All stories by Ian Thal on BroadwayStars

Thursday, July 28, 2016

Fuse Theater Review: At Shakespeare & Company — Tina Packer’s Masterful “Merchant of Venice” by Ian Thal

Shakespeare & Company's staging of Merchant of Venice is the strongest this critic has ever seen or could hope to.

SOURCE: The Arts Fuse at 06:28PM
Monday, July 25, 2016

Fuse Theater Review: Apollinaire Theatre Company’s “Hamlet” — Thrilling and Peripatetic by Ian Thal

Apollinaire Theatre Company has expanded the possibilities of finding first-rate outdoor Shakespeare in the Boston area.

SOURCE: The Arts Fuse at 05:26PM
Wednesday, July 20, 2016

Fuse Theater Review: Mermaids Don’t Lie in “From The Sea, To Somewhere Else” by Ian Thal

Those seeking whimsical and intimate theatrical entertainment should take in this imaginative production.

SOURCE: The Arts Fuse at 03:26PM
Sunday, July 17, 2016

Fuse Theater Review: “Cuisine & Confessions” — A Delicious Spectacle by Ian Thal

The 7 Fingers can be depended on to fill everyone's belly with spectacle.

SOURCE: The Arts Fuse at 09:55AM
Thursday, July 14, 2016

Fuse Visual Arts Review: Leon Steinmetz — Picturing the Artful Comedy of Commedia dell’Arte by Ian Thal

In this splendid exhibition, Leon Steinmetz displays a deep appreciation of the complexity of commedia dell'arte.

SOURCE: The Arts Fuse at 10:58AM
Tuesday, June 21, 2016

Fuse Theater Review: “Wild Williams” — Wildly Imaginative by Ian Thal

Wild Williams is a marvelous antidote for the formulaic.

SOURCE: The Arts Fuse at 10:15AM
Monday, May 9, 2016

Fuse Theater Review: “Freud’s Last Session” — Dramatically Repressed by Ian Thal

When it comes to dramatic debate, balanced parry and thrust are paramount.

SOURCE: The Arts Fuse at 07:07PM
Wednesday, April 27, 2016

Fuse Theater Review: “Oh God” – Psychoanalysis Saves The World! by Ian Thal

Maureen Keiller and Will Lyman have performed numerous staged readings of Oh God and their intimate knowledge of the text shows.

SOURCE: The Arts Fuse at 10:12AM
Tuesday, April 19, 2016

Fuse Theater Review: Theatre Nohgaku — Noh Plays With and Without an American Accent by Ian Thal

Zahdi Dates and Poppies demonstrates that the formal aspects of Noh can be adapted to contemporary American themes.

SOURCE: The Arts Fuse at 03:24PM
Thursday, April 14, 2016

Fuse Theater Review: “Mr. Burns” at the Lyric Stage — Not so Electrifying by Ian Thal

Anne Washburn has a number of good ideas in this play, but the execution falls short.

SOURCE: The Arts Fuse at 04:14PM
Friday, April 8, 2016

Fuse Theater Review: “Arcadia” – Winding the World Up … And Down by Ian Thal

Director Lee Mikeska Gardner has put together a dazzling production that matches Tom Stoppard's dazzling script.

SOURCE: The Arts Fuse at 12:57PM
Friday, April 1, 2016

Fuse Book Review: “Shylock Is My Name” — And the Problem Remains by Ian Thal

Despite this, he is vexed by how the play draws out the anti-Semitism of English audiences

SOURCE: The Arts Fuse at 07:02PM
Friday, March 11, 2016

Fuse Theater Review: “Fast Company” — An Amusing Comedy About Flimflammers by Ian Thal

Fast Company may be light entertainment, but director M. Bevin O'Gara has assembled her own remarkable crew for this breezy caper comedy.

SOURCE: The Arts Fuse at 11:45AM
Saturday, March 5, 2016

Fuse Theater Review: “Rhinoceros” on Newbury Street by Ian Thal

With conformity on the march, Ionesco's Rhinoceros remains as timely as ever.

SOURCE: The Arts Fuse at 08:44AM
Sunday, February 28, 2016

Fuse Stage Review: Sonic Life on the Office Floor — The Bitter Truth by Ian Thal

Okada's play reflects how skepticism has become the default stance for young adults shellshocked by post-recession economic restructuring.

SOURCE: The Arts Fuse at 12:13PM
Saturday, February 6, 2016

Fuse Theater Review: “The Convert” — A Zimbabwean Tragedy by Ian Thal

The Convert is a complex historical drama that shows us individuals crushed among powerful contradictions.

SOURCE: The Arts Fuse at 01:17PM
Friday, January 22, 2016

Fuse Theater Review: Fresh Ink’s “The Housekeeper” Keeps Things Neat by Ian Thal

The Housekeeper may be too conventional for its own good, but it is intelligently crafted and engagingly entertaining.

SOURCE: The Arts Fuse at 09:22AM
Thursday, January 14, 2016

Fuse Theater Review: “Citizens of the Empire” — A Copycat Cosmos by Ian Thal

It is strange that Citizens of the Empire is so weirdly lame, given that it has been in development for quite a while now.

SOURCE: The Arts Fuse at 10:09AM
Thursday, December 24, 2015

Fuse Theater Review: “The Winter’s Tale” — A Problem Play, Solved by Ian Thal

The ASP's superb production of The Winter's Tale provides a unusually deft fusion of tragedy and comedy.

SOURCE: The Arts Fuse at 02:42PM
Wednesday, December 2, 2015

Fuse Theater Review: At Israeli Stage — Alma Weich Places a “Price Tag” on Violence by Ian Thal

The timeliness of this staged reading made for one of the most heated and engaged talk-backs for any of the presentations in Israeli Stage's six-year history.

SOURCE: The Arts Fuse at 03:20PM
Monday, November 2, 2015

Fuse Theater Review: “Saturday Night/Sunday Morning” – As Expected As The Sunrise by Ian Thal

Dramatist Katori Hall's narrative unfolds with few surprises: every revelation, every secret, every comeuppance is foreshadowed.

SOURCE: The Arts Fuse at 06:16PM
Saturday, October 31, 2015

Fuse Theater Review: “Everything Between Us” — A Protestant Perspective On The Troubles by Ian Thal

David Ireland's use of coded sectarian language helps him paint a vivid picture of the Belfast his characters call home.

SOURCE: The Arts Fuse at 11:38AM
Saturday, October 17, 2015

Fuse Theater Review: “Copenhagen” — A Dazzling Production Conceals Moral Confusion by Ian Thal

Despite the dazzling rewards of this virtuoso Underground Railway Theater production, Copenhagen short circuits its central theme.

SOURCE: The Arts Fuse at 11:51AM
Thursday, October 15, 2015

Fuse Theater Review: New Rep’s “A Number” Doesn’t Add Up by Ian Thal

The laughter in the production serves a useful purpose: it distract us from the serious narrative problems in Caryl Churchill's script.

SOURCE: The Arts Fuse at 06:14PM
Saturday, October 3, 2015

Fuse Theater Review: “Einstein’s Dreams” — Time After Time by Ian Thal

Wesley Savick not only does a fine job of adapting Alan Lightman's text, but in his role as director he squares the circle: his stage version runs like clockwork yet breathes like an organic…

SOURCE: The Arts Fuse at 09:26AM
Thursday, October 1, 2015

Fuse Theater Review: ASP’s Compelling “Othello” — Taking a Different Tack by Ian Thal

ASP director Bridgette Kathleen O'Leary chooses a nuanced approach to Othello that hews closely to the text.

SOURCE: The Arts Fuse at 09:58AM
Sunday, September 27, 2015

Fuse Theater Review: “Ernest Shackleton Loves Me” – Musically Engaging But Dramatically Weak by Ian Thal

This show's rousingly eclectic score is considerably more progressive than what is typical of our determinedly conservative modern musical theater genre.

SOURCE: The Arts Fuse at 10:25PM
Thursday, September 17, 2015

Fuse Theater Review: “Academy Fight Song” — Cutting the Ivory Tower Down to Size by Ian Thal

Membership in academe comes down to those who never wanted to leave the comforts of college or those who see it as a place to score big.

SOURCE: The Arts Fuse at 11:43AM
Monday, September 14, 2015

Fuse Theater Review: Arthur Miller’s “Broken Glass” – A Boston Premiere For An American Master by Ian Thal

The New Repertory Theatre is paying homage to Arthur Miller's centennial with a superb staging -- a Boston-area premiere -- of one of the dramatist's later works, Broken Glass.

SOURCE: The Arts Fuse at 04:07PM
Thursday, August 27, 2015

Fuse Theater Review: An Entertaining “Winter’s Tale” — Under the Summer Stars by Ian Thal

The Winter's Tale's odd structure and hybrid genre is a challenge to modern directors and audiences alike.

SOURCE: The Arts Fuse at 10:43AM
Monday, August 17, 2015

Fuse Theater Review: Double Edge’s “Once a Blue Moon” — Water Worlds by Ian Thal

What sets Double Edge Theatre apart from other troupes is that it has always forged an intimate link between the world of physical theater and the world of literature and ideas.

SOURCE: The Arts Fuse at 05:30PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic