All stories by Jesse Green on BroadwayStars

Thursday, September 29, 2016

Theater Review: The Sound of The Encounter by Jesse Green

In 1969, a National Geographic photographer named Loren McIntyre made what was supposed to be a three-day expedition to Brazil’s Javari Valley in search of the Mayouruna, an indigenous, it…

SOURCE: Vulture at 10:00PM
Wednesday, September 28, 2016

Theater Review: Judith Light, Neil LaBute, and All the Ways to Say I Love You by Jesse Green

Judith Light can do no wrong onstage, which isn’t to say she can save a play that gets so little right. Without her, All the Ways to Say I Love You, the hour-long monologue that opened MCC…

SOURCE: Vulture at 08:30PM
Monday, September 26, 2016

Theater Review: God’s Will and God’s Warning, in Nat Turner in Jerusalem by Jesse Green

Narratives don’t get much more contested than that of Nat Turner, the leader of the infamous slave revolt in Southampton County, Virginia, in 1831. To begin with, our knowledge of the even…

SOURCE: Vulture at 09:00PM
Thursday, September 22, 2016

Theater Review: I Come Not to Bury The Undertaking by Jesse Green

Like “humanistic Judaism,” the term “investigative theater” proposes an invidious distinction. All theater investigates. What the Civilians do under that rubric is merely more litera…

SOURCE: Vulture at 04:38PM
Monday, September 19, 2016

Edward Albee Saw Life As a Cosmic Joke by Jesse Green

Even from the beginning, Edward Albee was rarely photographed smiling — or, rather, photo editors seldom chose to print any smiling portraits that might have been taken. The truth was that…

SOURCE: Vulture at 09:39AM
Saturday, September 17, 2016

Theater Review: Richard Nelson’s Truer-Than-True-Life What Did You Expect? by Jesse Green

Richard Nelson’s Gabriel family plays, like the Apple family plays before them, are studded with topical political references; Nelson sets each installment on the day of its opening and ad…

SOURCE: Vulture at 05:48PM
Friday, September 16, 2016

Theater Review: Taylor Mac Wrestles American History to the Ground in 240 Songs by Jesse Green

When Taylor Mac first emerges through the power-chord fog of a 24-piece orchestra at St. Ann’s Warehouse, he is dressed in an outfit that looks as if Marie Antoinette, having survived an e…

SOURCE: Vulture at 04:52PM
Wednesday, September 14, 2016

Theater Review: Finding the Story of Marie and Rosetta by Jesse Green

Sister Rosetta Tharpe (1915–1973) was a gospel singer, pianist, and guitarist whose combination of holy rolling and louche swing made her one of the forgotten godparents of rock. (“Siste…

SOURCE: Vulture at 10:00PM

Theater Review: The Avant-Garde Remix of Phaedra(s) by Jesse Green

Near the end of the three-and-a-half-hour slog that is Phaedra(s) — just when you’ve given up hope for it and, indeed, all existence — something wonderful happens. Until then, the prod…

SOURCE: Vulture at 03:56PM
Tuesday, September 13, 2016

Theater Review: Last Night’s Last Five Years by Jesse Green

A sensational concert performance of Jason Robert Brown’s The Last Five Years at Town Hall last night, starring Cynthia Erivo and Joshua Henry, started the New York fall theater season off…

SOURCE: Vulture at 01:13PM
Monday, September 12, 2016

Theater Review: Marie and Rosetta and Aubergine by Jesse Green

Sister Rosetta Tharpe (1915–1973) was a gospel singer, pianist, and guitarist whose combination of holy rolling and louche swing made her one of the forgotten godparents of rock. (“Siste…

SOURCE: Vulture at 10:00PM
Sunday, September 4, 2016

Theater Review: The Public Works’ Diverse, Delicious Twelfth Night by Jesse Green

Before last night’s Public Works performance of Twelfth Night at the Delacorte, Oskar Eustis, the Public Theater’s artistic director, bounded onstage to thank donors and explain the idea…

SOURCE: Vulture at 07:01PM
Thursday, August 25, 2016

Theater Review: The Layover Tries to Be Strangers on a Plane by Jesse Green

In adapting Daphne du Maurier’s dour novella The Birds for the movies, Alfred Hitchcock instructed his screenwriter to start the story with some screwball comedy in order to heighten the t…

SOURCE: Vulture at 10:00PM
Wednesday, August 10, 2016

Theater Review: Can Troilus and Cressida Be Saved? by Jesse Green

There are some things that the Public Theater — founded as the Shakespeare Workshop in 1954 and known for most of its life as the New York Shakespeare Festival — can’t avoid. The occas…

SOURCE: Vulture at 08:13PM
Friday, July 22, 2016

Theater Review: An All-Female, All-Japanese Chicago by Jesse Green

Whenever I’d hear critics describe musical theater as one of the few truly American art forms, I would think, well, at least one of those words is right. It’s a form. I suppose it is als…

SOURCE: Vulture at 06:36AM
Tuesday, July 19, 2016

Theater Review: Listening in on Daniel Radcliffe in Privacy by Jesse Green

Abstract-noun titles are usually deceptive, or at least under-determined; Doubt, Democracy, and Plenty, good plays though they are, might each just as easily have been named s…

SOURCE: Vulture at 06:10AM
Thursday, July 14, 2016

Theater Review: Near-Silence Never Sounded So Good As in Small Mouth Sounds by Jesse Green

Aside from an occasional unicorn like The Humans, Off and Off–Off Broadway plays almost never dare transfer to Broadway anymore, which means that New Yorkers who miss them in their origina…

SOURCE: Vulture at 07:20AM
Tuesday, July 12, 2016

Theater Review: Oslo Finds Drama in the Back Channels of Diplomacy by Jesse Green

It’s not often I think a three-hour play could profitably be longer, but J. T. Rogers’s gripping, big-boned Oslo, which opened tonight at Lincoln Center Theater, needs all the meat and m…

SOURCE: Vulture at 08:01PM
Sunday, July 10, 2016

Theater Review: Runaways, at Encores! Off-Center by Jesse Green

The Encores! Off-Center series, which opened its fourth season last night, is meant to do for Off Broadway in summer what the main Encores! season does for Broadway in spring: recall to our …

SOURCE: Vulture at 07:02PM
Friday, July 1, 2016

Rereviewed: She Loves Me Onscreen, The Color Purple Recast by Jesse Green

The theater is a hothouse; everything grown within it is exotic, demanding, and sensitive to minute fluctuations of environment. Even with only time as a variable, a show is always reaching …

SOURCE: Vulture at 05:00PM
Tuesday, June 14, 2016

Theater Review: Is It Possible to Produce an Enlightened The Taming of the Shrew? by Jesse Green

How do you tame The Taming of the Shrew? It has the usual early-Shakespeare problems: clunky exposition, overwrought plotting, huge dropped stitches. (The framing device, laboriously introdu…

SOURCE: Vulture at 07:33AM
Monday, June 13, 2016

The World Turned Upside Down: The Tonys of Diversity by Jesse Green

Even though it did not beat the record of The Producers — which swept 12 categories in a weak season in 2001 — Hamilton’s scarfing up of 11 wins, out of 16 nominations, was obviously t…

SOURCE: Vulture at 05:42PM
Saturday, June 11, 2016

Jesse Green’s Tony Awards Predictions by Jesse Green

Late intelligence suggests that many of my Tony predictions, as analyzed over the past week in a series of deep dives—see installments one, two, three, four, and f…

SOURCE: Vulture at 10:42PM
Friday, June 10, 2016

Tonys Deep Dive No. 5: Tech, Music, and Direction by Jesse Green

The Tony Awards and the Tony Awards telecast are not the same thing. The former has flaws; the latter usually has little else. One prediction I feel confident in making is that this year’s…

SOURCE: Vulture at 07:31PM

Tony Awards Deep Dive No. 4: Performances in Plays by Jesse Green

In part due to Hamilton’s dominance, the musical performance categories have been fairly straightforward; the Tony nominators hit their marks and the voters are likely to do so as well. No…

SOURCE: Vulture at 05:32AM
Wednesday, June 8, 2016

Tony Awards Deep Dive No. 3: Performances in Musicals by Jesse Green

Now that we’ve reached the performance categories — musicals today, plays tomorrow — the time has come to discuss snubs and splits, none of which exist. Snubs are nominations that didn…

SOURCE: Vulture at 10:33PM
Tuesday, June 7, 2016

Tony Awards Deep Dive No. 2: The Plays by Jesse Green

Twenty nonmusical plays — nine new ones and eleven revivals — were produced on Broadway this season. Only three in each group were complete duds: Misery, China Doll, and O…

SOURCE: Vulture at 10:09PM
Monday, June 6, 2016

Theater Review: A Second Act of God, Now With Sean Hayes by Jesse Green

As subversions go, you could hardly trump David Javerbaum’s An Act of God, which plays like a lay-’em-in-the-aisles one-man comedy despite being (as I wrote in my review of its limited r…

SOURCE: Vulture at 10:18PM

Tony Awards Deep Dive No. 1: The Musicals by Jesse Green

Twenty plays and 16 musicals opened during the 2015–2016 Broadway season. Most of the plays were pretty good or better; most of the musicals were not. Despite this, the musicals, as always…

SOURCE: Vulture at 10:18PM
Thursday, May 26, 2016

Theater Reviews: Stew’s The Total Bent and Cirque du Soleil’s Paramour by Jesse Green

Which would you rather experience in the theater: too many ideas or too few? The Total Bent, at the Public, is in the maximalist camp, offering in less than two hours a dense sociological hi…

SOURCE: Vulture at 06:06AM
Tuesday, May 24, 2016

Theater Review: The Underworld on East 4th, In Hadestown by Jesse Green

When the very first lyric of a sung-through show like Hadestown attempts to rhyme “flames” with “hurricanes,” you know you’re in for a crossover experience. And though I doubt that…

SOURCE: Vulture at 08:23AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic