
This is an adapted version of a piece I wrote for The Times on 19 January. Following Joanna Carrick’s funeral on Friday, it seems right to put it up here, because theatre pioneers and proj…
SOURCE: theatrecat.com at 01:42PMSLY USEFUL OBSERVATION…MARRIAGE OF EQUALS Noel Coward was a lad of 18 when he finished this very adult portrait of a marriage in trouble, invalided out of the army, nervous and tubercul…
SOURCE: theatrecat.com at 05:53AMA VERY GREAT TALENT TO AMUSE Rival psychopathies emerge from the first moments of “Cornley Drama Society” as Chris (Daniel Fraser) and Robert (Henry Lewis) face off at audi…
SOURCE: theatrecat.com at 07:55AMOH DEAR… Event theatre! New from NY! It got Tony and Pulitzer nominations, and smart Broadway people called it “heartwarming: and “best crafted and exactingly directe…
SOURCE: theatrecat.com at 09:46AMUNDER AN ALIEN TREE The suffering and the pity of Gaza affects us all: bitter division on the streets, hysterical demonstrations feeding a violently rising antisemitism. And all acr…
SOURCE: theatrecat.com at 03:35AM“The woods are lovely, dark and deep…” – They certainly are when designed by Tom Scutt . And Jordan Fein’s glorious new production will, I think, convert many a …
SOURCE: theatrecat.com at 08:29AMDRINK DEEP OF GLORIUMPTIOUS FROBSCOTTLE The RSC holiday season show offers a rising generation some proper theatrical wonder, away from banal screen CGI and avatar gaming �…
SOURCE: theatrecat.com at 01:20AMCINDERELLA AND THE MATZO BALL. JW3. , Finchley Rd L’CHAIM ! TO LIFE, AND PANTOMIME JOKES It’s not often that you get to hiss and boo Prince Charming, but Nic…
SOURCE: theatrecat.com at 05:48PMJUST FOR KIDS? CONTRARIWISE! WE ARE ALL ALICE In a fleeting moment of meta-theatre when the monstrous crow (well, umbrella) had the house shouting “Behind you!”, Tweedleee gr…
SOURCE: theatrecat.com at 12:22PMHELLO AGAIN SAILORS This is one of ENO’s beloved triumphs, the one which got some of us through the latter Covid years in frivolous merriment. For back in gloryIn 2021 I saw C…
SOURCE: theatrecat.com at 05:54AMA GHOSTLESS DICKENS TREAT FOR CHRISTMAS This is wonderful: a three-hander adaptation by Abigail Pickard Price, with the Guildford Shakespeare Company. They’re well up to the new-vaud…
SOURCE: theatrecat.com at 07:37AMLADIES WHO LURCH The Lord Chamberlain took a bit of handling to let this play’s louche presumptions of extramarital liaisons be flaunted onstage: and one public morality campaigner shout…
SOURCE: theatrecat.com at 06:00AMA BEAR WHO DESERVES HIS STATION This could have been awful , a desecration of the children’s favourite which became a national icon of reassurance when he sat down to tea with t…
SOURCE: theatrecat.com at 04:13AMGRIEF, GUILT, CONSCIENCE A great bright disc of moon overhangs the old tree in the storm, as it falls in the tumult of sound that could be war. It’s 1948: Arthur Miller’s Am…
SOURCE: theatrecat.com at 05:31AMABSURD, TRANSCENDENT, JOYFUL Forget Ancient Greece and the films inspired by the suitors of royal Parthenope, this is Handel in comic-opera mood (one can’t always be writing Zad…
SOURCE: theatrecat.com at 07:26PMA VERY CIVIL CRIME Meet Robert, a retired barrister, working in a charity shop as we meet him, cautiously sniffing trousers and appreciating candelabras. Nothing unusual there in a ru…
SOURCE: theatrecat.com at 06:13AMAN INNOCENCE OF WITCHES A brand-new musical always stirs hope, especially when we’re promised voices like Gabrielle Brooks (magnetically magnificent as Rita in Get Up Stand…
SOURCE: theatrecat.com at 04:04AMNOT AT ALL A DRAG… Candy-coloured prettiness frames a 1890s world, of bored girls in flounces longing for escape from guardians, lovesick young men not averse to heiresses, and a po…
SOURCE: theatrecat.com at 06:46AMINNOCENCE, WICKEDNESS , RAGE Ti Green’s set is ,at first, a gilded wonder of dignified curves and arches, palatially spectacular when filled with the red robes of the Duke and senato…
SOURCE: theatrecat.com at 02:56AMEVERYONE’S CALIFORNIAN NOW.. When the Old Vic had Jonathan Spector’s play in 2022 it was the first time after lockdowns that I had the joy of beng in a space with a thousand othe…
SOURCE: theatrecat.com at 07:02PMEDWARDIANA FOR A FEMINIST AGE It looks wonderful. Designer Colin Richmond has been set loose, with Oliver Fenwick’s lighting, to create both the the raftered, big-windowed Edwardian…
SOURCE: theatrecat.com at 06:18AMA FAMILY SAGA , A MEMORABLE AUNT Bit early for an onstage Christmas-tree, but this comedy-drama by Richard Greenberg ran months on Broadway twelve years ago, and it suits a curren…
SOURCE: theatrecat.com at 04:24AMOLD FAITH IN A MODERN CITY Anna Ziegler’s play was an off-Broadway sellout, glimmering with insights into Jewish-American family conflicts, traditions and rebellions. It’s…
SOURCE: theatrecat.com at 06:50AMCHAOS IN FRAYING CHINTZ Catching up after a break away I nipped in to check whether after 60 years Joe Orton can still get people gasping with shock. Peter McIntosh’s set alone is a d…
SOURCE: theatrecat.com at 05:52PMA BRILLIANT ECHO Shouldn’t be surprised that this is a cracking play: Katherine Moar’s 90-minute debut FARM HALL , about 1940s nuclear scientists, sparked cheers and a West …
SOURCE: theatrecat.com at 09:02AMA DARK SERENISSIMA No pretty biscuit-tin Venice here, but rather its ancient darkness: Jess Curtis’ artful set offers stark steps, corners, slotted openings into which half-glimpse…
SOURCE: theatrecat.com at 04:12AMTANGLED JUSTICE, MORAL SWAMPS There is no sure hero in Shakespeare’s ‘mystery play” , which can be exhilarating. Emily BUrns’ remarkably sure-footed, clear and well-trimmed p…
SOURCE: theatrecat.com at 08:09AMANYTHING CAN WASH UP ON THE NORTH SEA COAST … Robin Brooks and director Fiona McAlpine mischievously bill this eccentric, enlivening short play as “a shocking sordid seasi…
SOURCE: theatrecat.com at 05:22PMRAIN, RAGE , REGRETS If you’re expecting the original Ibsen tale of a bored wife wondering whether to leave a dull husband and deciding not to, pause. This is “after Ibsen…
SOURCE: theatrecat.com at 05:29AMHOLLYWOOD AND HYPOCRISY It’s a brilliant moment for this sharp bit of work from the American Michael McKeever to land at the Elephant with a bracing thump. We’ve got Trump …
SOURCE: theatrecat.com at 04:53AM

