All stories by Mark Fisher on BroadwayStars

Thursday, July 4, 2019

The Color Purple review – a musical with heart, spirit and soul by Mark Fisher

Curve, LeicesterAlice Walker’s novel is transformed into an exuberant celebration of community and female empowerment Incest. Child abuse. Rape. Domestic violence … the foundations of A…

SOURCE: The Guardian at 01:24PM
Wednesday, July 3, 2019

The Strange Undoing of Prudencia Hart review – brilliant border ballads drama by Mark Fisher

New Vic, Newcastle-under-LymeThis dizzylingly funny drama boasts a tremendous cast, witty costumes and surprising set ‘This is not a ballad,” says Prudencia Hart early on in David Greig�…

SOURCE: The Guardian at 08:36AM
Monday, June 24, 2019

Robert Icke: 'British theatre often thinks of itself as church' by Mark Fisher

As his bold new Oedipus heads to Edinburgh, the director discusses revamping Sophocles and the ‘poisonous nostalgia’ behind Brexit The teenagers in the audience are all squirms and giggl…

SOURCE: The Guardian at 08:32AM
Tuesday, June 11, 2019

The Importance of Being Earnest review – Oscar's dazzler is wildly overdone by Mark Fisher

Albert Halls, BoltonDespite the cast’s best efforts, Oscar Wilde’s comedy gets almost no laughs in a production that tries too hard to be funny With a good Oscar Wilde aphorism, you can�…

SOURCE: The Guardian at 07:18AM
Thursday, June 6, 2019

Hobson's Choice review – saris, acid house and a Salford Cinderella story by Mark Fisher

Royal Exchange, ManchesterRelocating Harold Brighouse’s classic to Manchester’s Hindu community, Tanika Gupta finds some sharp political parallels and a very funny new cultural context I…

SOURCE: The Guardian at 07:06AM
Thursday, May 30, 2019

My Mother Said I Never Should/The Ladykillers review – love trumps farce by Mark Fisher

★★★★☆/★★☆☆☆ Theatre by the Lake, KeswickCharlotte Keatley’s 1987 work about mothers and daughters is a wonderful gesture of empathy, while a staging of the Ealing black…

SOURCE: The Guardian at 08:03AM
Tuesday, May 28, 2019

Edinburgh international children’s festival review – tricks of the light by Mark Fisher

Various venues, Edinburgh Inventive stagings keep young minds enthralled as detectives test their bravery, dancers evolve and superheroes fall out There’s an extraordinary moment in the mi…

SOURCE: The Guardian at 07:48AM
Friday, May 24, 2019

549: Scots of the Spanish Civil War review – feisty time-hopping agitprop by Mark Fisher

Prestonpans Town HallCutting between austerity-hit East Lothian today and the battlefields of the 1930s anti-fascist volunteers, this gutsy play reveals the complexity of righteous crusading…

SOURCE: The Guardian at 11:03PM
Wednesday, May 22, 2019

The Duchess (of Malfi) review – indictment of patriachal power by Mark Fisher

Royal Lyceum, EdinburghZinnie Harris reframes the tragedy to take in the consequences of male violence, as Kirsty Stuart’s duchess provides a defiant centre They’re a pathetic lot, the m…

SOURCE: The Guardian at 03:18PM
Monday, May 20, 2019

This Girl Laughs, This Girl Cries, This Girl Does Nothing review – terrific triplets by Mark Fisher

Tron, GlasgowJemima Levick revives this tale about three sisters coming of age with wit and charm The clue is in the socks. We’re faced by three girls, identical in their yellow coats, red…

SOURCE: The Guardian at 04:18PM
Friday, May 10, 2019

Hugh Jackman live review – he really is the Greatest Showman by Mark Fisher

SSE Hydro, GlasgowThe renaissance man’s song-and-dance spectacular skips merrily through his acting career with celebrity pizzazz and unashamed sentimentality Is there a market Hugh Jackma…

SOURCE: The Guardian at 12:03PM
Monday, April 29, 2019

Lost at Sea review – salty detective drama goes down a storm by Mark Fisher

Perth theatreMorna Young’s personal tale of trawlermen risking their lives for pay evokes the romance and brutal realism of the sea Margaret Thatcher’s greed-is-good ethos left its mark …

SOURCE: The Guardian at 05:06AM
Monday, April 15, 2019

Intemperance review – sepia-toned tragicomedy offers only despair by Mark Fisher

New Vic, Newcastle-under-LymeIn this revival of Lizzie Nunnery’s debut about a family in the 19th-century Liverpool slums, misery is piled upon misery – for the audience and the characte…

SOURCE: The Guardian at 02:00PM
Friday, April 12, 2019

West Side Story review – exhilarating show sidesteps Broadway blueprint by Mark Fisher

Royal Exchange, ManchesterSarah Frankcom and Aletta Collins ditch Jerome Robbins’ choreography and keeps the stakes high in a superb production For more than 60 years, productions of West …

SOURCE: The Guardian at 05:10AM
Monday, April 1, 2019

Creditors review – Strindberg lays bare the self-pitying male psyche by Mark Fisher

Theatre By the Lake, KeswickHoward Brenton’s no-nonsense translation of Strindberg’s astute drama charts the marriage of a failed artist and his more successful wife Adolf is in the mid…

SOURCE: The Guardian at 04:00AM
Sunday, March 31, 2019

Dear Europe review – a tearful love letter from Scotland to the continent by Mark Fisher

SWG3, GlasgowOriginally planned to coincide with the UK’s withdrawal from the EU, the National Theatre of Scotland’s night of cabaret and comedy was performed under a sombre cloud Imagin…

SOURCE: The Guardian at 09:21AM
Friday, March 29, 2019

The shock of the nude: Brazil's stark new form of political protest by Mark Fisher

In a defiant riposte to president Bolsonaro and intolerance, performers at São Paulo’s international theatre festival are reclaiming the rights to be seen and to be different If ever ther…

SOURCE: The Guardian at 06:41AM
Thursday, March 28, 2019

Nora: A Doll's House review – Ibsen gets three heroines in feminist rewrite by Mark Fisher

Tramway, Glasgow Stef Smith’s excellent adaptation has Noras experience economic and emotional pressures through history There are three door frames and three cavernous pathways to an unce…

SOURCE: The Guardian at 03:47PM
Wednesday, March 13, 2019

From Shore to Shore review – drama while you dine at a Chinese restaurant by Mark Fisher

Yang Sing restaurant, ManchesterThis rich, dreamlike play feeds body and soul as it chronicles the complex lives of migrants from China Cheung Wing is looking back over his life. He’s been…

SOURCE: The Guardian at 07:04AM
Monday, February 25, 2019

Glory review – get in the ring for a wrestle with racism by Mark Fisher

Dukes, LancasterThree young fighters grapple with a world of blue-eyed heroes and foreign-looking villains in Nick Ahad’s witty play Real life has a way of sneaking into the theatre. Only …

SOURCE: The Guardian at 11:46AM
Monday, February 18, 2019

Good Dog review – tapestry of Tottenham life on the eve of riots by Mark Fisher

Traverse, EdinburghKwaku Mills is a revelation as a boy growing up amid poverty in this touring revival of Arinzé Kene’s crackling, compelling monologueImagine an inner-city version of Un…

SOURCE: The Guardian at 05:54AM
Wednesday, February 13, 2019

Much Ado About Nothing review – Shakespeare meets Dad's Army by Mark Fisher

New Vic theatre, Newcastle-under-LymeBeatrice and Benedick engage in heartwarming hostilities in Northern Broadsides’ rich and rewarding productionRobin Simpson’s Benedick has just been …

SOURCE: The Guardian at 07:24AM
Thursday, February 7, 2019

Strictly come dada! The festival where bodies turn into highways by Mark Fisher

The Manipulate festival in Scotland has surreal square dances, puppetry without puppets and jaw-dropping human landscapesIn between shows at the Manipulate festival, a veteran arts producer …

SOURCE: The Guardian at 11:54AM
Wednesday, February 6, 2019

Noughts & Crosses review – Malorie Blackman's tale is now a gripping play by Mark Fisher

Derby theatreSabrina Mahfouz has impressively distilled the inspired novel about a world where the power rests with the black populationAt the heart of Malorie Blackman’s young adult novel…

SOURCE: The Guardian at 07:42AM
Monday, January 28, 2019

Jack Lear review – Shakespeare, shanties and a raging Barrie Rutter by Mark Fisher

Hull TruckDementia drama and Jacobean bloodbath sit uneasily alongside each other in a reworking of King Lear during the fishing industry’s dying daysThey’re a hard-bitten lot, the Lear …

SOURCE: The Guardian at 05:04AM
Tuesday, January 15, 2019

Stage of the nation: what does it mean to be a national theatre? by Mark Fisher

The national theatres of England, Scotland, Wales and Ireland have all caused a stir about what they represent. How should they reflect a country’s identity?They had Richard Eyre on the ra…

SOURCE: The Guardian at 01:42AM
Wednesday, December 19, 2018

The Wind in the Willows review – whimsical but not twee by Mark Fisher

New Vic, Newcastle-under-LymeAn immersive show for the under-fives strikes gold and acts as a primer for Peter Leslie Wild’s inventive and boisterous main stage productionAs is often the c…

SOURCE: The Guardian at 10:54AM
Tuesday, December 11, 2018

Oliver Twist review – Dickens classic brims with energy and harmony by Mark Fisher

Hull TruckA sumptuous choral score is key to this slick, polished production featuring an impressive female Fagin and tightly drilled young companyThe statistics about the working poor in Th…

SOURCE: The Guardian at 12:04PM
Sunday, December 9, 2018

A Christmas Carol: the story for all seasons by Mark Fisher

From Victorian penury to Caribbean party music, new productions at Leeds Playhouse and Northern Stage in Newcastle revisit Dickens’s festive favouriteIt isn’t only the ghosts of Christma…

SOURCE: The Guardian at 03:12PM

Mouthpiece review – provocative dialogue gives voice to working-class frustration by Mark Fisher

Traverse, EdinburghKieran Hurley’s gripping Edinburgh-set two-hander confronts the economic divide in the city and the stranglehold the middle-classes have on the artsKieran Hurley’s pro…

SOURCE: The Guardian at 08:32AM
Tuesday, December 4, 2018

Good tidings he brings! Johnny McKnight, Scotland's panto powerhouse by Mark Fisher

Pantomime legend Johnny McKnight does his usual festive double, starring in Mammy Goose at the Tron in Glasgow – and writing Sleepin’ Cutie at Macrobert, StirlingIs pantomime a reactiona…

SOURCE: The Guardian at 02:32AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime