All stories by Emily May on BroadwayStars

Sunday, October 29, 2017

Review: Les Vêpres Siciliennes, The Royal Opera House by Emily May

Les Vêpres Siciliennes is an epic undertaking by the Royal Opera. Spanning five acts and four hours, it is somewhat of a marathon, where against all the odds the performers continue to batt…

SOURCE: A Younger Theatre at 11:33AM
Monday, July 31, 2017

Review: Mosquitoes, National Theatre by Emily May

Alice (Olivia Williams) and Jenny (Olivia Coleman) live completely contrasting lives, geographically and intellectually. Alice lives in Geneva, is a mother and a scientist working on the dev…

SOURCE: A Younger Theatre at 12:42PM
Monday, July 24, 2017

Review: Chinese Whispers, Greenwich Theatre by Emily May

Chinese Whispers – a play exploring the “bizarre life of Sir Edmund Backhouse” – is a difficult production to define. As it attempts to guide us through the audacious swindles of thi…

SOURCE: A Younger Theatre at 11:36AM
Wednesday, May 31, 2017

Review: Twelfth Night, Shakespeare’s Globe by Emily May

Emma Rice’s “Summer of Love” at Shakespeare’s Globe proves to be her farewell season as Artistic Director. And what a farewell her Twelfth Night has turned out to be. Rice invites yo…

SOURCE: A Younger Theatre at 07:36AM
Monday, May 15, 2017

Review: Cosmic Trigger, The Cockpit by Emily May

With the current state of political affairs, discussions of post-truth, fake news, and green aliens in body suits running the country, it feels very poignant for Love & Will Productions…

SOURCE: A Younger Theatre at 08:33AM
Thursday, May 11, 2017

Review: The Exterminating Angel, Royal Opera House by Emily May

Live sheep are being paraded around the stage. I would be surprised, but considering this opera’s surrealist inspirations, one should come expecting the unexpected. From the appearance of …

SOURCE: A Younger Theatre at 04:12PM
Monday, May 1, 2017

Review: Romeo and Juliet, Shakespeare’s Globe by Emily May

A black cloth, torn and irregular, is suspended over the stage of Shakespeare’s Globe – reminiscent of a foreboding spider’s web. From the very beginning, this ominous material hangs o…

SOURCE: A Younger Theatre at 03:31PM
Monday, April 24, 2017

Review: Tarantiseismic, Sadler’s Wells by Emily May

The stage is dark for several minutes. Almost unrecognisably, light begins to seep into the performance space, gradually revealing the cast of the National Youth Dance Company submerged unde…

SOURCE: A Younger Theatre at 01:48PM
Wednesday, April 12, 2017

Review: Women Redressed, Jermyn Street Theatre by Emily May

A platform for the prominence of female characters, playwrights and issues, Women Redressed is an intriguing feminist theatre festival produced by Sheer Height Theatre. In its fourth instalm…

SOURCE: A Younger Theatre at 06:12AM
Friday, February 17, 2017

Review: Sex With Strangers, Hampstead Theatre by Emily May

The stage is dressed with a plethora of brown. From brown leather sofas to brown wooden wall cladding, the colour scheme sets an expectation of a warm, cosy, and intimate setting. This expec…

SOURCE: A Younger Theatre at 03:18PM
Thursday, February 16, 2017

Review: Masurca Fogo, Sadler’s Wells by Emily May

Two men eat lit candles. A live chicken in paraded around the stage and is left to feed off a smashed watermelon. A vase of flowers is emptied into the skirt of one performer’s gown. A wom…

SOURCE: A Younger Theatre at 05:48AM
Monday, February 13, 2017

Review: Henry V, Southwark Cathedral by Emily May

One would not normally compare the plights of the British Army in the Battle of Agincourt and WWI. Yet despite the obvious contrasting features – the former casting the English as aggresso…

SOURCE: A Younger Theatre at 02:24PM
Thursday, January 19, 2017

Review: Resolution 2017, The Place by Emily May

Resolution 2017 is the 28th edition of the celebrated platform for emerging contemporary dance choreographers. With a different triple-bill every night for just over a month, Resolution prov…

SOURCE: A Younger Theatre at 02:18PM
Friday, December 2, 2016

Review: Another Night Before Christmas, The Bridge House Theatre by Emily May

With Christmas just around the corner, many of the audience at the Bridge House Theatre may be able to empathise with protagonist Carole’s disdain for the commercialism of the season. “I…

SOURCE: A Younger Theatre at 05:36AM
Tuesday, November 29, 2016

Review: Swan Lake/Loch na hEala, Sadler’s Wells by Emily May

The stage is set with an unlikely assortment of objects. A utilitarian platform, instruments, ladders, wiring and microphones conjure thoughts of a warehouse. It is as if the backstage of th…

SOURCE: A Younger Theatre at 02:06PM
Sunday, November 20, 2016

Review: Akram Khan’s Giselle, Sadler’s Wells by Emily May

English National Ballet (ENB) are fast becoming one of the most intriguing companies at work in the UK today. Under the artistic direction of Tamara Rojo, they have collaborated with choreog…

SOURCE: A Younger Theatre at 04:02PM
Thursday, November 17, 2016

Review: Pride and Prejudice, Richmond Theatre by Emily May

“It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.” The infamous Austen quotation rings throughout Richmond Theatre as…

SOURCE: A Younger Theatre at 07:36AM
Thursday, November 10, 2016

Review: Oreste, Wilton’s Music Hall by Emily May

It is not every day that an audience member enters the world’s oldest surviving music hall and is confronted with staging adorned with aggressive graffiti. This juxtaposition of antiquated…

SOURCE: A Younger Theatre at 04:36PM
Saturday, November 5, 2016

Review: Virgin Territory, The Place by Emily May

It is irrefutable that choreographer, Charlotte Vincent, is passionate about her subject. The Place’s bar is filled with pre-show information and activities that encourage the audience to …

SOURCE: A Younger Theatre at 10:48AM
Saturday, October 29, 2016

Review: Mum’s the Word, The Hen and Chickens Theatre by Emily May

As we enter the intimate auditorium above The Hen and Chicken pub in Islington, raucous jazz music fills our ears. We are confronted with a simplistic set reminiscent of a stereotypical Lond…

SOURCE: A Younger Theatre at 09:12AM
Tuesday, October 25, 2016

Review: Pinocchio, Sadler’s Wells by Emily May

Originally the protagonist of Carlo Collodi’s book set in 19th Century Italy, and then the eponymous star of the Disney classic, Pinocchio is a fairytale character that many of us remember…

SOURCE: A Younger Theatre at 12:20PM
Saturday, October 15, 2016

Review: Force of Trump, Jack Studio Theatre by Emily May

As you enter the Jack Studio Theatre, he’s there. Bleach blonde wig in place, he dances around on an office chair accompanied by the Flying Lizards’ ‘Money’. Already inciting an atmo…

SOURCE: A Younger Theatre at 04:07PM
Tuesday, October 11, 2016

Review: O Snap, Stratford Circus Arts Centre by Emily May

“The stumbling blocks of our teenage years where emotions and friends rule” are the focus of Erik Kaiel’s O Snap, a piece of dance theatre aimed at children from age ten and up. Moment…

SOURCE: A Younger Theatre at 12:50PM

Review: Tetris, Stratford Circus Arts Centre by Emily May

Erik Kaiel’s company – Arch 8 Dancers – have hit Dance Umbrella 2016 with a programme of three contrasting works aimed at younger audiences. Tetris – the first of the three – encom…

SOURCE: A Younger Theatre at 10:44AM
Saturday, October 8, 2016

Review: Ballet Black: Triple Bill, Theatre Royal Stratford East by Emily May

Ballet Black, founded by Cassa Pancho in 2001, aims to provide dancers of Black and Asian descent with inspiring opportunities in Classical Ballet. It is an unfortunate fact that classical b…

SOURCE: A Younger Theatre at 11:16AM
Thursday, October 6, 2016

Review: Carlos Acosta: The Classical Farewell, Royal Albert Hall by Emily May

Carlos Acosta, world famous Cuban ballet prodigy is hanging up his ballet shoes and bidding farewell to the demands of Classical performance. It feels as if he’s been saying goodbye foreve…

SOURCE: A Younger Theatre at 11:05AM
Monday, October 3, 2016

Review: Natalia Osipova Triple Bill, Sadler’s Wells by Emily May

Natalia Osipova has followed the lead of French prima-ballerina Sylvie Guillem by throwing herself into the world of contemporary dance in her first self-commissioned programme. Supported by…

SOURCE: A Younger Theatre at 02:15PM
Monday, September 19, 2016

Review: The Dream Factory, The Little Angel Theatre by Emily May

“In a land where anything is possible, no imagination is too big for our dream factory.  Not even yours.” This is the claim made by House of Stray Cats in the description of their lates…

SOURCE: A Younger Theatre at 09:21AM
Sunday, September 18, 2016

Review: Gallows Rope, Bread and Roses Theatre by Emily May

Gallows Rope seeks to explore issues peculiar to twenty-first century London. Solitary existence, overpopulation, and Londoner’s inability to communicate with people sat opposite them are…

SOURCE: A Younger Theatre at 04:12PM
Sunday, September 11, 2016

Review: punkplay, Southwark Playhouse by Emily May

Upon entry I’m handed a badge. “Dreams are free motherfuckers” it says, setting the tone for the evening’s proceedings. The UK premiere of punkplay at the Southwark Playhouse aims &#…

SOURCE: A Younger Theatre at 02:21PM
Saturday, September 10, 2016

Review: How to Date a Feminist, Arcola Theatre by Emily May

As I walk into the Arcola Theatre for my latest review, I jokingly contemplate that How to Date a Feminist would be the perfect first date for proud gender egalitarians such as myself. What …

SOURCE: A Younger Theatre at 07:28AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic