Wednesday, February 26, 2020
A “revisal” of a Meredith Willson musical has a strong female lead who doesn’t quit, and her unrelenting energy makes for a static production.
SOURCE: The New York Times Subscription at 11:03PMTuesday, February 25, 2020
Friday, February 21, 2020
Cary Gitter’s throwback romantic comedy, about an Orthodox Jew and his Italian-American neighbor, is kind of sweet and kind of clunky.
SOURCE: The New York Times Subscription at 12:54PMSunday, February 16, 2020
Drew Droege’s solo show is a laugh-out-loud funny social sendup, but it doesn’t add up to more than a series of vignettes.
SOURCE: The New York Times Subscription at 03:03PMTuesday, February 4, 2020
Hollywood has long cast her as a bombshell (“Sin City,” “Karen Sisco”), but the actress has found an entirely different track onstage. Next up: “Anatomy of a Suicide.”
SOURCE: The New York Times Subscription at 01:54PMSaturday, February 1, 2020
In Zora Howard’s new drama, the kitchen is where the characters reveal their bickering-but-loving true selves.
SOURCE: The New York Times Subscription at 11:03PMSunday, January 26, 2020
A tale about the 18th-century African-American mathematician includes actors, a vibrant marching band and wackadoo puppetry.
SOURCE: The New York Times Subscription at 07:36PMFriday, January 24, 2020
In a Spanish-language stage adaptation of the Junot Díaz novel, the friendship between two Dominican men is a testing ground for competing visions of masculinity.
SOURCE: The New York Times Subscription at 05:12PMMonday, January 20, 2020
Barra Grant’s autobiographical solo play plumbs her fraught relationship with her mother, the famous politician and beauty queen Bess Myerson.
SOURCE: The New York Times Subscription at 01:36PMSunday, January 12, 2020
This documentary show, created to teach young audiences about the experiences of refugees, focuses on optimism and hope, perhaps to a fault.
SOURCE: The New York Times Subscription at 01:36PMFriday, January 10, 2020
With a gown and love for old Hollywood, Busch stars in his latest zany romp, “The Confession of Lily Dare.”
SOURCE: The New York Times Subscription at 05:48AMFriday, December 13, 2019
“Anything Can Happen in the Theater: The Musical World of Maury Yeston” is an old-fashioned revue that ably showcases the Tony-winning songwriter.
SOURCE: The New York Times Subscription at 02:42PMSunday, December 8, 2019
This cryptic play at the Brick Theater examining a certain kind of mythological American noir is wonderfully flabbergasting, and often genuinely creepy.
SOURCE: The New York Times Subscription at 04:03PMThursday, December 5, 2019
George Eastman’s Off Broadway play is lifted by its direction and performances, but often feels like a cornball sitcom.
SOURCE: The New York Times Subscription at 12:12AMFriday, November 22, 2019
It’s time for Broadway to embrace what’s most joyous about songbook shows. Not biography, not coherence, but excess. Even “Moulin Rouge!” doesn’t quite get it right.
SOURCE: The New York Times Subscription at 11:24AMTuesday, November 19, 2019
A new play focuses on the first woman to win the Nobel Prize and her friendship with Hertha Ayrton, a fellow scientist played by Kate Mulgrew.
SOURCE: The New York Times Subscription at 11:24PMWednesday, November 6, 2019
Tuesday, October 29, 2019
Monday, October 28, 2019
Raúl Esparza faces the realities of the restaurant business in Theresa Rebeck’s energetic but formulaic art-versus-commerce comedy.
SOURCE: The New York Times Subscription at 10:18PMFriday, October 25, 2019
While Renée Zellweger plays the star onscreen, a host of cabaret performers pay homage to the gay icon night after night onstage.
SOURCE: The New York Times Subscription at 12:18PMSunday, October 20, 2019
The “Arrested Development” actress made quite the New York stage debut, repeating one fiery scene opposite about 100 different actors in “The Second Woman.”
SOURCE: The New York Times Subscription at 03:12PMFriday, October 18, 2019
Focusing on the entertainer’s early years, this Paper Mill Playhouse musical offers buoyant tap numbers but sidesteps the material’s most troubling implications.
SOURCE: The New York Times Subscription at 05:48PMWednesday, October 16, 2019
In a work opening with a goat tethered to a cinder block, the closest we get to Tchaikovsky’s ballet is four dancers representing swans.
SOURCE: The New York Times Subscription at 04:48PMSunday, October 13, 2019
Intimate but distant by design, Andy Bragen’s play takes us on a journey many are likely to face with an aging parent.
SOURCE: The New York Times Subscription at 08:42PMMonday, October 7, 2019
Set in a bar on Christmas Eve, this revival at the Irish Repertory Theater plays alcoholism for drama without resorting to boozy histrionics.
SOURCE: The New York Times Subscription at 04:24PMMonday, September 30, 2019
The downtown rock raconteuse Tammy Faye Starlite is celebrating the 40th anniversary of “Broken English” in this hybrid of a show.
SOURCE: The New York Times Subscription at 02:33PMSunday, September 29, 2019
A director and a composer play versions of themselves in a fascinating but frustrating reconsideration of a movie infamous for its use of blackface.
SOURCE: The New York Times Subscription at 04:24PMFriday, September 6, 2019
An Australian production features the same scene repeated 100 times, while a French version stars Isabelle Adjani in the Gena Rowlands role.
SOURCE: The New York Times Subscription at 10:24AMThursday, September 5, 2019
A woman watches those she left behind in Milly Thomas’s unsentimental solo show at the Fourth Street Theater.
SOURCE: The New York Times Subscription at 10:42PMSunday, August 25, 2019
Wednesday, July 31, 2019
In Elaine Murphy’s play, three women from one Dublin family tell a slice-of-life story through interwoven, interlocking monologues.
SOURCE: The New York Times Subscription at 01:54PM 
