All stories by Mark Fisher on BroadwayStars

Wednesday, October 19, 2016

The Strange Undoing of Prudencia Hart – review by Mark Fisher

Tron, GlasgowA small academic industry is building around the work of David Greig. Books are appearing with titles such as The Sense of Place and Identity in David Greig's Plays and the…

SOURCE: The Guardian at 04:32PM
Tuesday, October 18, 2016

One Thinks of It All As a Dream review – psychedelic salute to Syd Barrett by Mark Fisher

Òran Mór, GlasgowAlan Bissett evokes the whimsy of The Wind in the Willows in his insightful eulogy to Pink Floyd’s wayward geniusChapter seven of The Wind in the Willows is called The P…

SOURCE: The Guardian at 08:12AM
Friday, October 14, 2016

'It's our global addiction': Scottish oil drama Crude drills down to reality by Mark Fisher

Profit, pollution, civil unrest and contact lenses: oil seeps its way into the lives of millions. It’s a big issue – so big that Grid Iron theatre’s new theatre work is set in a docksi…

SOURCE: The Guardian at 08:54AM
Sunday, October 9, 2016

The Broons review – nostalgic entertainment with an emotional punch by Mark Fisher

Adam Smith theatre, KirkcaldyThe long-running Scots cartoon strip transfers to the stage with gentle humour and couthie familiarity intact, but also some pirandellian uneaseHas there ever be…

SOURCE: The Guardian at 12:46PM
Thursday, October 6, 2016

The Suppliant Women five-star review – an epic, feminist protest song by Mark Fisher

Royal Lyceum, EdinburghAeschylus’s tale of escape from forced marriage and the perils of exile is made brilliantly tense in David Greig’s thoroughly democratic productionWhen David Greig…

SOURCE: The Guardian at 10:33AM
Monday, September 19, 2016

Trainspotting review – Renton and co return to the stage with raw power by Mark Fisher

Citizens theatre, GlasgowHarry Gibson’s adaptation of Irvine Welsh’s novel about urban alienation speaks as loudly, scabrously and irreverently as everThey used to call it “the Aids ca…

SOURCE: The Guardian at 10:50AM
Sunday, September 4, 2016

Democracy review – Blair-era drama as colourless as a section of the Berlin Wall by Mark Fisher

Macrobert Arts Centre, StirlingRapture’s flat production of Michael Frayn’s 2003 play has more the stagy air of Yes, Prime Minister than the the sharpness of House of CardsThey say Adolf…

SOURCE: The Guardian at 06:54AM
Wednesday, August 17, 2016

Counting Sheep: the polyphonic protest show that puts you inside Kiev's Maidan by Mark Fisher

Using folk singing, found footage and a revolutionary interactive staging, Marichka Kudriavtseva and Mark Marczyk’s ‘guerrilla folk opera’ throws Edinburgh audiences into the heart of …

SOURCE: The Guardian at 02:12AM
Monday, July 11, 2016

The Lonesome West review – Martin McDonagh's dark tale of battling brothers by Mark Fisher

Tron, GlasgowThe last instalment in the Leenane triology is given a touching and funny revival with some superb performancesAt first sight, the plays in Martin McDonagh’s Leenane trilogy l…

SOURCE: The Guardian at 06:44AM
Monday, June 20, 2016

The James Plays review – triumphant trilogy holds a mirror to Scottish history by Mark Fisher

Edinburgh Festival theatreRona Munro’s day-long reimagining of 15th-century royal Scotland shows a nation determined to do things on its own terms Related: The lost kings of Scotland There…

SOURCE: The Guardian at 02:05AM
Sunday, June 12, 2016

Much Ado About Nothing review – sharp, smart and very funny by Mark Fisher

Dundee RepBenedick and Beatrice offer a romance worth believing in Irene Macdougall’s intelligent, well paced productionKeep an eye on Robert Jack’s left hand. When the actor strides on …

SOURCE: The Guardian at 12:22PM
Wednesday, June 1, 2016

Imaginate festival – funny and profound performances give kids a voice by Mark Fisher

Various venues, EdinburghThis nine-day festival’s excellent theatre and dance pieces address young audiences with wit and provocationEvery festival should programme The Jury as its opening…

SOURCE: The Guardian at 09:27AM
Tuesday, May 31, 2016

The 306: Dawn review – an emotive tribute to the soldiers that history forgot by Mark Fisher

Dalcrue farm, PitcairngreenIn a field in Perthshire at dawn, this spine-tingling music-theatre piece told the stories of 306 traumatised young men who were executed for cowardiceThere’s mo…

SOURCE: The Guardian at 09:45AM
Thursday, May 26, 2016

Observe the Sons of Ulster Marching Towards the Somme review – full of rage by Mark Fisher

Citizens, GlasgowJeremy Herrin’s touring revival focuses on the stridency and the heavy tragedy of the 1985 Frank McGuinness play – at the expense of its subtletyRevived to mark the cent…

SOURCE: The Guardian at 09:06AM
Wednesday, May 25, 2016

Thon Man Molière review – Lochhead's lurid tragicomedy brings lots of laughs by Mark Fisher

Royal Lyceum, EdinburghScandalous affairs and royal tiffs abound in this excellently acted, Scots-tinted take on the brilliant but self-destructive French playwrightThe watery greys of Neil …

SOURCE: The Guardian at 06:30AM
Friday, May 13, 2016

Northern Star review – Irish fall out in the shadow of a hangman by Mark Fisher

Tron, GlasgowOscar Wilde and Samuel Beckett make unlikely appearances as a Protestant radical revisits the doomed 1798 rebellion“Haven’t we always been on the stage in our own eyes?” a…

SOURCE: The Guardian at 11:01AM
Wednesday, May 4, 2016

Leaf by Niggle review – Tolkien's lord of small things gets a one-man show by Mark Fisher

Tron, GlasgowThe Hobbit author escaped Middle Earth to write a fairy tale about an amateur painter, portrayed by Richard Medrington in this mysterious solo pieceAt the start of his enchantin…

SOURCE: The Guardian at 08:50AM
Tuesday, May 3, 2016

This Restless House five-star review – Zinnie Harris's electrifying Oresteia by Mark Fisher

Citizens, GlasgowDirected by Dominic Hill, this four-hour epic of ambition and power is a sinewy reworking of Aeschylus that explodes into a cacophonous climaxIt usually feels like a handica…

SOURCE: The Guardian at 08:10AM
Thursday, April 28, 2016

Dance of Death review – Strindberg's psychological drama in close-up by Mark Fisher

Citizens theatre, GlasgowThis claustrophobic three-hander can be electrifying but Tam Dean Burn’s erratic Captain upsets the balance of a delicately calibrated conflictThe first part of Au…

SOURCE: The Guardian at 08:46AM
Tuesday, April 26, 2016

The Iliad review – Zeus is a beach bum as Homer's gods feel the heat by Mark Fisher

Royal Lyceum, EdinburghMark Thomson’s psychologically rich production of the epic has mortals ferociously slugging it out while the gods recline in deckchairs The great thing about the Gre…

SOURCE: The Guardian at 11:43AM
Thursday, April 14, 2016

Squaddies, goblins and sex with Macbeth: 10 years of the National Theatre of Scotland by Mark Fisher

From Alan Cumming performing a solo Macbeth, to shows in pubs, airports and cars, the National Theatre of Scotland has produced some of the UK’s most daring work. As they turn 10, we pick …

SOURCE: The Guardian at 08:32AM
Friday, April 1, 2016

Little Red and the Wolf review – a feminist fairytale we'd all like to believe by Mark Fisher

Dundee RepTo defeat the Big Bad Wolf, Little Red must sets aside her lupine prejudices and befriend a sensitive wolf cub in this picture-perfect staging for the over fivesOnce we would tell …

SOURCE: The Guardian at 06:35AM
Monday, March 14, 2016

Canned Laughter review – 70s comedy trio's gleefully creaky cabaret by Mark Fisher

Adam Smith theatre, KirkcaldyAllan Stewart, Andy Gray and Grant Stott breeze through the kinds of routines that once graced the London PalladiumPlays about comedians always have a hurdle to …

SOURCE: The Guardian at 07:34AM
Monday, February 29, 2016

Blackbird review – mesmerising abuse drama offers no simple answers by Mark Fisher

Citizens, GlasgowA convicted paedophile meets his victim 15 years later in this richly ambiguous two-hander, with Paul Higgins and Camrie Palmer excellent as the tortured pairThis revival of…

SOURCE: The Guardian at 10:51AM
Sunday, February 28, 2016

The Destroyed Room review – from barbed chit-chat to apocalypse by Mark Fisher

Tron, GlasgowVanishing Point’s exploration of how we relate to images of distress – as engaged observers or callous voyeurs – is compelling and daringYou’ll have had the same convers…

SOURCE: The Guardian at 07:45AM
Wednesday, February 24, 2016

The Maids – review by Mark Fisher

Tron, GlasgowIt is a particularly sour pair of ugly sisters who primp and preen around their mistress's boudoir in this all-male staging of the Jean Genet play for the Glasgay festival. Dere…

SOURCE: The Guardian at 04:50AM
Sunday, February 21, 2016

The Crucible review – brisk and bullish, with a new centre of gravity by Mark Fisher

Royal Lyceum, EdinburghWith a skeletal set and cast positioned in tableaux, director John Dove focuses on Arthur Miller’s compelling textWhen Ron Donachie takes the stage as Deputy Governo…

SOURCE: The Guardian at 07:54AM
Tuesday, February 16, 2016

The James Plays review – triumphant trilogy holds a mirror to Scottish history by Mark Fisher

Edinburgh Festival theatreRona Munro’s day-long reimagining of 15th-century royal Scotland shows a nation determined to do things on its own terms Related: The lost kings of Scotland There…

SOURCE: The Guardian at 09:32AM
Monday, February 8, 2016

Endgame review – Coronation Street stars step into Beckett's bleak music hall by Mark Fisher

Citizens, GlasgowA cast led by Chris Gascoyne and David Neilson deliver Samuel Beckett’s apocalyptic play with nihilistic forceCould it have been intentional that Chris Gascoyne’s Clov s…

SOURCE: The Guardian at 07:51AM
Sunday, January 31, 2016

How You Gonna Live Your Dash review – a pyrotechnic study of uncertainty by Mark Fisher

Platform, GlasgowJenna Watt’s striking and poignant interaction between colourful smoke and life-changing decisions is at once gorgeous and full of jeopardyTowards the start of this entert…

SOURCE: The Guardian at 09:06AM
Saturday, January 23, 2016

Knives in Hens, Tron, Glasgow by Mark Fisher

Tron, GlasgowYou could describe the plot of Knives in Hens easily enough. You could say that David Harrower's play was about a young woman driven to kill her adulterous ploughman husband wit…

SOURCE: The Guardian at 11:15PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime