All stories by Jesse Green on BroadwayStars

Sunday, April 23, 2017

Theater Review: Annie Baker’s The Antipodes Is the Opposite of What You’d Expect by Jesse Green

Pre-production publicity for Annie Baker’s The Antipodes, which opens tonight at the Signature, revealed only that it is “a play about people telling stories about telling stories.” Th…

SOURCE: Vulture at 09:00PM
Thursday, April 20, 2017

Theater Review: And the Word On Bette Midler as Dolly Levi Is… by Jesse Green

The show curtain now in use at the Shubert Theatre, where the ecstatic revival of Hello, Dolly! starring Bette Midler opens tonight, may be the reddest red-red I’ve ever seen. The beaded g…

SOURCE: Vulture at 08:00PM
Wednesday, April 19, 2017

Theater Review: The Little Foxes With a Switch-’Em Up Twist by Jesse Green

Lillian Hellman’s breakneck melodrama The Little Foxes was written in 1939 on the Depression plan. It has one set, no more characters than it can use, and just enough plot to make it go. Y…

SOURCE: Vulture at 10:00PM
Tuesday, April 18, 2017

Theater Review: A Holocaust Meta-History, in Paula Vogel’s Indecent by Jesse Green

One of the reasons Shakespeare’s history plays are the greatest examples of their genre is that he took care to write about events no one could possibly remember. (They were set eons befor…

SOURCE: Vulture at 10:00PM
Thursday, April 13, 2017

Theater Review: Oslo Crackles With Drama, and Gives Peace a Chance by Jesse Green

Diplomacy is a lovely word, suggesting the idea that with tact and perseverance humans can accommodate one another. Yeah, sure. If that seems unlikely, so does the idea that diplomacy could …

SOURCE: Vulture at 10:00PM
Thursday, April 6, 2017

Theater Review: Scattered Brush Strokes of Beauty in War Paint by Jesse Green

The last half-hour or so of War Paint, the beguiling but frustrating new musical about beauty legends Helena Rubinstein and Elizabeth Arden, is just about everything you could want from a Br…

SOURCE: Vulture at 10:00PM
Wednesday, April 5, 2017

Theater Review: Noël Coward’s Present Laughter Is Ever-Modern by Jesse Green

Noël Coward described his 1939 romp Present Laughter as “a series of semiautobiographical pyrotechnics” — merely “semi,” presumably, because the main character, Garry Essendin…

SOURCE: Vulture at 10:00PM
Monday, April 3, 2017

Theater Review: Amélie and the Limits of Whimsy by Jesse Green

To my knowledge, Zeno’s paradox has never been recruited as a plot point and thematic touchstone in a Broadway musical before Amélie, the wistful new show starring Phillipa Soo that…

SOURCE: Vulture at 08:06PM
Sunday, April 2, 2017

Theater Review: What Goes Right With ‘The Play That Goes Wrong’ by Jesse Green

Farce is not an acquired taste; even babies laugh at pratfalls. Rather, farce is the taste you fail to grow out of — and thank God, because sometimes only the stupidest fun will do. If thi…

SOURCE: Vulture at 09:46PM
Friday, March 31, 2017

Theater Review: A Definitive Revival of O’Neill’s The Hairy Ape by Jesse Green

There’s something about our time that doesn’t favor expressionism, especially in mainstream theater. The distortion of perspective and the inflation of emotional state that we may enjoy …

SOURCE: Vulture at 11:13PM
Monday, March 27, 2017

Theater Review: John Leguizamo Digs for His Inner Latin Pride by Jesse Green

When a play’s title is Latin History for Morons, you may not want to be one of the title characters. Nevertheless, that’s what you are in John Leguizamo’s new stand-up-act-posing-as-a-…

SOURCE: Vulture at 06:04PM

Spring 2017 Theater Preview: Bette Midler, Groundhog Day, and More Must-See Shows by Jesse Green

A spring theater preview mostly means a spring Broadway preview, since April is the month in which many of the year’s biggest-ticket shows rush the end zone. (To be eligible for this seaso…

SOURCE: Vulture at 12:36PM
Thursday, March 23, 2017

Theater Review: Why Are We In Miss Saigon? by Jesse Green

You probably already know whether you like Miss Saigon, the pop-opera retread of Madama Butterfly set against the collapse of the American experiment in Vietnam. If you do like it, by all me…

SOURCE: Vulture at 10:01PM

Theater Review: Encores! Tries to Reanimate a Jazz Age Cartoon by Jesse Green

Don’t let the lovely silvery MGM draperies fool you, nor the silky gorgeousness of the orchestrations: The New Yorkers, the latest Encores! reclamation project, is a clumsy, instructive, d…

SOURCE: Vulture at 04:26PM
Monday, March 20, 2017

Theater Review: Sarah Ruhl Gets Into Polyamory, Maaan by Jesse Green

Typically, Sarah Ruhl’s plays sound like your smartest friend stoned. They unfurl in tendrils of dialogue that are both organic and perseverant, fantastic and philosophical. Because the pl…

SOURCE: Vulture at 10:03PM
Thursday, March 16, 2017

Theater Review: A Rich Revival of Arthur Miller’s The Price by Jesse Green

We are used to thinking of Arthur Miller as a restless moralist: an American superego salesman with a big territory to cover. But being a playwright, he is also of course a sensualist; his d…

SOURCE: Vulture at 10:05PM
Wednesday, March 15, 2017

Theater Review: David Byrne Gives Joan of Arc the Imelda Treatment by Jesse Green

As you head to your seat for the new David Byrne musical Joan of Arc: Into the Fire, at the Public, you may smile upon seeing a painted stage drop bearing the legend “She was warned. She w…

SOURCE: Vulture at 11:00PM
Monday, March 13, 2017

Theater Review: The Moors Is a Brontë Mashup Swimming in Whimsy by Jesse Green

The Playwrights Realm enjoyed a major success last year with The Wolves, a marvelous, eye-opening play by Sarah DeLappe that flipped the tropes of the men-in-sports genre to explore the live…

SOURCE: Vulture at 09:30PM
Thursday, March 9, 2017

Theater Review: A Reimagined (and Reinvigorated) Glass Menagerie, With Sally Field by Jesse Green

Surely we have reached the point with Tennessee Williams’s great plays — if not, perhaps, his lesser ones — where it is desirable and even necessary to deploy them in new ways. They ar…

SOURCE: Vulture at 09:20PM
Thursday, March 2, 2017

Theater Review: Significant Other Is Still a Too-Loud, Too-Long Wedding Reception by Jesse Green

What is Jordan Berman’s problem? He’s 28, adorkably gay, and gainfully employed at an advertising agency. His trio of college besties — Kiki, Vanessa, and Laura — coo over him like a…

SOURCE: Vulture at 11:00PM
Wednesday, March 1, 2017

Theater Review: A Close-Up Sweeney Todd Gets Extra-Demonic by Jesse Green

We do not question, despite their umpteen revivals, whether the theater “needs” another production of Othello or The Cherry Orchard or Waiting for Godot. Nor should we with Sweeney Todd,…

SOURCE: Vulture at 10:11PM
Monday, February 27, 2017

Theater Review: The David Mamet Flameout Is Complete; Will Eno Catches Himself by Jesse Green

Again with the whining! It would take a review longer than this space permits to explore how David Mamet, the great bard of the grifty underclass in early plays like American Buffalo and Gle…

SOURCE: Vulture at 10:25PM
Thursday, February 23, 2017

Theater Review: Jake Gyllenhaal in Sunday in the Park With George by Jesse Green

A 98-year-old woman named Marie sits in a wheelchair surveying the Georges Seurat painting “A Sunday Afternoon on the Island of La Grande Jatte” at the Art Institute of Chicago in 1984. …

SOURCE: Vulture at 09:00PM
Tuesday, February 21, 2017

Theater Review: Branden Jacobs-Jenkins Brings a 600-Year-Old Play Up to the Moment With Everybody by Jesse Green

Branden Jacobs-Jenkins — a MacArthur genius, a Pulitzer finalist, and a recipient of Yale’s Windham–Campbell Literature Prize — gets my award for most-restless playwright. Five of hi…

SOURCE: Vulture at 09:00PM
Thursday, February 16, 2017

Theater Reviews: Evening at the Talk House and Escaped Alone by Jesse Green

For at least 30 years, Wallace Shawn has been warning theatergoers about totalitarianism: how near it is, how easily we might acquiesce in it. I have to admit I’ve sometimes found his alar…

SOURCE: Vulture at 09:47PM
Thursday, February 9, 2017

Theater Review: This Sunset Boulevard Is Facedown in the Pool by Jesse Green

It’s easy to see why Stephen Sondheim and the team of Kander and Ebb each took a stab at musicalizing Sunset Boulevard. The still-startling 1950 movie, directed and co-written by Billy Wil…

SOURCE: Vulture at 09:47PM

Theater Review: Encores! Shows Why Big River Isn’t Coming Back Anytime Soon by Jesse Green

It might be possible to enjoy the musical Big River by squinting. It is, after all, based on Mark Twain’s The Adventures of Huckleberry Finn, whose main events — Huck’s escape from his…

SOURCE: Vulture at 02:50PM
Thursday, January 19, 2017

Theater Review: Jitney, or How August Wilson Learned to Drive by Jesse Green

August Wilson was still a young artist, if no longer a young man, when he started work on Jitney at age 34. Was the play, about some car-service drivers scratching out a living, meant as a o…

SOURCE: Vulture at 09:17PM
Wednesday, January 18, 2017

Theater Review: Harriet Walter Owns This All-Female Tempest by Jesse Green

On October 20, 1981, six members of an organization called the Black Liberation Army robbed a Brink’s armored truck at the Nanuet Mall, killing a Brink’s guard and then two policemen who…

SOURCE: Vulture at 08:48PM
Sunday, January 15, 2017

Theater Review: BAM’s Bangup Revival of The Beauty Queen of Leenane by Jesse Green

In a dank and grimy cottage in a small town in remote Connemara live the embittered fortyish spinster Maureen Folan and her spiteful mother, Mag, whose name rhymes with “hag” for good re…

SOURCE: Vulture at 07:27PM
Thursday, January 5, 2017

32 New Broadway and Off Broadway Shows Worth Seeing in 2017 by Jesse Green

Barring last-minute announcements — unlikely because every available theater is booked — 24 productions are scheduled to open on Broadway between now and the Tony Awards cutoff at the en…

SOURCE: Vulture at 04:42PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic