All stories by Mark Fisher on BroadwayStars

Thursday, August 15, 2019

Red Dust Road review – Jackie Kay adaptation loses its way by Mark Fisher

Royal Lyceum, EdinburghSasha Frost sparkles as a curious and vulnerable Kay searching for her birth parents, but this unfocused production fails to capture the intimacy of the soul-searching…

SOURCE: The Guardian at 07:03AM
Wednesday, August 14, 2019

The beat goes on: drummers crash the Edinburgh fringe by Mark Fisher

A trio of performances – Daniel Bellus in Beat, Alexander Fox in Snare and Mick Berry’s Keith Moon: The Real Me – put drums centre stage It must be something to do with being at the b…

SOURCE: The Guardian at 08:36AM

'My own birth went horrifically wrong – having twins was like a reclamation' by Mark Fisher

Robert Softley Gale’s show Purposeless Movements turns the involuntary gestures of cerebral palsy into choreography Becoming a parent for the first time can be nerve-racking for anyone. Kn…

SOURCE: The Guardian at 08:36AM
Tuesday, August 13, 2019

Swiss Selection Edinburgh review – lives of sex workers laid bare by Mark Fisher

Summerhall, EdinburghIn a series of autofictional shows, Traumboy and Traumgirl offer insights of varying quality amid the intimate revelations and erotic dancing ‘I’m not the person mos…

SOURCE: The Guardian at 08:24AM
Monday, August 12, 2019

The Patient Gloria review – shrinks take the rap in waywardly funny drama by Mark Fisher

Traverse, EdinburghMale psychotherapists feel the heat in pantomimic telling of a true story about the voyeuristic exploitation of a female patient’s private disclosures If you search onli…

SOURCE: The Guardian at 05:48AM
Sunday, August 11, 2019

Roots review – whimsical 'folk jokes' and a very greedy cat by Mark Fisher

Church Hill theatre, EdinburghThe 1927 company became darlings of the festival scene after their first fringe outing, but this showcase of traditional tales lacks urgency When the Margate co…

SOURCE: The Guardian at 02:03PM

A Table Tennis Play review – ping-pong puzzler by Mark Fisher

Underbelly, Cowgate, EdinburghThis slight drama, in which a woman sifts through old possessions and memories, leaves so much unsaid one wonders if there is any meaning at all The premise of …

SOURCE: The Guardian at 04:42AM
Saturday, August 10, 2019

Crocodile Fever review – like Tarantino for feminists by Mark Fisher

Traverse, EdinburghSet in South Armagh during the Troubles, Meghan Tyler’s anarchic and OTT revenge fantasy hits back at the patriarchy and turns into a bloodbath It turns out Killing Eve …

SOURCE: The Guardian at 07:33AM
Friday, August 9, 2019

Total Immediate Collective Imminent Terrestrial Salvation review – cult theatre by Mark Fisher

The Studio, Festival theatre, EdinburghTim Crouch plays a messianic cult leader prophesying catastrophe in a formally adventurous show about the dangers of environmental fatalism And, lo, as…

SOURCE: The Guardian at 03:24PM
Thursday, August 8, 2019

The Last of the Pelican Daughters review – haunting tale of sisterly solidarity by Mark Fisher

Pleasance Courtyard, EdinburghThere’s lots to love about the polished and fizzy scenes of this family drama, but too many themes leave its message unclear There’s lots to love about this…

SOURCE: The Guardian at 07:03PM

Musik review – Pet Shop Boys' musical evokes Warhol, Dalí and Nico by Mark Fisher

Assembly Rooms, EdinburghFrances Barber stars as Zelig-like chanteuse Billie Trix, in this one-woman spinoff from the band and Jonathan Harvey’s 2001 musical Closer to Heaven Despite her g…

SOURCE: The Guardian at 08:03AM

Arthur review – man and baby in unique double act by Mark Fisher

Your home, EdinburghDaniel Bye enlists the help of his five-month-old son in an unpredictable hour-long exploration of nature versus nurture A show can have the same words, same actors, same…

SOURCE: The Guardian at 03:54AM
Wednesday, August 7, 2019

Are We Not Drawn Onward to New ErA review – palindromic drama of dazzling proportions by Mark Fisher

Zoo Southside, Edinburgh The pioneering Ontroerend Goed company takes on a conceptually daring view of environmental apocalypse Three years ago, the pioneering Belgian company Ontroerend Goe…

SOURCE: The Guardian at 08:24AM
Tuesday, August 6, 2019

The Accident Did Not Take Place review – all aboard in search for the post-truth by Mark Fisher

Pleasance Courtyard, EdinburghVolunteers are game in YESYESNONO’s lively show that uses drama-school exercises to investigate the nature of truth Jim from the Wardrobe Ensemble has been in…

SOURCE: The Guardian at 05:03PM

Anguis review – what if Cleopatra went on Desert Island Discs? by Mark Fisher

Gilded Balloon Teviot, EdinburghIn her playwriting, Sheila Atim puts a female scientist on stage with the pharaoh to chat about music, men and misrepresentation Sheila Atim, the Olivier awar…

SOURCE: The Guardian at 05:36AM

If You're Feeling Sinister review – Belle and Sebastian inspire eccentric drama by Mark Fisher

Gilded Balloon, EdinburghEve Nichol’s play combines songs from the Glasgow band’s well-loved album with an ambiguous narrative ‘We’re seeing other people – at least that’s what w…

SOURCE: The Guardian at 01:33AM
Monday, August 5, 2019

Burgerz review – chop chop, get wise to transphobic violence by Mark Fisher

Traverse theatre, EdinburghBreaking down a thrown burger into its constituent ingredients is a way of confronting assault in this sassy, humane show Behind Travis Alabanza is a container ful…

SOURCE: The Guardian at 03:06PM

For All I Care review – the spirit of Nye Bevan breathes life into NHS tale by Mark Fisher

Summerhall, EdinburghThis vivid production shows both sides of the care system through the eyes of a nurse and a patient The spirit of Nye Bevan floats over Alan Harris’s monologue for Nat…

SOURCE: The Guardian at 06:42AM

Bystanders review – urgent memorial to society's most vulnerable by Mark Fisher

Summerhall, EdinburghCardboard Citizens’ gutsy and gut-wrenching stories of the homeless focuses on people instead of just grim statistics Someone at Cardboard Citizens has noticed a patte…

SOURCE: The Guardian at 01:18AM
Sunday, August 4, 2019

Drowning review – earnest look at true-life tragedy rings false by Mark Fisher

Pleasance Courtyard, EdinburghJessica Ross doesn’t come anywhere close to making moral or dramatic sense of why four nurses killed elderly patients How to account for the four Austrian nur…

SOURCE: The Guardian at 08:18PM

Superstar review – Coldplay singer Chris Martin's little sis steps into the spotlight by Mark Fisher

Underbelly Cowgate, EdinburghNicola Wren deploys considerable charm in a not-really-showbiz story of childhood pantos, movie bit-parts and self-acceptance The Edinburgh fringe is good at bri…

SOURCE: The Guardian at 07:33AM
Saturday, August 3, 2019

Indigenous Contemporary Scene review – resistance, revenge and jolly cabaret by Mark Fisher

Songs in the Key of Cree, Deer Woman and Kiinalik: These Sharp Tools, three shows by Canada’s Indigenous artists, are presented at the Edinburgh festival This summer, Canada’s National I…

SOURCE: The Guardian at 07:33AM
Friday, August 2, 2019

Rich Kids: a History of Shopping Malls in Tehran review – dazzling and discombobulating by Mark Fisher

Traverse, EdinburghJavaad Alipoor’s kaleidoscopic show delves below the compellingly shocking behaviour to lay bare an epoch-spanning vision of human waste The sensation of racing a high-p…

SOURCE: The Guardian at 02:48PM
Tuesday, July 30, 2019

Heritage review – sectarian feuds poison Canada's prairies by Mark Fisher

Pitlochry festival theatreForbidden love blooms between Catholic and Protestant settlers in Nicola McCartney’s razor-sharp study of cultural identity Imagine Romeo and Juliet transplanted …

SOURCE: The Guardian at 11:32AM
Sunday, July 21, 2019

Hamlet/Richard III review – all is angry in the garden by Mark Fisher

Glasgow Botanic Gardens A superb Nicole Cooper plays Hamlet as a fiercely wronged daughter, while a stripped-down version of Richard reveals an impulsive gambler on a wild streak ★★★�…

SOURCE: The Guardian at 11:24AM
Sunday, July 14, 2019

Re:Creating Europe review – voices from history echo through Brexit by Mark Fisher

The Lowry, SalfordFrom Henry V’s speech to Jona Lewie’s Stop the Cavalry, this illuminating production explores the ‘flawed family’ of Europe Way back at the start of the Brexit wars…

SOURCE: The Guardian at 09:18AM

The Nico Project review – Maxine Peake digs deep into a nightmare by Mark Fisher

The Stoller Hall, ManchesterWith fascinating – and frustrating – results, the actor plays a woman seemingly possessed by the ghost of the late Velvet Underground singer When 1980s Manche…

SOURCE: The Guardian at 09:18AM
Tuesday, July 9, 2019

Making a murder: true-crime stage show recreates a shocking killing by Mark Fisher

How do you re-enact a homicide for a theatre performance – and should you? Director Milo Rau invited people who knew the victim to take part On 22 April, 2012, Ihsane Jarfi left a gay bar…

SOURCE: The Guardian at 12:42PM

Life of Pi review – triumphant tiger burns bright in a stunning show by Mark Fisher

Crucible, SheffieldTransformative puppetry, design and direction, and a great human lead, make this adaptation of Yann Martel’s book unmissable A tip for playwrights: when you want to fiel…

SOURCE: The Guardian at 07:24AM
Monday, July 8, 2019

The Anvil review – what does the Peterloo massacre mean today? by Mark Fisher

Various venues, ManchesterIrish company Anu’s site-specific modern stories of struggle bring the radical spirit of 19th-century protesters to life This production is billed as a response t…

SOURCE: The Guardian at 10:36AM
Thursday, July 4, 2019

The Color Purple review – a musical with heart, spirit and soul by Mark Fisher

Curve, LeicesterAlice Walker’s novel is transformed into an exuberant celebration of community and female empowerment Incest. Child abuse. Rape. Domestic violence … the foundations of A…

SOURCE: The Guardian at 01:24PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime