All stories by Laura Collins-Hughes on BroadwayStars

Sunday, February 24, 2019

Review: In ‘Neurology of the Soul,’ Looking for a Brain in Love by Laura Collins-Hughes

The scientist in Edward Einhorn’s uneven romantic dramedy wants to find solid proof of his girlfriend’s devotion. Which is his first problem.

SOURCE: The New York Times Subscription at 04:53PM
Friday, February 15, 2019

Critic’s Notebook: Suspended in Air, Searching for Connection in Two High-Flying Shows by Laura Collins-Hughes

“When Angels Fall,” at Peak Performances, and “Non Solus,” at the Brooklyn Academy of Music, blend circus with dance in feats of perfect equilibrium.

SOURCE: The New York Times Subscription at 03:48PM
Wednesday, February 6, 2019

Critic’s Notebook: Theater as Moral Meditation in ‘Catonsville Nine’ and ‘The Courtroom’ by Laura Collins-Hughes

Two shows enlist their spectators as witnesses, exhorting the Americans in the room to consider what our nation is doing in our name.

SOURCE: The New York Times Subscription at 10:18PM
Monday, February 4, 2019

Review: No Battle of Wits in This Mild ‘Man for All Seasons’ by Laura Collins-Hughes

In a new revival, Henry VIII lacks grandeur and Cromwell cunning. Without worthy adversaries, Sir Thomas More’s dilemma never delivers the drama.

SOURCE: The New York Times Subscription at 02:54PM
Friday, January 25, 2019

Critic’s Notebook: I Want My Playbill! A Critic Laments Digital Theater Programs by Laura Collins-Hughes

Sure, less paper makes environmental sense. But relying on digital programs betrays what makes the in-the-moment experience of theater so special.

SOURCE: The New York Times Subscription at 10:42AM
Tuesday, January 22, 2019

Review: Colin Quinn Won’t Be Pigeonholed in ‘Red State Blue State’ by Laura Collins-Hughes

In a smart if sometimes shaggy monologue that ponders a divided nation, Mr. Quinn worries about more than the occupant of the White House.

SOURCE: The New York Times Subscription at 10:18PM
Wednesday, January 16, 2019

Critic’s Notebook: Trump, Trauma and a War That Won’t Go Away by Laura Collins-Hughes

Performers revisit their own fraught memories in recent productions, including one inspired by women who have accused the president of misconduct.

SOURCE: The New York Times Subscription at 03:24PM
Sunday, January 13, 2019

Review: ‘Weightless’ Finds Lovely Moments in a Grim Greek Myth by Laura Collins-Hughes

The bloody story of Procne and Philomela is retold as a tale of sisterly devotion in this indie-rock opera by the Kilbanes at BRIC House in Brooklyn.

SOURCE: The New York Times Subscription at 02:03PM
Friday, January 11, 2019

Critic’s Pick: Review: In ‘Chambre Noire,’ Puppets Make Poetry Painfully Real by Laura Collins-Hughes

This stunning Under the Radar festival show tells the story of Valerie Solanas, the feminist agitator who shot Andy Warhol.

SOURCE: The New York Times Subscription at 02:18PM
Thursday, January 10, 2019

It’s a Sex-Positive Party, Not a Play by Laura Collins-Hughes

At Bushwick Starr, Diana Oh and her team of “super queero heart questers” welcome guests to a night of dance-filled revelry. (Yes, there’s a sleepover option.)

SOURCE: The New York Times Subscription at 03:54PM
Wednesday, December 19, 2018

Critic’s Notebook: Why ‘The Cher Show’ Gets Me, Babe by Laura Collins-Hughes

Of the three jukebox bio-musicals about female pop stars now on Broadway, it’s the latest that best understands its audience.

SOURCE: The New York Times Subscription at 07:18AM
Sunday, December 16, 2018

Review: ‘The Truth About Santa’ Is Out. Mrs. Claus Is Mad as Hell by Laura Collins-Hughes

This clever, messy comedy opens with a charming pair of singing elves, yet it’s an ill-advised choice for Santa believers.

SOURCE: The New York Times Subscription at 01:54PM
Thursday, December 13, 2018

‘Strange Window: The Turn of the Screw’ Review: Henry James for the Gig Economy by Laura Collins-Hughes

This multimedia adaptation for the era of TED Talks and smartphones is visually and aurally striking, but it lacks the spookiness of the original novella.

SOURCE: The New York Times Subscription at 03:54PM
Wednesday, December 5, 2018

Review: ‘Selkie’ Makes a Splash of Bad Romance by Laura Collins-Hughes

In Krista Knight’s muddled dramedy, an abusive husband and his fearful wife are joined by a mythological sea creature.

SOURCE: The New York Times Subscription at 10:54PM
Sunday, December 2, 2018

Review: ‘The Hello Girls’ Answered the Call in World War I by Laura Collins-Hughes

A new musical illuminates the obscure history of American women who were recruited to the Signal Corps in Europe. It’s rather thrilling, until Act 2.

SOURCE: The New York Times Subscription at 10:18PM
Friday, November 30, 2018

Review: In ‘A Christmas Carol in Harlem,’ Scrooge Wants to Make You Laugh by Laura Collins-Hughes

Classical Theater of Harlem reimagines the Charles Dickens tale with the holiday curmudgeon as a real estate predator in need of reclamation.

SOURCE: The New York Times Subscription at 02:48PM
Sunday, November 25, 2018

Review: In ‘The Brutes,’ the Actor Who Would Be an Assassin by Laura Collins-Hughes

Sara Fellini’s play follows John Wilkes Booth, months before he kills President Lincoln, while he spars with his brothers on and off stage.

SOURCE: The New York Times Subscription at 02:48PM
Sunday, November 18, 2018

Review: Tim and Tyne Daly Are Dysfunctional Siblings in ‘Downstairs’ by Laura Collins-Hughes

Theresa Rebeck wrote her chilling new domestic thriller with the brother and sister in mind.

SOURCE: The New York Times Subscription at 10:12PM
Friday, November 16, 2018

Socializing With: Patricia Ione Lloyd, a Playwright With a Taste for Glamour by Laura Collins-Hughes

The writer of “Eve’s Song” looks back (at an awkward childhood) and ahead (at her inspirations) while scrolling through her Instagram feed.

SOURCE: The New York Times Subscription at 08:48AM
Thursday, November 15, 2018

Critic’s Pick: Review: A ‘Chinese Lady’ on Heart-Rending Display by Laura Collins-Hughes

Lloyd Suh’s rich play follows an immigrant and her translator over decades.

SOURCE: The New York Times Subscription at 03:42PM
Friday, November 9, 2018

Review: In ‘Natural Shocks,’ a Storm Is Coming by Laura Collins-Hughes

In Lauren Gunderson’s issue play, Pascale Armand plays an insurance agent in a risky scenario.

SOURCE: The New York Times Subscription at 04:48PM

No Waiting to Play This ‘Godot’ by Laura Collins-Hughes

The highly physical Irish actor Aaron Monaghan came late to Beckett, and is young to portray Estragon. But the role fits (even if the shoes don’t).

SOURCE: The New York Times Subscription at 01:48PM

Kurt Vonnegut’s Vietnam-Era Play Lands With a Gasp by Laura Collins-Hughes

The novelist’s first play, “Happy Birthday, Wanda June,” is proving its resonance — and some nights, too much so — in a timely new revival.

SOURCE: The New York Times Subscription at 10:48AM
Monday, November 5, 2018

Critic’s Pick: Review: Brutal Intimacy and Exuberance Defines ‘Usual Girls’ by Laura Collins-Hughes

Ming Peiffer’s new play shares the same youthful female-centric world of Sarah DeLappe’s soccer play, “The Wolves.”

SOURCE: The New York Times Subscription at 10:54PM
Thursday, November 1, 2018

Seven Flames Kindled by the Focused Fire of Ntozake Shange by Laura Collins-Hughes

Theater artists who carry on the tradition of “For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf” honor their inspiration.

SOURCE: The New York Times Subscription at 04:18AM
Sunday, October 28, 2018

Ntozake Shange, Who Wrote ‘For Colored Girls,’ Is Dead at 70 by Laura Collins-Hughes

Ms. Shange’s play featured seven black female characters named for the colors of the rainbow and inspired generations of playwrights.

SOURCE: The New York Times Subscription at 07:48PM
Friday, October 26, 2018

Review: In ‘Ordinary Days,’ a Sweet Escape to the Recent Past by Laura Collins-Hughes

Adam Gwon’s chamber musical about four New Yorkers is being revived Off Broadway in a production by Keen Company.

SOURCE: The New York Times Subscription at 02:18PM
Thursday, October 25, 2018

Review: At This Professor’s Office Hour, No Time for ‘The Niceties’ by Laura Collins-Hughes

A white liberal historian and a frustrated African-American student make a combustible combination in Eleanor Burgess’s play.

SOURCE: The New York Times Subscription at 10:18PM
Monday, October 22, 2018

Critic’s Pick: Review: A Song of Eternity in ‘Midnight at the Never Get’ by Laura Collins-Hughes

It’s 1963 again, and this chamber musical packs all the heartbreak and bliss of love in a Village gay bar of the era.

SOURCE: The New York Times Subscription at 09:06AM
Sunday, October 21, 2018

Review: A Song of Eternity in ‘Midnight at the Never Get’ by Laura Collins-Hughes

It’s 1963 again, and this chamber musical packs all the heartbreak and bliss of love in a Village gay bar of the era.

SOURCE: The New York Times Subscription at 03:18PM
Wednesday, October 17, 2018

Review: Sex, Lies and Vindication in a Most Timely ‘Measure for Measure’ by Laura Collins-Hughes

The heroine’s impossible position could hardly be more sympathetic or central than in this Pushkin Theater Moscow/Cheek by Jowl staging.

SOURCE: The New York Times Subscription at 02:48PM

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