Wednesday, October 7, 2020
In a few minutes or a full show, these performers capture heartbreak, fury and laughs. For the words of Samuel Beckett, a disembodied mouth did the trick.
SOURCE: The New York Times Subscription at 10:24AMFriday, September 11, 2020
Six months dark. Thousands of artists out of work. Could this disaster have a surprise ending? Five critics on what must change, onstage and off.
SOURCE: The New York Times Subscription at 05:18AMFriday, August 21, 2020
Among the performances you can catch online are a one-woman show about sexual assault and riffs on “Heart of Darkness” and “Rocky.”
SOURCE: The New York Times Subscription at 04:06PMWednesday, July 8, 2020
Our critics discuss the last four months, which thanks to Zoom (and Meryl Streep) have been full of experimentation and playfulness.
SOURCE: The New York Times Subscription at 10:54AMFriday, June 12, 2020
From the documentary works of Anna Deavere Smith to brief monologues written in this moment of unrest, dramatists are sounding an alarm.
SOURCE: The New York Times Subscription at 07:03PMThursday, June 4, 2020
Miranda’s rap. Rylance’s poems. Jackman’s pelvis. And a brassy reunion for Bea Arthur and Angela Lansbury. Now set your clock for “Turkey Lurkey Time.”
SOURCE: The New York Times Subscription at 02:18PMWednesday, April 15, 2020
A listening guide to the cast albums, playlists and video footprints left behind by 18 Broadway and Off Broadway musicals.
SOURCE: The New York Times Subscription at 10:42AMMonday, April 6, 2020
Our co-chief theater critics discuss the plays and musicals that reflected and predicted an unstable world.
SOURCE: The New York Times Subscription at 02:36PMTuesday, March 31, 2020
Our chief theater critics have no nickel-plated medallions to hand out, but they find plenty to celebrate among shut-down Broadway offerings.
SOURCE: The New York Times Subscription at 05:42PMTuesday, March 24, 2020
Mr. McNally, who died of coronavirus complications, introduced audiences to characters and situations that most mainstream theater had previously shunted into comic asides.
SOURCE: The New York Times Subscription at 03:42PMThursday, March 12, 2020
An opinionated take on the songwriter’s major works, from a delayed debut to a Pulitzer Prize- winning classic.
SOURCE: The New York Times Subscription at 07:06AMMonday, February 24, 2020
Must-see shows, must-believe revivals, and major stars — this spring, New York’s stages have them all. From rollicking royals to some welcome Company, here are six seasonal trends worth…
SOURCE: Entertainment Weekly at 09:00AMFriday, January 17, 2020
The Public Theater’s festival has included 12 featured offerings, four cabaret acts and six pieces of developmental work. Here’s what our critics saw.
SOURCE: The New York Times Subscription at 03:33PMSunday, January 12, 2020
A jazz memoirist, a Palestinian rocketeer and Mexican myths set to music kick off the Public Theater’s annual festival of adventurous work from across the globe.
SOURCE: The New York Times Subscription at 03:12PMTuesday, December 3, 2019
Shows that defied categorization offered a stark choice: Escape an angry world, or face up to its travails. Beyond Broadway, writers explored race, inequality and addiction.
SOURCE: The New York Times Subscription at 05:18AMMonday, October 21, 2019
Gerard Alessandrini’s franchise was looking as long in the tooth as the shows it aimed to skewer. A new edition brings it back to hilarious life.
SOURCE: The New York Times Subscription at 03:48PMTuesday, October 1, 2019
Ben Brantley and Jesse Green respond to readers curious about the Tony race, hungry for happy fare, and heading to London.
SOURCE: The New York Times Subscription at 10:42AMWednesday, August 7, 2019
How does who you are affect how you see this Pulitzer Prize-winning drama? Two critics finally have the talk.
SOURCE: The New York Times Subscription at 10:18AMMonday, June 10, 2019
Swinging lights. Broadway beefs. Words of wisdom. And a restroom serenade. If only some of the highlights were on TV.
SOURCE: The New York Times Subscription at 01:12PMThe Tony Awards celebrated the best of Broadway on Sunday night, in a ceremony that kicked off with a star-filled musical number from host James Corden and ended with big wins for Hadestown …
SOURCE: Entertainment Weekly at 12:09PMSunday, June 9, 2019
For decades, our photographers have gotten intimate access backstage. Peek in as they capture stars, before the show and before the mirror.
SOURCE: The New York Times Subscription at 09:12PMTuesday, May 14, 2019
Adventurous directors and galvanizing performances made for unexpected — and very welcome — departures on what once felt like the Staid White Way.
SOURCE: The New York Times Subscription at 08:54AMThe chief theater critics for The Times choose who they think should win and who should have been nominated.
SOURCE: The New York Times Subscription at 04:36AMTuesday, April 30, 2019
New York Times theater critics on a Tonys roster that highlighted originality, if not diversity, and made room for some welcome surprises.
SOURCE: The New York Times Subscription at 01:06PMThursday, April 25, 2019
Tuesday, January 8, 2019
Offerings at the festival include a riff on “Uncle Vanya”; a “Frankenstein” adaptation highlighting a mother’s grief; and an intimate tale of displacement.
SOURCE: The New York Times Subscription at 04:54PMMonday, January 7, 2019
An eclectic opening weekend included sketches and songs by Nigerian women, two unsettling monologues and a punk-rock reminiscence (with mixtape to follow).
SOURCE: The New York Times Subscription at 03:18PMTuesday, December 4, 2018
It was a year when classics were reincarnated in deceptively modest interpretations, conventional story forms were tossed aside and strong voices roared.
SOURCE: The New York Times Subscription at 04:48AMThursday, November 22, 2018
The 28-year-old lead principal of the English National Ballet talks to the Guardian's Iman Amrani about his plans to make dance a human right in his home country of Mexico and elevate it as …
SOURCE: The Guardian at 05:32AM 
