse, LondonClaire van Kampen mixes story and song superbly in a tale about the celebrated castratoPlays about mad kings are always popular. After Alan Bennett’s portrai…

SOURCE: The Guardian at 05:36AM

Gypsy review – Imelda Staunton in superb tale of showbiz and self-delusion by Michael Billington

Chichester festival theatreEverything slots perfectly into place in this glorious evocation of American vaudeville’s tackinessIf proof were needed of the power of the traditional Broadway …

SOURCE: The Guardian at 12:12AM
Wednesday, November 9, 2016

Orca review – Jaws meets The Wicker Man in unnerving drama by Michael Billington

Southwark Playhouse, LondonMatt Grinter’s play vividly captures the pressure to conform as a girl in an isolated fishing community tries to prevent a devastating mythical ritual The Papata…

SOURCE: The Guardian at 07:31AM
Tuesday, November 8, 2016

Lazarus review – Michael C Hall is a loving alien in spectacular Bowie fantasy by Michael Billington

King’s Cross theatre, LondonDavid Bowie and Enda Walsh’s sequel to The Man Who Fell to Earth is staged with visual sophistication by Ivo van Hove but it’s rarely emotionally engagingHe…

SOURCE: The Guardian at 06:36PM

Strindberg's Women review – a double bill of power games and sexual politics by Michael Billington

Jermyn Street theatre, LondonTwo short plays by the Swedish dramatist show that his female characters can be just as varied and vivid as the menThe title sounds like a provocation, given Str…

SOURCE: The Guardian at 05:06PM
Monday, November 7, 2016

Deny, Deny, Deny review – doping play puts sport in the Faust lane by Michael Billington

Park theatre, LondonJonathan Maitland’s new work about an ambitious runner and her coach shows that there is no such thing as a level playing field in sportJonathan Maitland, as a journali…

SOURCE: The Guardian at 08:06AM
Saturday, November 5, 2016

King Lear – review by Michael Billington

Minerva, ChichesterThis return to star-driven Shakespeare has in Frank Langella a commanding Lear still driven by a craving for loveWe are used to director’s Shakespeare. This production, …

SOURCE: The Guardian at 04:42AM