Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from its sexual connotation and turns it into a stage play that challenges normative gender roles…
SOURCE: thetheatretimes.com at 03:50AMResearcher and critic Lisa Moravec explores how two performances of this year’s ImPulsTanz, Vienna’s International Dance Festival, challenge our understanding of a mechanized body-based …
SOURCE: thetheatretimes.com at 12:41AMHow far can bodily interaction amongst the audience members, with performance objects, and with the performers go? Is it ok to be touched by and to touch what is available within a black box…
SOURCE: thetheatretimes.com at 10:19PM