All stories by Ian Thal on BroadwayStars

Monday, August 17, 2015

Fuse Theater Review: Double Edge’s “Once a Blue Moon” — Water Worlds by Ian Thal

What sets Double Edge Theatre apart from other troupes is that it has always forged an intimate link between the world of physical theater and the world of literature and ideas.

SOURCE: The Arts Fuse at 05:30PM
Wednesday, August 12, 2015

Fuse Theater Review: “Eyes Shut. Door Open.” – Cain and Abel South of Houston Street by Ian Thal

The script's suggestion of mythological violence elevates Eyes Shut. Door Open. above the formulaic "dark domestic secrets revealed at a family reunion" plot line.

SOURCE: The Arts Fuse at 03:52PM
Friday, June 26, 2015

Fuse Theater Review: “The Wakeville Stories” – Theater as Civic Ritual by Ian Thal

Dramatist Laurence Carr has a gift for vivid characterization and for creating a concrete sense of time and place.

SOURCE: The Arts Fuse at 03:24PM
Thursday, June 25, 2015

Fuse Theater Review: Happy Medium Theatre’s “Dying City” — Inventive Intimacy by Ian Thal

Happy Medium Theatre's powerful production is a testament to how the artists in our area are triumphing over the economic adversity.

SOURCE: The Arts Fuse at 10:49AM
Sunday, June 14, 2015

Fuse Theater Review: “Three” Equals Zero by Ian Thal

In truth, Three is not much of a play at all, but an anthology of “very special episodes” of an unproduced television or web series.

SOURCE: The Arts Fuse at 08:56AM
Thursday, May 28, 2015

Fuse Theater Review: Shakespeare’s “Game of Thrones” — Staged With Gusto by Ian Thal

Rarely are Boston's stages graced with a Shakespeare production that reaches this high a level of accomplishment.

SOURCE: The Arts Fuse at 02:07PM
Thursday, May 21, 2015

Fuse Theater Review: Bridge Repertory’s “Julius Caesar” — The Fast and Furious Version by Ian Thal

With Julius Caesar, Bridge Repertory shows that it can assemble a strong ensemble and put together a memorable sensory experience.

SOURCE: The Arts Fuse at 01:06PM
Monday, May 18, 2015

Fuse Theater Review: “The Submission” — An Engaging Script that Falls Short of Its Ambitions by Ian Thal

At first, The Submission comes on as an agreeably edgy satire of the automatic embrace of identity politics and political correctness in the academy and popular culture.

SOURCE: The Arts Fuse at 10:56AM
Tuesday, May 5, 2015

Fuse Theater Review: “Scenes From An Adultery” — Where’s the Sex? by Ian Thal

Ronan Noone's allegedly frisky sex farce turns out to be geriatric.

SOURCE: The Arts Fuse at 07:56AM
Saturday, May 2, 2015

Fuse Theater Review: “The Whole World” — The Monsters Are Us by Ian Thal

The Whole World focuses on the incoherence that lurks underneath the empowering narratives we tell about ourselves.

SOURCE: The Arts Fuse at 10:30AM
Friday, April 17, 2015

Fuse Theater Review: “Ulysses On Bottles” — Floating More Questions Than Answers by Ian Thal

Tragedy isn't when evil triumphs, but when good becomes entangled in its own inevitable contradictions.

SOURCE: The Arts Fuse at 09:50AM
Friday, April 3, 2015

Fuse Theater Review: ASP’s Powerful “God’s Ear” — The Poetics of Grief by Ian Thal

Actors' Shakespeare Project's superb production of God's Ear honors this beautiful text.

SOURCE: The Arts Fuse at 11:36AM
Sunday, March 22, 2015

Fuse Theater Review: A “Big Fish” Out of Water at SpeakEasy Stage Company by Ian Thal

The problem is that John August's book for the musical lacks most of what made his screenplay for the 2003 film so emotionally resonant for so many.

SOURCE: The Arts Fuse at 12:10PM
Friday, March 20, 2015

Fuse Theater Review: “From the Deep” — Real Pain in an Imaginary Space by Ian Thal

From The Deep suggests that Boston's theater community would be better served if it put more of its resources into presenting the work of local literary talent.

SOURCE: The Arts Fuse at 08:05AM
Wednesday, February 25, 2015

Fuse Theater Review: Apollinaire Theatre Company Stages a Lyrical Trip To “Greenland” by Ian Thal

In dramatist Nicolas Billon's enigmatic but involving Greenland, the audience is called on to actively reconstruct what occurred in the characters' lives.

SOURCE: The Arts Fuse at 12:40PM
Friday, February 20, 2015

Fuse Theater Review: “Albatross” — A Return to Theater as Poetry by Ian Thal

Albatross is terrific -- a powerful script, vital performance, and imaginative stage design.

SOURCE: The Arts Fuse at 10:08AM
Friday, January 16, 2015

Fuse Theater Review: “Measure for Measure” – A Problem Play for Shakespeare’s Time — and Ours by Ian Thal

Shakespeare may have written Measure for Measure as a dystopian satire of what it would be like if the Puritans were ever to take over England.

SOURCE: The Arts Fuse at 09:46PM
Wednesday, January 7, 2015

Fuse Theater Commentary: On The Firing Of Theater J’s Ari Roth by Ian Thal

The Theater J debacle points to the difficulties Jewish theater faces within the Jewish community.

SOURCE: The Arts Fuse at 10:41AM
Saturday, December 20, 2014

Fuse Theater Commentary: Is a Five-Year-Old Tony Kushner Play Too Challenging For Boston? by Ian Thal

The only Boston-based companies that have the means to stage an epic on this scale will shy away from the content while those adventurous enough to handle its iconoclasm lack the means.

SOURCE: The Arts Fuse at 06:24PM
Saturday, November 15, 2014

Fuse Theater Review: “The Real Thing” — A Play That Resonates with Reality by Ian Thal

The Real Thing's discussion of linguistic precision may be telling now in ways that dramatist Tom Stoppard may not have anticipated.

SOURCE: The Arts Fuse at 07:57PM
Thursday, November 13, 2014

Fuse Theater Review: “Make My Heart Flutter” — The Father of Israeli Drama Looks at the Foolishness of Infatuation by Ian Thal

To its considerable credit, Make My Heart Flutter is more existential, literary, and weird than most American comedies. Make My Heart Flutter by Hanoch Levin. Translated by Karen Alkalay-Gut…

SOURCE: The Arts Fuse at 09:29AM
Friday, November 7, 2014

Fuse Theater Review: “Crack” — A Theatrical Meditation on Love, Mental Illness, and Modernity by Ian Thal

Crack is too complex and nuanced to be reduced to an anti-psychiatric tract.

SOURCE: The Arts Fuse at 06:42PM
Sunday, November 2, 2014

Fuse Interview: Boston Public Works – Seven Playwrights Making a New Road Map for New Plays by Ian Thal

Self-production, I think, is for artists who also are entrepreneurs who have a burning desire to get their voice heard.

SOURCE: The Arts Fuse at 12:28PM
Saturday, October 25, 2014

Fuse Theater Review: “Much Ado About” Sexting and Social Media by Ian Thal

This staging of Much Ado About Nothing would make an excellent ice-breaker for a discussion between adolescents and adults.about sexting

SOURCE: The Arts Fuse at 11:02AM
Wednesday, October 15, 2014

Fuse Theater Review: German Stage — These Youth Don’t Want to Hear No “WhiteBreadMusic” by Ian Thal

In interesting ways, German Stage's ongoing exploration of Germany's immigrant populations provides a lens through which we can evaluate how we perceive our immigrants and how we treat them.

SOURCE: The Arts Fuse at 04:54PM
Thursday, October 9, 2014

Fuse Theater Review: This “Comedy of Errors” is an Exhilarating Circus of Desperation by Ian Thal

The intriguing notion of a down-and-out clown troupe struggling with a classic text propels this superb production.

SOURCE: The Arts Fuse at 09:04AM
Monday, July 21, 2014

Fuse Theater Review: Shakespeare & Co’s “The Servant of Two Masters” — An Old Farce, Refreshed by Ian Thal

Director Jenna Ware's adaptation (a world premiere) of Carlo Goldoni's inspired zaniness puts a delightfully distinctive spin on a classic of clowning.

SOURCE: The Arts Fuse at 09:46AM
Wednesday, July 9, 2014

Fuse Theater Review: Are the Iraqis “Waiting for Gilgamesh”? by Ian Thal

Playwright Amir Al-Azraki is in the camp that believes that the Iraqis themselves bear much of the responsibility for the chaos in their country.

SOURCE: The Arts Fuse at 04:53PM
Monday, May 26, 2014

Fuse Theater Review: An Enigmatic “Abyss” — A Crime Drama About Serbs in Germany by Ian Thal

Does the distrust of (even a little) narrative ambiguity by North American dramaturgs and audiences mean that international plays must be made more 'cinematic' when they are produced here?

SOURCE: The Arts Fuse at 09:25AM
Thursday, May 8, 2014

Fuse Theater Review: “Icarus” in the Dust Bowl by Ian Thal

Icarus proffers plenty of spectacle and talent, but the show only recycles a story we've seen countless times on stage and screen.

SOURCE: The Arts Fuse at 10:04AM
Sunday, April 13, 2014

Fuse Theater Feature: Savyon Liebrecht — In Residence at Israeli Stage With Two Plays About Freud and his Family by Ian Thal

Dramatist Savyon Liebrecht was recently in the Boston area for a residency with Israeli Stage -- two of her scripts, both dealing with Freud and his legacy, received their world premieres he…

SOURCE: The Arts Fuse at 05:06PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic