TWO MORE FROM ALAN BENNETT One of the darkest and one of the merriest. PlAYING SANDWICHES is an even more than usually sombre one of Alan Bennett’s Talking Heads.�…
SOURCE: theatrecat.com at 04:30AMThe Talking Heads monologues The Shrine and Bed Among the Lentils are absorbing and thrilling and touching and – here is the surprise – amid Alan Bennett’s wry pathos the playlets are …
SOURCE: mytheatremates.com at 10:00AMBy Libby Purves The Theatrecat Libby Purves finds herself back in the stalls for Beat The Devil at the Bridge Theatre London and it's a very Fiennes start! This post REVIEW: Beat The Devil, …
SOURCE: britishtheatre.com at 06:43AMBACK IN THE STALLS! AND A VERY FIENNES START After nine months’ exile – my chemotherapy ended slap bang at the start of lockdown – I felt like the Ancient Mariner, goo…
SOURCE: theatrecat.com at 09:15AMA SINGING, SEASIDE, STRIKING DEFIANCE OF THE NEW SEPARATION Theatrecat remains dark, as it has been since December when chemotherapy began and then ran seamlessly, in March, into loc…
SOURCE: theatrecat.com at 11:38AM…FROM ME AND FROM THEATRECAT.COM (&HOUSE ARTIST ROGER HARDY) HERE’S THE CAT AND THE MICE . THEY COLLABORATE FOR ONCE TO WISH EVERY THEATRE, ARTIST AND SUPPORT WORKER LUCK, SO…
SOURCE: theatrecat.com at 01:39PMA MESSAGE FOR THOSE KIND ENOUGH TO DROP INTO THIS SITE… Theatrecat followers: a bit of news below, in detail for your information or in case any of you are undergoing the parallel thing. …
SOURCE: theatrecat.com at 11:56AMThis freshened-up and first-rate production of A Christmas Carol at the Old Vic sees Paterson Joseph giving one of the performances of his life, his humanity simply erupting onto the stage.
SOURCE: mytheatremates.com at 05:00AMMONSTROUS AND MAJESTIC , A NARNIA FOR NOW How to interpret an old favourite? A Christian fantasy allegory, the world of Narnia, the first of C.S.Lewis’ immortal children’…
SOURCE: theatrecat.com at 11:26AMBEN DOWELL REVIEWS: A bright, socially withdrawn teenager called Evan is desperately lonely, taking comfort in the internet and not much else. He has a crush on a girl from his school, but c…
SOURCE: theatrecat.com at 05:39AMMary Poppins is as supercalifragilisticexpialidocious as one can hope, a riot of good cheer, fun, excellent signing and some quite breathtaking stagecraft.
SOURCE: mytheatremates.com at 07:00AMBEN DOWELL AND DAUGHTER POP WITH PLEASURE AT ITS PEP.. It has floated in one the chilly autumn breeze like a much-needed blast of summer sunshine. Yes, this Mary Poppins is as supercalifragi…
SOURCE: theatrecat.com at 01:08PMA BIG APPLE ROMANCE WITH CRUNCH How romantic New York is to the British heart! From Superman to Friends we seem to know it, from Elf and 34th Street (not to mention the Pogues…
SOURCE: theatrecat.com at 01:52PMHigh Fidelity stomps along unmemorably with great goodwill and a three-piece band overhead, and moments of soul or hare-krishna pastiche are wittily done
SOURCE: mytheatremates.com at 08:00AMNORTHERN GUEST REVIEWER HELEN GASKELL TIRES OF THE RELENTLESS GRIT… A family of five, scattered across the North of England, are brought together by tragedy. The play shows a picture …
SOURCE: theatrecat.com at 12:19PMARROGANCE, ANGER , INDIA’S SHAME Hema’s is a house of women now. The old grandmother is in bed below the tall screen doors , feeding crows who move shadow-shapes behind…
SOURCE: theatrecat.com at 07:16AMGUEST CRITIC BEN DOWELL DOES NOT HAVE A GOOD NIGHT OUT What a strange evening this is. Young director Tinuke Craig has taken Maxim Gorky’s 1911 play (there was a revision in 1935 but s…
SOURCE: theatrecat.com at 06:21AMRENAISSANCE RUTTING, VENUS AND VANITIES Sandro Botticelli, he makes clear to us at the start, plans to tell his version. He’s Dickie Beau: skinny and swaggeringly queeny in blac…
SOURCE: theatrecat.com at 07:54PMIT TAKES TWO… Here’s a sharp eyed little gem about coupledom and the wary, fretful road towards parenthood in an age of easy contraception and illimitable expectation…
SOURCE: theatrecat.com at 04:47AMTWO CURATORS, ACROSS EIGHTY YEARS The little Swan , a jewel-box of a theatre, often sees the new plays the RSC does best: immaculate technique and careful clarity elucidating complex…
SOURCE: theatrecat.com at 03:34AMINSPECTOR GOOLE, BACK BACK ON THE ROAD Below, edited, is my original London review of this remarkable production. This new tour deserves to be marked, though: regarding the t…
SOURCE: theatrecat.com at 05:46AMA COOL EYE ON SHATTERED LIVES Of all the well known flaws of our criminal justice system, one of the most glaring is how badly it fits women – though they are only around…
SOURCE: theatrecat.com at 04:44AMGroan Ups has hamster substitutions, unexpected subtler laughs and a moment of real pathos before it swizzles into something more poignant.
SOURCE: mytheatremates.com at 11:00AMBy Libby Purves Libby Purves reviews Stephen Sondheim and John Weidman's musical Assassins now playing at the Watermill Theatre, Newbury. This post REVIEW: Assassins, Watermill Theatre Newbu…
SOURCE: britishtheatre.com at 08:37AMTHE DARK AND THE CRAZY This is – for us anyway – the first production in the Trump era of this savage musical: a revue reimagining of all the attempts, successful or not,�…
SOURCE: theatrecat.com at 05:03AMPEOPLE OF THE BLITZ Sarah Waters’ best novel, evoking lives during and after the London Blitz, was told backward in time. It is much the same way, indeed, as we meet real people�…
SOURCE: theatrecat.com at 01:41PMTHE LOW DISHONEST DECADE… It’s always intimate, the Jermyn,. We’re in an autumn garden, apples on the ground and fading roses on the wall; birdsong, and a tea table set defia…
SOURCE: theatrecat.com at 06:55AMA COLLIDING WORLD Couldn’t miss this: for two years as a teenager (Dad in the Jo’burg Embassy) I lived alongside the frightened, arrogant paranoia of white South Africa un…
SOURCE: theatrecat.com at 05:18PM15 CHARACTERS OBJECTING TO AN AUTHOR.. The Jane Austen industry never flags, in tribute or in parody. You can barely throw a bonnet without hitting an Austentatious improv, popcor…
SOURCE: theatrecat.com at 06:45PMUnderneath Birthdays Past, Birthdays Present beats Ayckbourn’s sorrowful, understanding heart, showing us that comedy is just tragedy on its way to happening.
SOURCE: mytheatremates.com at 09:00AMKING JOHN WAS NOT A GOOD MAN… Maybe we should stick to AA Milne’s version? “King John was not a good man He had his little ways And sometimes no one spoke to him For days an…
SOURCE: theatrecat.com at 09:18AM