All stories by Emily May on BroadwayStars

Saturday, September 10, 2016

Review: How to Date a Feminist, Arcola Theatre by Emily May

As I walk into the Arcola Theatre for my latest review, I jokingly contemplate that How to Date a Feminist would be the perfect first date for proud gender egalitarians such as myself. What …

SOURCE: A Younger Theatre at 07:28AM
Wednesday, June 29, 2016

Review: Hindle Wakes, Upstairs at the Gatehouse by Emily May

Stanley Houghton’s Hindle Wakes is a microcosmic play that explores macrocosmic issues. The setting of two domestic locations in a provincial Lancashire mill town provides an anachronistic…

SOURCE: A Younger Theatre at 01:22PM
Tuesday, June 28, 2016

Review: Macbeth, Shakespeare’s Globe by Emily May

Many of us seated (and indeed standing) could not have predicted the significance of watching Macbeth in the Globe on the eve of 23 June 2016. Shakespeare’s play exploring political turbul…

SOURCE: A Younger Theatre at 03:00AM
Thursday, June 16, 2016

Review: The Burning Gadulka, The Drayton Arms Theatre by Emily May

The gadulka. What is a gadulka? I’m still not sure even as I leave The Drayton Arms Theatre after having watching an hour long monologue that intends to explore the traditional Bulgarian f…

SOURCE: A Younger Theatre at 05:15PM
Tuesday, May 31, 2016

Review: WATCH OUT festival, Cambridge Junction by Emily May

When one sees an advert for an experimental theatre festival, it is always uncertain how “experimental” the pieces presented will be. Will they merely explore new possibilities within th…

SOURCE: A Younger Theatre at 04:31PM
Wednesday, May 11, 2016

Review: Devilish! , The Landor Theatre by Emily May

Devilish!’s writer and lyricist Chris Burgess claims that his most recent work takes inspiration from a John Ruskin quotation, HG Wells’ The Wonderful Visit, and Bruegel’s famous depic…

SOURCE: A Younger Theatre at 02:45PM
Saturday, May 7, 2016

Review: A Midsummer Night’s Dream, The Globe Theatre by Emily May

I defy anyone to enter Shakespeare’s Globe and not experience a sense of wonder, tradition and dramatic energy. As I sit down on my wooden bench in the middle gallery and gaze around the c…

SOURCE: A Younger Theatre at 04:37AM
Friday, May 6, 2016

Review: The Lovers of Viorne, The Theatre Room by Emily May

Frontier Productions is a recently founded theatre company with a unique mission statement. It aims to open doors for actors in their sixties and seventies, and provide creative theatre role…

SOURCE: A Younger Theatre at 07:45PM
Wednesday, April 27, 2016

Review: Tannhäuser, Royal Opera House by Emily May

Opera. A genre that in contemporary society many view as restricted for musical experts and the elite upper classes. However, The Royal Opera’s current reimagining of Wagner’s Tannhäuse…

SOURCE: A Younger Theatre at 04:13PM
Sunday, April 24, 2016

Review: Bards Without Borders, Rich Mix Theatre by Emily May

As I enter the main space at the Rich Mix Theatre, Shoreditch, loud Balkan music permeates the auditorium. There’s an open bar in the theatre space, and an infamous portrait of Shakespeare…

SOURCE: A Younger Theatre at 04:08PM
Sunday, April 17, 2016

Review: She Said, Sadler’s Wells by Emily May

In a recent, controversial statement, contemporary choreographer Akram Khan declared that we should not encourage rising numbers of female choreographers “for the sake of it.” Many peopl…

SOURCE: A Younger Theatre at 06:28AM
Wednesday, April 13, 2016

Review: Gatsby, Union Theatre by Emily May

I’m sitting in the Union Theatre bar with a glass of Merlot, and within a matter of seconds I am transported back to the Roaring Twenties. Members of the ensemble cast burst into the foyer…

SOURCE: A Younger Theatre at 06:26PM
Saturday, March 26, 2016

Review: Snow White, Sadler’s Wells by Emily May

Whether it’s the traditional fairytale by the Brothers Grimm, or Disney’s 1937 film adaptation, we are all familiar with the classic narrative of Snow White and the Seven Dwarves. What m…

SOURCE: A Younger Theatre at 06:56PM
Monday, March 21, 2016

Review: Women Redressed, Arcola Theatre by Emily May

Women Redressed is a festival of theatrical brainstorming, combining the work of up-and coming-playwrights with that of more established writers. It is a programme of nine works, qualifying …

SOURCE: A Younger Theatre at 08:01PM

Review: Dissonance, Camden People’s Theatre by Emily May

As the lights dim in the intimate venue of Camden People’s Theatre, three actors enter the space and stare at the audience. Faint smirks are visible on their faces as they subsequently rev…

SOURCE: A Younger Theatre at 04:46PM
Wednesday, March 16, 2016

Review: Golgota, Sadler’s Wells by Emily May

As we enter the theatre, a performer dressed in chorister’s robes repetitively enters and exits the performance space, on each entry lighting a candle placed on a centre-stage lectern. He …

SOURCE: A Younger Theatre at 04:14PM
Sunday, March 13, 2016

Review: The Box, The London Palladium by Emily May

There can be certain scepticism amongst theatre goers surrounding companies or acts that arise as a product of popular television talent competitions, a snobbery that I myself am often guilt…

SOURCE: A Younger Theatre at 03:03PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards