The festival hosts the National Dance Company of Ghana at the Brooklyn Academy. “You’re getting the best of all the dances.”
SOURCE: The New York Times Subscription at 02:35PMWith a premiere by Tiffany Tregarthen and David Raymond at the Joyce, Gibney Company builds on its repertoire but doesn’t enhance it.
SOURCE: The New York Times Subscription at 01:23PMAfter 15 years, New York City Ballet revives “Brandenburg,” the choreographer’s final ballet, with a sparkling new cast.
SOURCE: The New York Times Subscription at 01:02PMThe choreographer Miguel Gutierrez presents the New York premiere of “I as another,” a duet with Laila Franklin, at Baryshnikov Arts Center.
SOURCE: The New York Times Subscription at 02:02PMHarrison Ball is retiring. After battling addiction, he is engaged to Zac Posen, serious about acting and grateful for his career.
SOURCE: The New York Times Subscription at 10:59AMThe choreographer collaborates with the designer Mimi Gross in “Garden Party,” a whimsical celebration of spring that hints at loss.
SOURCE: The New York Times Subscription at 01:21PMThe Trisha Brown Dance Company branches out beyond its founder’s work with its first commission: Judith Sánchez Ruíz’s “Let’s Talk About Bleeding.”
SOURCE: The New York Times Subscription at 08:00AMThe company presented two large-scale works, one inspired by the French protests of 1968, and the other a response to a lost Merce Cunningham work, at NYU Skirball.
SOURCE: The New York Times Subscription at 02:11PMA new generation of choreographers, obsessed with composition and costumes, experiments at Pageant in East Williamsburg, Brooklyn.
SOURCE: The New York Times Subscription at 05:00AMAs artistic director, Johnson, a pathbreaking ballerina, helped get the company back on its feet after a hiatus. Now, she’s ready to be an artist again.
SOURCE: The New York Times Subscription at 10:01AMAnaniashvili’s company, the State Ballet of Georgia, presents a program of works by George Balanchine and Yuri Possokhov at the Lehman Center in the Bronx.
SOURCE: The New York Times Subscription at 01:34PMWith new books and a podcast taking another look at the legacy of George Balanchine and the culture of ballet, where does a modern ballerina stand?
SOURCE: The New York Times Subscription at 12:54PMAbraham and his company, A.I.M, returned to the Joyce Theater with a program of mixed repertory, including new dances and a Bebe Miller solo.
SOURCE: The New York Times Subscription at 12:45PMThe company returned to New York City Center with recent works by Crystal Pite and David Dawson, along with a vintage offering by Kenneth MacMillan.
SOURCE: The New York Times Subscription at 01:58PMIn “The Invisible Project,” a premiere at NYU Skirball, the choreographer Keely Garfield’s work as an end-of-life and trauma chaplain informs the dance.
SOURCE: The New York Times Subscription at 11:33AMTanztheater Wuppertal returns to the Brooklyn Academy of Music for the first time in six years with “Água,” a long, whimsical work from 2001.
SOURCE: The New York Times Subscription at 02:45PMThe company wrapped up its season with two weeks of Peter Martins’s “The Sleeping Beauty,” a flurry of debuts and four promotions.
SOURCE: The New York Times Subscription at 05:00PMSignaling the arrival of ballet’s next generation, the soloists Emilie Gerrity, Isabella LaFreniere, Roman Mejia and Mira Nadon move up.
SOURCE: The New York Times Subscription at 07:03PM“Bob Fosse’s Dancin’,” revived by the director Wayne Cilento, is back on Broadway. Its stars? An eclectic cast of dancers who are anything but machines.
SOURCE: The New York Times Subscription at 05:00AMWomen’s empowerment is the undercurrent of the winter season at New York City Ballet. Does it have a place in Americana?
SOURCE: The New York Times Subscription at 03:13PMCullberg, a contemporary Swedish company, makes its Joyce Theater debut with Deborah Hay’s delicate, hypnotic “Horse, the Solos.”
SOURCE: The New York Times Subscription at 01:30PMKyra Nichols, a former principal, returns to the company for the first time since her 2007 retirement to coach ballets by Balanchine and Robbins.
SOURCE: The New York Times Subscription at 09:00AMNew York City Ballet’s resident choreographer expands on “Rodeo” to make an evening-length work set to some of Aaron Copland’s most popular music.
SOURCE: The New York Times Subscription at 01:07PMRonald K. Brown/Evidence returns to the Joyce Theater with two hits, “Open Door” and “Grace,” and a New York premiere with music by Jason Moran.
SOURCE: The New York Times Subscription at 01:46PMSeptime Webre’s rendition of the tragic tale for Hong Kong Ballet this weekend at New York City Center had a striking look, but its dancing lacked vulnerability.
SOURCE: The New York Times Subscription at 01:33PMIn “Curriculum II,” dancers spin like planets as they grapple with the mind, the body and technology.
SOURCE: The New York Times Subscription at 01:30PMWhen the choreographer joins the company as artist in residence, the winners will be the dancers. And ballet.
SOURCE: The New York Times Subscription at 01:53PMIn “George Balanchine’s The Nutcracker,” performed by City Ballet and young students from its School of American Ballet, ballet comes full circle.
SOURCE: The New York Times Subscription at 08:00AMAt MoMA, the choreographer and artist Yve Laris Cohen’s installation, inspired by a fire at Jacob’s Pillow, looks at the fragility of space, art and the body.
SOURCE: The New York Times Subscription at 10:31AMIn “Remains Persist,” the choreographer Moriah Evans oversees a four-hour experiment that proposes a new way of looking at dance.
SOURCE: The New York Times Subscription at 01:16PMStephen Boss, known as tWitch, who took his own life, didn’t just move to music. He was music.
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