Tuesday, October 6, 2020
Who gets to stay? The digital adaptation of a 2018 satire asks the playgoing audience to weigh in from home.
SOURCE: The New York Times Subscription at 02:32PMThursday, September 24, 2020
The interstellar adventure deftly mixes the lo-fi aesthetics of budget science fiction with dopey humor and experimental theater’s sensibility.
SOURCE: The New York Times Subscription at 03:54PMWednesday, September 23, 2020
In a fall season without many live shows, everything is up for grabs. That includes the canon of classics — and where Bill Irwin might be performing.
SOURCE: The New York Times Subscription at 10:18AMWednesday, September 16, 2020
Before lockdown, she won praise for three fierce Off Broadway performances. Next: starring in an online reading of a rarely seen Pulitzer Prize finalist.
SOURCE: The New York Times Subscription at 03:32PMFriday, September 11, 2020
Six months dark. Thousands of artists out of work. Could this disaster have a surprise ending? Five critics on what must change, onstage and off.
SOURCE: The New York Times Subscription at 05:18AMWednesday, September 9, 2020
The Billie Holiday Theater offers a live performance of “12 Angry Men…and Women: The Weight of the Wait” in front of a Black Lives Matter mural.
SOURCE: The New York Times Subscription at 02:54PMWednesday, August 26, 2020
Festivals from Sydney and Edinburgh move online, and Richard Nelson mixes in another of his theatrical franchises to conclude a Zoom trilogy.
SOURCE: The New York Times Subscription at 01:42PMThursday, August 13, 2020
This month, watch Ming Peiffer’s play about the women’s suffrage movement and a virtual reading that reunites Ed Harris and Bill Pullman.
SOURCE: The New York Times Subscription at 03:48PMWednesday, August 5, 2020
What happens when the edgy Ice Factory festival goes online? A sense of discovery tempered by frustrating technological glitches.
SOURCE: The New York Times Subscription at 05:06PMThursday, July 30, 2020
Sunday, July 26, 2020
This staging by the National Theater of Greece was broadcast live on Saturday from the amphitheater of Epidaurus.
SOURCE: The New York Times Subscription at 02:36PMWednesday, July 15, 2020
Most of them are available on short notice, after all. Live readings with some of the New Group’s original casts and an Ian Dury jukebox musical are among this week’s highlights.
SOURCE: The New York Times Subscription at 02:24PMFriday, July 10, 2020
The Oregon Shakespeare Festival’s streaming series begins with a “historical fable” about Catholic orphans and their new families in 1904 Arizona.
SOURCE: The New York Times Subscription at 02:06PMFriday, July 3, 2020
Even in lockdown, it’s still hard to cut a streaming deal for a professional show. Here’s what viewers can expect, for now.
SOURCE: The New York Times Subscription at 01:36PMThursday, July 2, 2020
“She Kills Monsters” is hugely popular in high schools and colleges. Even in lockdown, performers have found novel ways to make the battles come alive.
SOURCE: The New York Times Subscription at 10:48AMThursday, June 25, 2020
The online bounty also includes a rare Lorraine Hansberry play, two Lincoln Center stagings and black British responses to the killing of George Floyd.
SOURCE: The New York Times Subscription at 03:24PMWednesday, June 24, 2020
His new memoir “Lot Six” traces the Syrian-Jewish enclave that spawned him, the instructor who unnerved him, and the biting comedy that made his name.
SOURCE: The New York Times Subscription at 01:48PMWednesday, June 3, 2020
If BAM is your jam (or places like it), here are digital offerings that offer weird Americana and bold visions from Europe. Plus: a 24-hour variety show.
SOURCE: The New York Times Subscription at 03:06PMThursday, May 28, 2020
With actors on payroll, Seacoast Rep has removed seats, added tech equipment and is selling tickets for a musical livestreamed every weekend.
SOURCE: The New York Times Subscription at 05:06PMWednesday, May 27, 2020
Versions of the “Carousel” song by Aretha Franklin, Gerry and the Pacemakers and Liverpool F.C. fans have turned it into something universal.
SOURCE: The New York Times Subscription at 11:06AMMonday, May 18, 2020
Dolly Parton, Meryl Streep and Jon Bon Jovi in a star-studded benefit concert; a play written specially for Zoom; Shakespeare on YouTube; and more.
SOURCE: The New York Times Subscription at 04:54PMMonday, May 4, 2020
Watch as the virtual curtains rise, from “Acquanetta” to the Wooster Group, with stops at Shakespeare and “Fun Home.”
SOURCE: The New York Times Subscription at 11:54AMTuesday, April 28, 2020
Remote learning may not be ideal, but Zoom encourages acting students to be more nuanced, more private and more intimate.
SOURCE: The New York Times Subscription at 11:54AMThursday, April 23, 2020
Friday, April 10, 2020
A roundup of streaming theater that covers classics and new shows, endearingly D.I.Y. webcasts and slick Broadway extravaganzas.
SOURCE: The New York Times Subscription at 10:48AMThursday, March 26, 2020
Audra McDonald, Lin-Manuel Miranda and Joe Mantello on a versatile collaborator who came to know “he didn’t have to repeat himself.’
SOURCE: The New York Times Subscription at 12:48PMMonday, March 23, 2020
For over three hours online Sunday night, Rosie O’Donnell praised, kibitzed and made room for Broadway stars to check in with their fans and share music.
SOURCE: The New York Times Subscription at 01:54PMTuesday, March 17, 2020
As bans on public gatherings have proliferated nationwide in response to coronavirus, shows and special programs are announcing streaming plans daily.
SOURCE: The New York Times Subscription at 07:12PMTuesday, March 3, 2020
Jessica Blank and Erik Jensen’s show at the Public Theater, with live music by Steve Earle, is based on a real-life West Virginia mining tragedy.
SOURCE: The New York Times Subscription at 10:18PMMonday, March 2, 2020
Ethan Lipton’s delirious Western comedy features a pigtailed gunslinger, a soul-sucking demon and singing puppet cactuses, among other inspired flights of fancy.
SOURCE: The New York Times Subscription at 03:48PMWednesday, February 26, 2020
A “revisal” of a Meredith Willson musical has a strong female lead who doesn’t quit, and her unrelenting energy makes for a static production.
SOURCE: The New York Times Subscription at 11:03PM 
