All stories by Ian Thal on BroadwayStars

Sunday, April 13, 2014

Fuse Theater Feature: Savyon Liebrecht — In Residence at Israeli Stage With Two Plays About Freud and his Family by Ian Thal

Dramatist Savyon Liebrecht was recently in the Boston area for a residency with Israeli Stage -- two of her scripts, both dealing with Freud and his legacy, received their world premieres he…

SOURCE: The Arts Fuse at 05:06PM
Friday, April 4, 2014

Fuse Theater Review: Plays New and Old Back to Back and Reel to Reel by Ian Thal

Fort Point Theater Channel made a call for submissions for a new play to serve as a companion piece to "Krapp's Last Tape." The result: a performance of Samuel Beckett's classic with the wor…

SOURCE: The Arts Fuse at 12:17PM
Wednesday, April 2, 2014

Fuse Theater Review: “Brundibár” and “But The Giraffe!” Serious Theater for Young People by Ian Thal

The Underground Railway Theater production shows that sometimes children's theater is capable of a moral depth (perhaps even a fearlessness) that adult theater often avoids.

SOURCE: The Arts Fuse at 03:01PM
Wednesday, March 19, 2014

Fuse Theater Review: Beached in the Living Room — “The Whale” by Ian Thal

Unlike much of what comes through the new play development pipeline, "The Whale" proffers a coherent narrative structure -- the result is a well-crafted, somewhat edgy, domestic tragedy.

SOURCE: The Arts Fuse at 12:55PM
Tuesday, March 11, 2014

Fuse Theater Interview: Swiss Playwright Jérôme Richer on Questioning “The Real Meaning of Words” by Ian Thal

“Everybody has the power to change the world because we’re a part of it. Even if it’s a really small change, it needs to be done. Writing is my pebble in this path.” - Jérôme Richer

SOURCE: The Arts Fuse at 10:01AM
Monday, February 24, 2014

Fuse Theater Review: Liars & Believers’ “Interference” is “Guernica” for Hipsters by Ian Thal

The 64,000 question is, if the artists' concerns gravitated to the Marathon Bombings, why did "Interference"'s press releases and the program cite Picasso's "Guernica"?

SOURCE: The Arts Fuse at 12:56PM
Wednesday, February 19, 2014

Fuse Theater Interview: Israeli Playwright Motti Lerner on Catharsis, Tikkun, “Hard Love,” and Protesting a Play Without Reading the Script by Ian Thal

"The working relationship is based on the mutual feeling that all three of us have the same understanding of the purpose of the theatre – to present plays that create a cathartic experienc…

SOURCE: The Arts Fuse at 10:44AM
Tuesday, February 18, 2014

Fuse Interview: Stage Director Melia Bensussen on “Hard Love,” and “The Cherry Orchard” by Ian Thal

"There is a struggle in love in the best of circumstances, and when on top of the daily challenges there are divisions of culture or society or simply of invented categories – well, that d…

SOURCE: The Arts Fuse at 05:23PM
Sunday, January 5, 2014

Fuse Theater Review: Take Two — Shakespeare Plays it Safe In “Henry VIII” by Ian Thal

If "Henry VIII" is dramatically lacking when compared to Shakespeare's other histories, what makes this production worthwhile is the care Actors' Shakespeare Project has brought to staging i…

SOURCE: The Arts Fuse at 08:48PM
Sunday, December 22, 2013

Fuse Theater Review: “The Golden Dragon” — A Satire With Bite about International Cuisine by Ian Thal

In his satire "The Golden Dragon," Roland Schimmelpfennig holds his funhouse mirror up to “theater-people”: be they artists, audience, teachers, or students.

SOURCE: The Arts Fuse at 10:53AM
Saturday, November 16, 2013

Fuse Theater Review: Israeli Stage Brings “The Whore From Ohio” to Boston by Ian Thal

"The Whore From Ohio" is a provocative reminder that the same creature that is born to eat, drink, copulate, rot, and die is also a creature that dreams, tells stories, contemplates its own …

SOURCE: The Arts Fuse at 01:32PM
Saturday, November 2, 2013

Fuse Theater Review: “Mameloschn” — Three Jewish Women Living Through the History of Germany by Ian Thal

Refreshingly, playwright Marianna Salzmann manages to be political without being didactic. Her characters live (rather than preach) through history, grappling with the transition from totali…

SOURCE: The Arts Fuse at 12:33PM
Tuesday, October 29, 2013

Fuse Theater Review: Boston Theater Company’s “Romeo & Juliet” — A Romance Rife With Political Scandal by Ian Thal

BTC's experiment, while not without its faults, proffers an admirable model of the sort of creative thinking that more companies should emulate when placing Shakespearean drama in a contempo…

SOURCE: The Arts Fuse at 03:03PM
Thursday, October 17, 2013

Fuse Theater Review: Actors’ Shakespeare Project’s Romeo & Juliet — Just the Tragic Story by Ian Thal

Actors' Shakespeare Project's production is a fine start to the company's tenth aniversary season and an impressive realization of its founding mission statement -- for this company, story …

SOURCE: The Arts Fuse at 11:54AM
Sunday, September 22, 2013

Fuse Theater Review: “Dog Paddle” — An Elegant Comedy about Inelegantly Keeping Your Head Above Water by Ian Thal

Swiss Stage's inaugural offering was Dog Paddle (Schwimmen wie Hunde), a domestic comedy based on existential themes, by the German-speaking playwright Reto Finger.

SOURCE: The Arts Fuse at 03:23PM
Saturday, September 14, 2013

Fuse Theater Review: “The Libertine” Serves Up Decadent Pleasures by Ian Thal

Playwright Stephen Jeffreys, despite his gifts as a writer, despite his fascination with the milieu, and despite his obvious admiration for Wilmot's rarified obscenity, seems unable to find …

SOURCE: The Arts Fuse at 10:34AM
Thursday, September 12, 2013

Fuse Theater Review: “One Man, Two Guvnors” — From Brighton to Boston by Ian Thal

Director Spiro Veloudos keeps the clockwork running smoothly, not just ensuring that that the actors keep the rhythm, but making use of a skilled backstage crew who engineer (miraculously an…

SOURCE: The Arts Fuse at 01:00PM
Saturday, June 22, 2013

Fuse Theater Review: “The Merchant of Venus” — Shakespeare, Politically Corrected by Ian Thal

This production of Shakespeare's 'The Merchant of Venice" tries to have it both ways: a show about intolerance, bigotry, and hatred is set in a 'politically correct' past.

SOURCE: The Arts Fuse at 03:07PM
Wednesday, May 22, 2013

Fuse Stage Review: A Pleasurably Formulaic “Best Friends” Via Israeli Stage by Ian Thal

Anat Gov does a fine job on the meta-playwriting level. "Best Friends" is a genre piece that is also an affectionate commentary on the genre to which it belongs.

SOURCE: The Arts Fuse at 08:43AM
Friday, February 22, 2013

Richard II’s Federalist Tea Party by Ian Thal

The Federalist Society goes to the theater... and free-associates.

SOURCE: Clyde Fitch Report at 07:10PM
Tuesday, February 5, 2013

Fuse Theater Review: A Supremely Funny “Servant of Two Masters” by Ian Thal

Leaving aside the doctrinal issue of how much of a commedia dell'arte evening should be improvised and how much should be scripted, the Yale Repertory Theatre production, in terms of perfor…

SOURCE: The Arts Fuse at 08:24AM
Saturday, December 22, 2012

Fuse Theater Review: “A Little Calm Before the Storm” — The Art of Playing Hitler by Ian Thal

Director Guy Ben-Aharon is on a roll. Working through Israeli Stage and German Stage, he has brought together another smart, compelling foreign play (an American premiere) and a first-rate c…

SOURCE: The Arts Fuse at 01:12PM
Tuesday, December 4, 2012

Fuse Theater Review: A Powerful “Ulysses on Bottles” by Ian Thal

Despite being a staged reading with scripts still in hand, the members of the Israeli Stage ensemble were already comfortably inhabiting their roles, striking just the right balance between …

SOURCE: The Arts Fuse at 11:59AM
Saturday, October 27, 2012

Fuse Theater Review: Eighteenth Century Pen Pals — Voltaire and Frederick by Ian Thal

Playwright Gericke-Schönhagen, hoping to avoid the phenomenon of talking heads, deliberately placed emphasis on those letters between Voltaire and Frederick that dramatized personalities ra…

SOURCE: The Arts Fuse at 12:51PM
Friday, October 12, 2012

Fuse Theater Feature: A German Stage at the Goethe-Institut Boston by Ian Thal

"The Boston theatre community can always profit from international influx. The German theatre scene in particular is quite innovative both in the plays being written and the productions that…

SOURCE: The Arts Fuse at 07:17PM
Sunday, September 30, 2012

Fuse Theater Review: Les 7 Doigts de la Main Return to Boston With the Innovative Artistry of “Sequence 8″ by Ian Thal

The agility of Les 7 Doigts de la Main's acrobats may be the spectacle that draws audiences in to see "Séquence 8," but it's their decision to treat acrobatics and other types of circus vir…

SOURCE: The Arts Fuse at 09:13AM
Thursday, September 27, 2012

Fuse Interview: The Theater Offensive Brings Lenelle Moïse’s “Expatriate” to Boston by Ian Thal

"One of the enormous changes I’ve seen is that in big city theater scenes, queer work isn’t so scarce anymore, which is great. These days, no major theater company in a city like Boston …

SOURCE: The Arts Fuse at 11:40PM
Saturday, September 15, 2012

Fuse Theater Review: “Hand in Hand Together” — The Perils of Political Theater in Translation by Ian Thal

Many historical dramas are content to use the past as a lens through which to view the present, but "Hand in Hand Together" does more than explore how conflicting ideologies influenced the c…

SOURCE: The Arts Fuse at 12:28PM
Friday, August 24, 2012

Questioning Myths: Bread & Puppet Theater’s Peter Schumann by Ian Thal

A sobering look at Schumann's past and present.

SOURCE: Clyde Fitch Report at 04:41PM
Saturday, August 18, 2012

Fuse Interview with David Sokol, Lyricist who made “Shylock Sing The Blues” by Ian Thal

"As an artist, you probably know when a project pulls at you, sometimes kicking and screaming. Shylock definitely has me by the back of the neck."

SOURCE: The Arts Fuse at 08:32AM
Thursday, August 16, 2012

Fuse Music Review: Shylock Sings the Blues by Ian Thal

This daring musical version of "The Merchant of Venice" provides a fascinating re-imagining of a classic play that explores many of the themes and tropes of the original more deeply than man…

SOURCE: The Arts Fuse at 04:57PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic