Friday, August 31, 2018
The National Asian American Theater Company puts on a fast-paced and unusually lucid staging of the bloody history play.
SOURCE: The New York Times Subscription at 01:42PMWednesday, August 29, 2018
The creators of this folk-rock musical about the second man on the moon want us to sympathize with his emotional wound.
SOURCE: The New York Times Subscription at 02:48PMMonday, August 27, 2018
This dementedly daffy piece of fun, from the theater company TV, will give you a warm glow in the fleeting moment it’s here for a brief run.
SOURCE: The New York Times Subscription at 01:18PMSunday, August 26, 2018
The Mint Theater Company’s revival of Lillian Hellman’s 1936 play is a mishmash of acting styles, tonally uneven and frustratingly unfocused.
SOURCE: The New York Times Subscription at 06:24PMWednesday, August 15, 2018
A production with same-sex leads is one of many signs that directors are approaching the Rodgers and Hammerstein classic with new eyes.
SOURCE: The New York Times Subscription at 11:48AMSunday, August 12, 2018
Jonathan Leaf sticks close to historical fact in his ambitious new verse play, but the action in this production always feels removed, like a diorama.
SOURCE: The New York Times Subscription at 02:48PMWednesday, August 1, 2018
A play based on a confessional, self-obsessed woman’s memoir — from the 15th century — is back, at the Duke.
SOURCE: The New York Times Subscription at 03:06PMMonday, July 30, 2018
Following “The Originalist,” the judge talked fondly about its subject: her frequent legal sparring partner Antonin Scalia.
SOURCE: The New York Times Subscription at 01:48PMSunday, July 22, 2018
But, racing through 40 classic Leiber and Stoller songs in 90 intermission-less minutes, the show only occasionally slows down enough to breathe.
SOURCE: The New York Times Subscription at 10:18PMSunday, July 15, 2018
This immersive British import at Roy Arias Stages puts a crusty toilet in the center of the audience, but it lacks the film version’s sense of seamy tragedy.
SOURCE: The New York Times Subscription at 08:18PMMonday, July 9, 2018
Defiance and justice drive this brisk staging from the Classical Theater of Harlem, directed by Carl Cofield.
SOURCE: The New York Times Subscription at 01:48PMMonday, July 2, 2018
Rajendra Ramoon Maharaj’s visceral play with music explores an ugly historical chapter in the fight for school integration.
SOURCE: The New York Times Subscription at 02:24PMSunday, July 1, 2018
In this Charles Mee play, two sixty-somethings, who have never known true love, find the tender comfort of companionship.
SOURCE: The New York Times Subscription at 02:24PMThursday, June 28, 2018
There are shows that find their true best form in concert. “Songs for a New World,” which was Jason Robert Brown’s first musical, is one of these.
SOURCE: The New York Times Subscription at 03:32PMWednesday, June 27, 2018
Lorena Hickok and Eleanor Roosevelt are just a few of the apparitions in Christina Quintana’s bittersweet new comedy about a lesbian wrestling with her Catholic upbringing.
SOURCE: The New York Times Subscription at 06:12PMSunday, June 24, 2018
The women in Will Arbery’s funny, surreal, ultimately muddled play devote vast emotional acreage to men who don’t return the favor.
SOURCE: The New York Times Subscription at 04:42PMMonday, June 18, 2018
Natalie Soto and her brother, Christian, joined a training program at Roundabout Theater Company that aims to diversify the ranks of theater workers.
SOURCE: The New York Times Subscription at 02:54PMSunday, June 17, 2018
Certain moments are politically and artistically potent, but most of “Fruit Trilogy,” a program of three short plays, is pervaded by a curious flatness.
SOURCE: The New York Times Subscription at 02:04PMWednesday, June 13, 2018
In the middle of “Harry Potter and the Cursed Child” and “Angels in America” are late-afternoon gaps to fill. We offer some ideas to pass the time.
SOURCE: The New York Times Subscription at 01:48PMTuesday, June 12, 2018
Antoinette Nwandu’s “Pass Over” considers the fate of young black men in a gun-torn city. Its first production caused a stir — and won a fan in Spike Lee.
SOURCE: The New York Times Subscription at 02:32PMMonday, June 11, 2018
In Nilo Cruz’s poetic tangle of a play, an opera star finds the recipient of her husband’s heart after he dies in a car accident.
SOURCE: The New York Times Subscription at 12:48PMFriday, June 8, 2018
Maly Drama Theater’s spare, subdued — and slow — adaptation finds dreamy lovers split apart by political schemers.
SOURCE: The New York Times Subscription at 02:18PMFriday, June 1, 2018
Majority rule (mostly). One play per playwright. How we put together the 25 Plays list, and a bid to remember notable writers and favorite works that missed the cut.
SOURCE: The New York Times Subscription at 12:48AMTuesday, May 29, 2018
Tuesday, May 22, 2018
Marina Carr’s blistering play seems ideal for this cathartic cultural moment. Its Irish Repertory Theater production is a missed opportunity.
SOURCE: The New York Times Subscription at 04:12PMMonday, May 21, 2018
The aftermath of the Fukushima disaster infiltrates the lives of a young couple in Toshiki Okada’s spare, affecting play
SOURCE: The New York Times Subscription at 01:32PMThursday, May 10, 2018
Philip Dawkins’s play blends realism and campy melodrama as it envisions the fumbling beginnings of an affair between Williams and William Inge
SOURCE: The New York Times Subscription at 11:18PMAs the first black actor to play Billy Bigelow on Broadway, Mr. Henry is changing theater, while a newborn son is changing him.
SOURCE: The New York Times Subscription at 06:18AMThursday, May 3, 2018
The show had its premiere on Cape Cod two summers ago. It has been revised, but it retains its primary strengths and its fatal weaknesses.
SOURCE: The New York Times Subscription at 07:48PMWednesday, May 2, 2018
