Thursday, December 15, 2022
Friday, December 9, 2022
In an uneven program, the tap dancer and choreographer presents three new works in Manhattan, including a dance for former cast members of “Stomp.”
SOURCE: The New York Times Subscription at 02:00PMJenna Ortega’s dance for her Addams Family character is a viral sensation, but why? It is disarming and defiant: the dance of a nonconformist.
SOURCE: The New York Times Subscription at 09:00AMJenna Ortega’s dance for her Addams Family character is a viral sensation, but why? It is disarming and defiant: the dance of a nonconformist.
SOURCE: The New York Times Subscription at 09:00AMFriday, December 2, 2022
The Israeli choreographer Emanuel Gat presents “LOVETRAIN2020,” a work set to hits by the British duo, for his company’s Brooklyn Academy of Music debut.
SOURCE: The New York Times Subscription at 03:13PMAfter a few slow, sad years, the dance calendar returned to something like abundance, with standout shows that leaned into joy and community.
SOURCE: The New York Times Subscription at 05:00AMWednesday, November 30, 2022
The veteran choreographer Sally Silvers celebrates her 40th anniversary season with “Pandora’s New Cake Stain,” a version of her first evening-length work.
SOURCE: The New York Times Subscription at 04:04PMThursday, November 24, 2022
In New York City Ballet’s production this year, the children, most of them new to the show, are back to normal. Pint-size, that is.
SOURCE: The New York Times Subscription at 08:00AMWednesday, November 16, 2022
The “Lion King” choreographer brings his company to the Joyce Theater in programs that feature his work and dances by the talented Norwood Pennewell.
SOURCE: The New York Times Subscription at 01:22PMSunday, November 13, 2022
The choreographer Serge Aimé Coulibaly explores the fear that permeates society in the North American premiere of “Wakatt” at NYU Skirball.
SOURCE: The New York Times Subscription at 01:38PMFriday, November 11, 2022
White privilege, racism, two pandemics: This choreographer takes it all on with the help of “The Nutcracker” and two of dance’s go-to composers.
SOURCE: The New York Times Subscription at 03:20PMFriday, November 4, 2022
For its Lincoln Center season, the Paul Taylor Dance Company presents premieres by Lauren Lovette and Amy Hall Garner, along with the classics.
SOURCE: The New York Times Subscription at 06:54PMSunday, October 30, 2022
The American Ballet Theater principal ruptured a tendon in December. He recently took his first step back to the stage with “Whipped Cream.”
SOURCE: The New York Times Subscription at 12:25PMFriday, October 28, 2022
The company continues its fall season with the delight that is “The Dream,” and a Christopher Rudd premiere with an all-Black cast and creative team.
SOURCE: The New York Times Subscription at 02:02PMFriday, October 21, 2022
Reflections on the fall season of New York City Ballet, which remains in transition with a new generation raring to go.
SOURCE: The New York Times Subscription at 09:00AMThursday, October 20, 2022
The busy choreographer returns to the stage, maybe for the last time, in her celebrated trilogy exploring Black life.
SOURCE: The New York Times Subscription at 10:00AMWednesday, October 19, 2022
The choreographer Fouad Boussouf presents his mystical “Näss” at the Joyce Theater as part of the Crossing the Line Festival.
SOURCE: The New York Times Subscription at 01:19PMMonday, October 17, 2022
The prolific choreographer tells a new story with two classic works at New York City Center: “In the Upper Room” and “Nine Sinatra Songs.” In that order.
SOURCE: The New York Times Subscription at 04:54PMFriday, October 14, 2022
Phelan, a principal at New York City Ballet, has gone from rising to risen with a stellar fall season that has shown her range in a string of debuts.
SOURCE: The New York Times Subscription at 01:52PMFriday, September 30, 2022
The City Center festival continued with Kyiv City Ballet, a Christopher Wheeldon duet and a daring work for Dayton Contemporary Dance Company.
SOURCE: The New York Times Subscription at 01:12PMThursday, September 29, 2022
With music by Solange and ballets by Kyle Abraham, Gianna Reisen and Justin Peck, the company’s annual fashion gala prizes costumes over dancing.
SOURCE: The New York Times Subscription at 01:21PMWith more than a half-century of work behind her, Rainer goes out swinging with “Hellzapoppin’: What About the Bees?,” which takes on themes of race and resistance.
SOURCE: The New York Times Subscription at 10:00AMFriday, September 23, 2022
The South African choreographer Robyn Orlin mixes culture and politics with the help of the stunning performance artist Albert Silindokuhle Ibokwe Khoza.
SOURCE: The New York Times Subscription at 01:35PMWednesday, August 24, 2022
The country’s experimental dance artists, independent and resilient, are using their skills in a new arena: war.
SOURCE: The New York Times Subscription at 05:00AMThursday, August 18, 2022
This year, the Beach Sessions at Rockaway Beach features the Trisha Brown Dance Company in a program of early works.
SOURCE: The New York Times Subscription at 11:30AMWednesday, August 10, 2022
In “Lifted: A Gospel House Musical,” the choreographer Rennie Harris tells a tale of redemption and healing loosely inspired by “Oliver Twist.”
SOURCE: The New York Times Subscription at 02:18PMWednesday, August 3, 2022
This New Zealand company returns to the Joyce Theater with two New York premieres, but neither are as penetrating as “Handgame,” a vintage gem.
SOURCE: The New York Times Subscription at 12:59PMWednesday, July 20, 2022
Daniel Camargo’s breakout season at American Ballet Theater changed his rank from guest artist to principal. (Now, all he needs is an apartment.)
SOURCE: The New York Times Subscription at 02:09PMFriday, July 8, 2022
Catherine Hurlin makes a major debut as Odette-Odile and the company presents the New York premiere of a mystical work by Alonzo King.
SOURCE: The New York Times Subscription at 01:43PMWednesday, June 29, 2022
Christopher Williams, a choreographer captivated by the otherworldly, presents the New York premieres of “Les Sylphides” and “Afternoon of a Faun.”
SOURCE: The New York Times Subscription at 01:08PMTuesday, June 21, 2022
Alexei Ratmansky’s “Of Love and Rage,” a New York premiere for American Ballet Theater, tells its story through fluent dancing bodies.
SOURCE: The New York Times Subscription at 12:19PM 
