All stories by Marissa Oberlander on BroadwayStars

Wednesday, September 11, 2024

This Is Our Youth is a twentysomething roller-coaster ride by Marissa Oberlander

As my first experience with this Kenneth Lonergan 1996 contemporary classic, seeing it in a small black box, directed by and starring twentysomethings, was a visceral thrill. Under Andrew Sh…

SOURCE: chicagoreader.com at 11:55AM
Wednesday, August 14, 2024

Backstage family drama by Marissa Oberlander

Tin Drum Theatre Company’s inaugural production is well-suited for its motto, “where dramatic disturbances are the norm.” Founding member Steve Needham’s original one-act, directed b…

SOURCE: chicagoreader.com at 09:23AM
Wednesday, May 15, 2024

City kids on the move by Marissa Oberlander

Young People’s Theatre of Chicago brings this musical adaptation of the children’s book classic Last Stop on Market Street back to Chicago in a vibrant production that packs soul, substa…

SOURCE: chicagoreader.com at 12:36PM
Wednesday, April 17, 2024

Demented bordello by Marissa Oberlander

My first visit to Trap Door Theatre did not disappoint, from the hidden alley entrance to the immediate sense of time travel and disorientation upon entry. For the last show of its 30th anni…

SOURCE: chicagoreader.com at 01:17PM
Wednesday, March 27, 2024

Corporeal poetry by Marissa Oberlander

I can’t remember the last time I left a theater a little teary and a lot inspired, with a carpe diem spring in my step. Remy Bumppo’s production of John Kolvenbach’s one-act rom-com, h…

SOURCE: chicagoreader.com at 03:42PM
Thursday, February 1, 2024

Tad in 5th City is a poetic portrait of a 1970s west-side family by Marissa Oberlander

Ma’at Production Association of Afrikan Centered Theatre’s (MPAACT) latest production, a revival of Carla Stillwell’s 2012 adaptation of Orron Kenyatta’s poetry (also directed by Sti…

SOURCE: chicagoreader.com at 12:10PM
Wednesday, July 26, 2023

Hair metal hijinks by Marissa Oberlander

The Mercury Theater production of this five-time Tony-nominated musical re-creates the 80s with such abandon that the audience’s fervor was palpable (and loud) on the night I attended. Tom…

SOURCE: chicagoreader.com at 04:13PM
Friday, June 23, 2023

Undiscovered country? by Marissa Oberlander

This world premiere from the Plagiarists, written by Chicago-based playwright Alexander Utz and directed by Jonathan Shaboo, has a unique premise and immersive staging (watch out for sand) b…

SOURCE: chicagoreader.com at 12:19PM
Thursday, April 27, 2023

Unhappy mediums by Marissa Oberlander

Eclectic Full Contact Theatre’s first full-length production in Chicago since 2019, a world premiere penned by Maggie Lou Rader, is haunting, literally. Based on the first reported instanc…

SOURCE: chicagoreader.com at 02:48PM
Wednesday, April 5, 2023

Too soon? by Marissa Oberlander

It feels early to stage a play set during, and concerning the effects of, the early days of COVID-19 on its characters. We can still feel those days intimately, given the short passing of ti…

SOURCE: chicagoreader.com at 12:25PM
Thursday, March 23, 2023

Utopia for two by Marissa Oberlander

Promethean Theatre’s world premiere of local playwright Trina Kakacek’s two-act dramedy, directed by Anna C. Bahow, is a unique and meaty thought experiment that would benefit from some …

SOURCE: chicagoreader.com at 12:31PM
Thursday, February 9, 2023

A heartbreaking Lady Day by Marissa Oberlander

Alexis J. Roston’s sixth go-round playing jazz legend Billie Holiday in the last year of her life is beautifully layered, heartbreaking, and still affirming of the great vocalist’s accom…

SOURCE: chicagoreader.com at 11:39AM
Wednesday, January 18, 2023

Absurdist sleight of hand by Marissa Oberlander

For the uninitiated like I was, just entering the Chicago Magic Lounge on a chilly Wednesday evening was a thrill. Via a secret door, the faux-laundromat entry gives way to a luxe theater bo…

SOURCE: chicagoreader.com at 12:01PM
Wednesday, November 9, 2022

Rent pays off by Marissa Oberlander

After thoroughly enjoying the shameless perversity of Kokandy Productions’s Cruel Intentions, under Adrian Abel Azevedo’s direction, I found Azevedo’s Rent at Porchlight to bring a sta…

SOURCE: chicagoreader.com at 11:35AM
Friday, October 28, 2022

Catch the Clue bus by Marissa Oberlander

The game Clue taught me what “confidential” means, that a conservatory is just a fancy greenhouse, and that Miss Scarlett is always the right choice. Any armchair detective that could [�…

SOURCE: chicagoreader.com at 09:43AM
Thursday, September 8, 2022

An ‘exciting and subversive” Richard III by Marissa Oberlander

In partnership with the University of Illinois Chicago’s Disability Cultural Center, Babes With Blades’s interpretation of one of Shakespeare’s darkest plays is exciting and subversive…

SOURCE: chicagoreader.com at 04:43PM
Wednesday, July 27, 2022

Mind games by Marissa Oberlander

More than 30 years into his second act as a mind reader and psychic performer, Ross Johnson, a former schoolteacher, is still eliciting gasps. The second performer at Rogers Park’s new Rha…

SOURCE: chicagoreader.com at 03:28PM
Wednesday, July 20, 2022

Al fresco dreams by Marissa Oberlander

On its ten-year anniversary and return from a COVID-19 hiatus, Midsommer Flight is restaging A Midsummer Night’s Dream,the play that started it all in 2012. On the night I attended, the cr…

SOURCE: chicagoreader.com at 11:01AM
Friday, June 24, 2022

Shameless nostalgia by Marissa Oberlander

We all remember where we were when we saw Cruel Intentions. Its iconic soundtrack (anyone else melt to Counting Crows’ “Colorblind”?) and “shameless perversity” (thank you, Buzzfee…

SOURCE: chicagoreader.com at 10:35AM
Tuesday, February 25, 2020

Mlima's Tale traces the illegal ivory trade by Marissa Oberlander

The tragedy of a single elephant's death has universal implications in Griffin's production. This Lynn Nottage drama is pure kinetic energy, exploring the illici…

SOURCE: www.chicagoreader.com at 07:20PM
Tuesday, February 11, 2020

A new adaptation brings contemporary verve to A Doll's House by Marissa Oberlander

Two standout performances anchor Raven's production of the Ibsen classic. In the Chicago premiere of this Henrik Ibsen adaptation, Raven Theatre and director Lau…

SOURCE: www.chicagoreader.com at 07:30PM
Tuesday, January 28, 2020

The Adult in the Room doesn't do full justice to Nancy Pelosi by Marissa Oberlander

Orlagh Cassidy centers this one-woman show, but the script needs more depth. Nancy Pelosi is having her moment. From her literal clapback at President Trump to h…

SOURCE: www.chicagoreader.com at 05:15PM
Wednesday, January 22, 2020

Filament Theatre's Forts! builds adventures, agency, and awareness by Marissa Oberlander

Kids and families are in charge at this Portage Park theater It could have been Lord of the Flies. Filament Theatre was giving over complete control of its space…

SOURCE: www.chicagoreader.com at 05:15PM
Tuesday, January 14, 2020

Bunny's Book Club illustrates the love of a good story by Marissa Oberlander

Lifeline Theatre KidSeries brings children and animals together for a family-friendly yarn. Based on Annie Silvestro's children's book of the same title, this Li…

SOURCE: www.chicagoreader.com at 05:10PM
Tuesday, December 10, 2019

Bette: Xmas at the Continental Baths features hot pipes, but tepid banter by Marissa Oberlander

Hell in a Handbag's Midler revue is middling. Iconic singer Bette Midler cut her teeth at New York City's Continental Baths, earning the nickname "Bathhouse Bett…

SOURCE: www.chicagoreader.com at 05:55PM
Tuesday, November 19, 2019

Rutherford and Son is Succession without the sex, drugs, and rock ’n’ roll by Marissa Oberlander

Githa Sowerby's long-neglected drama has a strong cast at TimeLine, but drags at times. For a mostly forgotten 1912 play, written by Githa Sowerby (but presented…

SOURCE: www.chicagoreader.com at 07:15PM
Wednesday, November 6, 2019

The Other Cinderella turns Black Ensemble Theater into a magic kingdom by Marissa Oberlander

Forty-three years after its first production, Jackie Taylor's African American adaptation still enchants and empowers. Now in its 43rd year, this Black Ensemble …

SOURCE: www.chicagoreader.com at 07:00AM

Laura and the Sea examines our working relationships by Marissa Oberlander

A coworker's suicide leads to soul-searching in Kate Tarker's darkly comic meditation. We spend at least 40 hours a week next to them and countless more rehashin…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, October 16, 2019

Who Killed Joan Crawford? mixes camp and mystery by Marissa Oberlander

Delicious acerbic drag performances spice up this whodunit. "I think the most important thing a woman can have—next to talent, of course—is her hairdresser,"…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, October 9, 2019

Invisible needs to take a closer look at why women join the Klan by Marissa Oberlander

Mary Bonnett's drama has intriguing subject matter, but doesn't fully connect. The world premiere of Her Story Theater producing artistic director Mary Bonnett's…

SOURCE: www.chicagoreader.com at 07:00AM
Wednesday, October 2, 2019

The daughter of migrant workers finds courage and friendship in Luna by Marissa Oberlander

Filament Theatre's staging helps the audience feel right at home. Recommended for ages four through ten, Filament Theatre's production of this one-act by Ramón …

SOURCE: www.chicagoreader.com at 07:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime